My First Book Club Meeting! (Mostly Dead Things, By Kristen Arnett)

Mostly Dead Things
By Kristen Arnett

My sister’s family visited DC from Texas not too long ago. After a very hot morning wandering around Mount Vernon (the historical site, not the neighborhood), John and I took them to Virtue Grain and Feed in Old Town Alexandria for lunch. My sister suggested we check out the bookstore right next to it afterward, and I am SO glad she did!

I discovered three things on that visit. 1. Old Town Books is cute and fun. 2. They have book clubs! Which I decided immediately to join. and 3. They’e hosting an Emerging Writer’s Festival in August (that I knew I HAD to be part of).

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I’ve actually been meaning to read more fiction for a while now. I generally gravitate toward nonfiction books, usually history or self help. If I DO read a fiction book, it’s probably a Tamora Pierce novel or historical fiction set around the English Renaissance (Tudor Times are MY JAM), or maybe Jane Austen. I also regularly act in Shakespeare plays, although I’m not sure how much that counts towards reading. But since I’m writing fiction now, I clearly need to read more of it. I wasn’t sure where to start though, which is why I was so happy to learn about Old Town Books’ book club! I figured this was a perfect way to discover new fiction and make new literary friends while also overanalyzing stories (which is one of my favorite things).

My first meeting was this last Saturday! This is the first book club I can actively remember going to, honestly. And it was delightful! We discussed “Mostly Dead Things,” by Kristen Arnett. It’s a wonderfully wacky book about how a family moves on after their paternal figure’s suicide. He was a taxidermist, as is the narrator Jessa-Lyn, and the book explores this craft in a really fascinating, realistic, and occasionally gory way. The narrator’s mother starts to work through her grief by making art in the form of sexually explicit taxidermy scenes, which leads to her meeting an art gallery owner and creating her own full art exhibit. The narrator ends up in a twisty relationship with the gallery owner, Lucinda, and shenanigans continue from there. It’s also a beautiful exploration of the nature of grief and family. It’s a tough read at times, just because it’s so emotional and raw, but I really enjoyed it and I greatly enjoyed talking to other book fans about it. My friend Arielle came along with me and we had a good time!

Also there was a dog. A DOG. All bookstores need dogs.

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The author Kristen Arnett joined the meeting after a bit and we got to ask her some questions! She had some really thoughtful answers. She also talked about how she fit her writing into her life with her full-time job as a librarian - basically, she committed to writing 1,000 words every day Monday-Friday. She didn’t have to write on the weekend, but if she did, that was cool too. I’ve found this mindset really inspiring and have made a similar commitment in my own life (using the Momentum habit tracking app).*

Afterward, Kristen signed books for everyone. She had the coolest way of doing so too - she put hearts into various portions of the title on the title page! I really appreciated the extra effort she put into making the autograph experience more unique and it gives me ideas for the future. :)

I can’t wait for next month’s meeting! I haven’t figured out what the book is yet, but I keep checking their website obsessively and someday I’ll know!

*I previously used the Habitbull habit tracking app, but I switched to Momentum to save money. It’s a very similar set up and only cost $5-6 instead of the $20 per year for Habitbull.

"Purr Like an Egyptian": Inspiration from Daphne Du Maurier and Ancient Egypt

Have I mentioned that my cats-taking-over-Memphis story "Purr Like an Egyptian" will be in Grumpy Old Gods Volume 2? It's open for Pre-orders now and will publish on August 9! https://www.amazon.com/gp/product/B07VJZVM5C

This was the first short story I’d written since…high school? Junior high? I just heard about the submission prompt and I was instantly captivated; I HAD to write a story for it.

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GRUMPY OLD GODS: SEEKING

We’re looking for stories about mythical Gods who are waning, reborn, retired, or otherwise AWOL from their assigned post.

We invite you to re-imagine old myths, mine your local retirement home for things that tickle your fancy, and invite your Muse to go wild.  The only requirement is that the god or goddess in question (or whole pantheon if you so choose) must be retired, retiring, waning in power, or ignoring their responsibilities. Bonus points for good humor.

I mean, how amazing is that? I came up with the idea to use Bastet, the Egyptian Goddess of cats, pretty easily, and I knew I wanted her to run a cat cafe. The idea of all the cats migrating to Memphis to be near her developed more slowly over time.

