Art References in the Paintings of Disney's Riviera Resort

Disney World’s newest resort hotel, the Riviera, is a tribute to the French and Mediterranean Riviera. It’s decorated with paintings that feature Disney characters and settings in the styles of various artists! As a Disney nerd and a huge art history fan, I HAD to hunt down all the painting references possible. I know this is a bit different than my usual history content, but I hope you please enjoy this interlude into art anyway. :)

Note: It seems like almost all of the painting references are by French artists or artists who spent a lot of time in France.

(There are several other paintings on display at the Riviera that I may add in later.)

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This painting features the goose sisters Abigail and Amelia Gabble from The Aristocats (1970) with their Uncle Waldo outside the Le Petite Cafe in the style of Vincent Van Gogh. Cafe Terrace at Night is the most obvious reference, but I see elements of Starry Night in the moon in the Disney painting as well. Van Gogh was Dutch, but spent several years living in France.

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This painting features Mary Darling with her children Wendy, Peter, John, and dog Nana from Peter Pan (1953). The setting, color palette, and subject matter seems to refer to Mary Cassatt’s various paintings of mothers with children.

The characters are all wearing the outfits they wore in the film itself - the children in their nightgowns and pajamas and Mary Darling dressed up for a party. The book is a great call back to the Peter Pan stories that Wendy is telling her brothers at the start of the film. Although the style isn’t an exact match, everything else about it is similar enough that I think it has to be a Cassatt reference.

The upper right Cassatt painting is Mother and Sara Admiring the Baby from 1901 and the lower right painting is The Reading Lesson (1901).

There’s a painting of Merida and her mother from Pixar’s Brave (2012) that seem to be rather Cassatt-ish as well, although I’m not as certain on this one. I’m nearly positive this is flashback Merida as a little kid rather than the age she is most of the film.

Mary Cassatt was American but spent most of her adult life living in France.

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This painting, which features Cogsworth, Lumiere, Chip, and Mrs. Potts from Beauty and the Beast (1991) is a clear homage to Pablo Picasso’s cubist style. Still Life with Candlestick (1944, bottom left) seems to have most inspired the Riviera piece - the two have a similar layout, line structure, colors, and even both feature a cold mirror in the background. There seem to be similarities in Jug, candle and pot enamelled (1945, bottom right) as well.

The line drawings of Minnie and Mickey look to be directly inspired by Picasso’s minimalist animal line drawings. I don’t think he gave most of these drawings names.

Pablo Picasso was a Spanish painter who spent most of his adult life in France.

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This painting, featuring Marie, Toulouse, and Berlioz from The Aristocats (1940), is by far my favorite of the paintings I’ve seen out of the Riviera. It also was one of the most difficult for me to find a reference for. When I finally did find it though, I actually gasped out loud.

That very specific positioning of the table, the swirls of the metal balcony, the building in the background, and even the very specific mint green color of the ball of string all seem to be a clear reference to French painter Henri Matisse’s Interior with a Goldfish Bowl (1914). The Riviera version however, features the actual design of the Riviera window balconies and a view of the hotel beyond.

It’s funny, when you look for this painting, you actually find a version of it that adds a cat in. Perhaps whatever Disney artist made this painting googled Henri Matisse and cat, found the parody, and was inspired to produce this homage.

These two large colorful paintings (at top) which live in the Riviera lobby seem to be homages to some of Matisse’s later works. The bottom two Matisse cutout works are both from 1953 and are respectively known as The Sheaf and Decoration with Masks.

This painting of Minnie and Mickey is a very direct parody of a Moulin Rouge poster painted by Henri de Toulouse-Lautrec. Minnie takes the place of the dancing girl, Mickey takes the place of the silhouetted man at the forefrong of the poster, and he profiles of the men have been replaced with profiles of various cartoon characters. The words and typography of the words are almost exactly the same, except for a few areas where Mademoiselle Mouse replaces “Moulin Rouge” and the removal of “La Goulue.” This actually makes a lot of sense, as “La Goulue,” meaning the gormand, was actually the stage name of Louise Weber, the French can-can dancer featured in this painting.

The Moulin Rouge, of course, is a famous historical cabaret in Paris, France, near Montmartre. Toulose-Lautrec is French.

This painting features Remy from Ratatouille (2007) inserted into a classic still life of fruit. Lots of French painters have paintings like this, but the ones that look most likely to have inspired this one are Basket of Apples (1895) by Paul Cezanne (middle) and Bowl of Fruit and Tankard Before a Window (~1890) by Paul Gauguin.

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I’m pretty sure this Riviera painting on the left is inspired by a 1953 poster by French graphic designer Jacques Nathan-Garamond promoting Côte D’Azur (which literally means Azure Coast and refers to the French Riviera), along with the real super colorful houses in Menton, France. The Disney touch is added via the Disney Cruise line ship in the background of the painting.

This poster featuring characters from The Princess and The Frog appears to directly reference another Cote D’Azur travel poster by French painter Jean-Gabriel Domergue.

The wording “Au bout du rêve toujours de l'avant” actually are directly quoted lyrics from The Princess and the Frog’s French version of “Almost There”. I don’t speak French at all, but I found a translation of it online that interpreted this as meaning “I will fulfill my dream” and “Always forward.”

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These two paintings, featuring Wall-E and Eve and the starship Axiom, all from Pixar’s Wall-E (2008), both directly reference Vincent Van Gogh’s Wheat Field with Cypresses (1889).

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There are also a few paintings that are interpretations of castles in Disney films without any particular clear artistic inspiration. This painting (left) is of Cinderella’s castle from the 1950 cartoon. The castle in the film is at the upper right, and Neuschwanstein castle, the real life Bavarian castle that inspired it (and also the one in Sleeping Beauty) is at the upper left.

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This painting (upper left) is an interpretation of Eric’s castle from The Little Mermaid (1989). Lower left shows the castle as it was in the film, with the real life inspiration to the right (Château de Chillon, on Lake Geneva in Switzerland).

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Quick, Low Research Historical Thoughts on "Anne Boleyn" Episode 3

Quick Thoughts on Channel 5’s Anne Boleyn: Episode 1; Episode 2; Episode 3

 It took me forever, but I finally finished watching Channel 5’s Anne Boleyn! I’ve had some rough mental health periods in the last month and frankly it just took me a bit until I was in the right mind to watch an episode about a woman judicially murdered by her husband. (I’m fine, don’t worry – I