Once I did get that idea though, I knew I wanted to look to Daphne DuMaurier’s The Birds, which has a similar premise, only much more frightening. I tried to get across a similar, but more modern, depiction of animals taking over a town. In addition, my intro was a direct homage to the story’s beginning.

The Birds:

On December the third, the wind changed overnight, and it was winter. Until then the autumn had been mellow, soft. The leaves had lingered on the trees, golden-red, and the hedgerows were still green. The earth was rich where the plow had turned it.

Purr Like an Egyptian:


On March 10th, Tennessee finally realized it was spring and the temperature rose 20 degrees. Everywhere in town smelled damp, like fresh sod, green and expectant.

So my opening is a bit more folksy to bring across the humor of the piece, but you get the idea.

I also specifically picked out names for everyone in the story that had an extra layer of meaning for anyone who bothered to look into it. In the story, Bastet’s human form goes by Nenet Elmasry. Nenet means “divine, spiritual,” and “Elmasry” literally means “The Egyptian.” Her husband, Sef, is the human form of Ptah, the god of craftsmen. His physical description matches Ptah’s - hairless and wearing a skull cap. “Sef” literally means “yesterday.”

I also used to have a cat character named Aten who was intended to represent the divine cat aspect of Ra, who was strongly associated with Bastet, but I ended up cutting him out during the editing process. We just didn’t need another cat around, particularly one with more of an obscure origin. Aten means “sun,” which referenced Ra as the sun god.


On Being Ill, with Rachael and Virginia

While on the subject of chronic pain, it appears I might have an even newer, funner type. :/

As I’ve mentioned before, I’ve been feeling pretty terrible for the past ~5 weeks at this point. I’ve been having a ton of painful sinus pressure, headaches, and fatigue, along with fun spats of dizziness, lightheadness, blurry vision, and nausea. I’ve seen my general practitioner twice in the past month; he said my sinuses were inflamed, so we assumed it was a sinus infection. I’ve tried three different antibiotics and a course of oral steroids.

This photo meme of my cat wearing a tie has nothing to do with this post but look how charming he is!

This photo meme of my cat wearing a tie has nothing to do with this post but look how charming he is!

I still feel awful, so I went to an ENT (ear, nose, and throat) doctor yesterday. Dr. Sharma looked around in my nose with a scope and told me that there’s actually no sign of a sinus infection at all, or any sign of what is actually causing the pain. He posited that it might be a side effect from one of my medicines, so he started looking around online for those, but didn’t find anything that seemed to fit. His next suggestion was to wait a few weeks before I get a head CT, but it’s been so long and this is really affecting me so badly at this point, that I just asked if we could do the CT now. I’ve got an appointment next Wednesday.

This constant pain in my maxillary sinuses and head is really starting to take a toll. I’ve had way more trouble this month focusing on work than I usually do. I’ve taken off more sick days than I have in years (although of course not as much as I’d like, because I can’t actually afford to take off that many days), and I haven’t been writing as much on my short stories or on this blog as I’d like. And now on top of that, I’m worried about what it might be that’s causing all this. It might be like, sinus headaches or something simple I can treat relatively easily and quickly. Or it might be something more serious (my mother helpfully informed me shortly after I relayed this information to her that two members of my family have died from brain aneurysms in the past. So comforting, right?).

I’m rather nervous about it all, and my nerves are already frayed from ~35 days of sinus pain and headaches, but I’m trying not to google symptoms any more and just be patient. I may need to meditate and read a lot more over the next couple days to keep my mind off of it. Because even if the CT doesn’t give me a definitive diagnosis, it will at least be helpful for ruling out options.

It all makes me think of Virginia Woolf. In 1925, when she was in bed recovering from suffering a nervous breakdown, she wrote “On Being Ill, a beautiful essay on the nature of illness that was published by T.S. Eliot in The Criterion. In it, she asks, how can something so common and universal be so little written about?

Her opening sentence can be a little hard to read, as it just keeps going and going, but it is so beautiful when you actually parse it out and examine it [line breaks mine]:

Considering how common illness is, how tremendous the spiritual change that it brings,

how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to light, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us in the act of sickness,

how we go down into the pit of death and feel the waters of annihilation close above our heads and wake thinking to find ourselves in the presence of the angels and the harpers

when we have a tooth out and come to the surface in the dentist’s arm chair and confuse his ‘Rinse the mouth—rinse the mouth’ with the greeting of the Deity stooping from the floor of Heaven to welcome us

—when we think of this an infinitely more, as we are so frequently forced to think of it, it becomes strange indeed that illness has not taken its place with love, battle, and jealousy among the prime themes of literature.

Then she continues:

Novels, one would have thought, would have been devoted to influenza; epic poems to typhoid; odes to pneumonia; lyrics to toothache.

But no; with a few exceptions De Quincey attempted something of the sort in The Opium Eater; there must be a volume or two about disease scattered through the pages of Proust—literature does its best to maintain that its concern is with the mind; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null, and negligible and non-existent.

And so she continues. You should go read the whole thing, it’s great.

I would like to write such wonderful odes to sickness. I think I will at some point. I feel I am getting better at writing all the time; already, just looking at stories from a few months ago, I see the things I would change or phrase differently now. I see how I would tighten a chapter or make a story beginning more interesting. I will write such things soon, but for now, I am behind on a short story I wanted to have finished, polished, and published online by now, so I should go work on that. But yet my head aches so, even with loads of ibuprofen and sudafed, and it is difficult for me to remember from moment to moment what I should be doing.

The “On Being Ill” essay was actually the first one to really get me to understand “creative nonfiction” as a concept. I learned about it from “Reading Like a Writer,” by Francine Prose, which helped me really start to think about the craft of my writing. That section actually helped “Estate Sale,” which was my first real attempt at creative nonfiction. I tried to emulate a lot of the imagery filed sentences and careless grammar that Woolf uses. This book also fed into my short story “The Caterer,” as it was what inspired the first and second person POV.

I don’t exactly know where I’m going with this post. I’m essentially saying I plan to write something epic and beautiful about illness someday, but not right now. This is but a Tribute .

Story Ideas from History and Dreams

So I keep a note on my phone called “story ideas” that I just fill with different ideas as they strike me. Sometimes these are from dreams, often they are from books or history podcasts, some are just thoughts that come to mind that I have to get down on a page /right then/ or I’ll forget them!

Numerous of these scribbled ideas have turned into future stories. I had the idea for Most Horrible probably…a year and a half before i actually started turning it into a one act play? The entire concept of “Big Dave’s Goliath” came from a simple fact I had scribbled down- that various popes had ordered the removal of all the penises from the nude statues in the Vatican museum. When I came across the call for submissions for “Big,” which asked for stories around something or someone gargantuan, the idea of a giant replica of Michelangelo’s David, and the shenanigans that ensue when someone vandalizes the statue by cutting off its genitalia, came into being. True, it’s totally absurd (and that story was HIGHLY influenced by the over the top style of Carl Hiaasen), but it was really fun to write! And now it’s published in Colp: Big. :)

Here you can see notes on one of my history story ideas and one of my dreams!

Here you can see notes on one of my history story ideas and one of my dreams!

The Caterer and the Vanguard (current work in progress) both were inspired by historical legends chronicled in “100 Cats Who Changed Civilization,” by Sam Stall. John gave it to me last December just as a fun gift; he had no idea what it would lead to! Hah. I have numerous other ideas for the AntiquiCats series originating from that book and other cat history sources online.

Here’re two snippets of my current “story ideas” note, featuring a few of my favorite ideas.

So Leichenhauses were WAITING MORTUARIES for people who were scared of being buried alive (circa 1800s). After death, the bodies would be set out and have like, strings tied between their bodies and either a bell or a harmonium or whatever. Then someone would sit up with the bodies and listen for movement noises. Bodies actually move a lot while they’re decomposing, so it must have been quite frightening! They were also viewed as a common tourist destination? It sounds utterly fascinating. I REALLY want to write a story set in one at some point and just haven’t found the right plot yet. I first heard about these from the brilliant Stuff you Missed in History Class podcast called “Not Dead Yet - Safety Coffins and Waiting Mortuaries.”

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I’ve also gleaned several ideas from a book I’m currently reading - Black Tudors, by Miranda Kauffman. It’s very good but very dense and academic, so I’ve been reading it off and on for MONTHS. I’ll finish it some day.

How I Got Back Into Writing Seriously

The Lifelong Dream

Honestly, I cannot remember a time when I have not wanted to write and be an author. Some of my earliest dreams and goals as a child involved writing as a career. My family LOVES books; literally every room in my parents’ house except the bathrooms have bookshelves and books in them. It was a wonderful place for a child to grow up. I eagerly read as many books as I could; they fascinated me and brought me to a whole other world. I wanted to make those worlds myself.

And in elementary school I did. I was always writing stories or poetry or songs or whatever. My output turned into mostly just poetry over time, as I discovered journalism and imposter syndrome. For a long time, I felt that nonfiction journalistic writing was the only thing I could do. Fiction seemed too hard. I tried doing National Novel Writing Month several times and never managed to finish; this made me feel like a failure. I had lots and lots of ideas written down in various places, but none of them ever came to fruition. I’d start and stop and get distracted and frustrated. For a while I had resigned myself to not really being a writer. I did do some writing and research on marital surnames, and had an inkling to turn it into a nonfiction book, but I wasn’t following through on any of it.

I usually write at the kitchen table these days, surrounded by books and journals.

I usually write at the kitchen table these days, surrounded by books and journals.

The Turning Point

So fast forward to my 30th year of life, when I finally got on a combination of treatments that actually treated my depression successfully. This really changed my life in so many ways. I had a focus and a determination that I hadn’t had previously; my depression was no longer a barrier dropping in front of me, but a curtain pulled to the side. I could see it and respect it and treat it carefully, but I could walk through it without a problem.

When my beloved Shakespeare troupe Britches and Hose announced that they were holding a New Works Festival and needed submissions of original one acts, I decided that it was time to take one of my favorite ideas and turn it into a play. That’s how “Most Horrible,” a one-act prequel to Hamlet set in Purgatory began. I was so excited and motivated by this success that I continued on - and turned the play into a project for National Novel Writing Month in November. I finished up the novel by the end of January (I have, of course, decided to add in a whole new historical context and many more subplots, so I have major edits and revising coming up, but that’s another issue).

Since NaNoWriMo had worked so well for non-depressed Me, I decided to set monthly goals for myself. January’s was finishing the novel, February’s was working on my nonfiction book proposal. I didn’t really have any plans to write short stories until I came across a fascinating writing prompt on the Internet - calling for short stories about Grumpy Old Gods, gods that in some way were shirking their duty. I was so excited about this concept that I outlined and wrote “Purr Like an Egyptian” fairly quickly, in only a week or two! And it felt so good to have a project wrapped up and submitted so quickly, that I decided I’d dedicate March to writing more short stories and poetry to submit to various magazines and publications. That’s how I also wrote “Big Dave’s Goliath” and “The Caterer.”

Currently

So here we are now. “Purr Like an Egyptian” was just accepted for publication in Grumpy Old Gods Vol. 2 and will be coming out later this month. “Big Dave’s Goliath” was published recently in Gypsum Sound Tales’ Colp: Big. I’ve also had a few literary nonfiction pieces published as well - on Talking Soup and The Drabble.

I also tend to write with my own personal demigod in my lap. (I’m writing a lot about ancient Egyptians lately- cats WERE their demigods)

I also tend to write with my own personal demigod in my lap. (I’m writing a lot about ancient Egyptians lately- cats WERE their demigods)

“The Caterer” was rejected, but I invested a lot of time into revamping and revising it to make it better, and then published it myself on Kindle Direct Publishing as an experiment. I’ve enjoyed the writing and promoting process for my own ebook so much that I am now writing another story in the series, with plans for more! Once I finish and publish my second volume (“The Vanguard”), I plan to get back to “Most Horrible” and revise it to add in the Danish reformation (no biggie, right?).

It’s a lot of work, as of course I have a full time job as a trademark examining attorney at the USPTO, participate in Shakespeare plays with my friends, and occasionally like to have some downtime to spend with my husband, but it’s been so worth it. I don’t know if I’ll ever make much money from it or if it will ever be my full-time career, but writing brings me so much joy on a regular basis that I don’t know if I even care anymore. I love coming up with titles for my stories. I love outlining a plot. I love all the research - from Egyptian goddesses to drones, to Ancient Persia and the Tower of London.

I just love writing. And I won’t let myself forget that again.

"The Caterer" is Free on Amazon July 16-17!

So my ebook short story The Caterer: How a Cat Survived Richard III is free today and tomorrow (July 16-17) on Amazon. You can get that here at http://tinyurl.com/thecaterercat . So if you haven’t downloaded it yet, now’s a good time to do so! It really helps drive up the ranking of the book and get it more exposure and attention. Reviews are greatly appreciated as well. :)

The next story in the series is called "The Vanguard: The Cats Who Conquered Egypt" and focuses on the Battle of Pelusium in 525 BCE, through the eyes of two cats. I plan to publish that in late July! :)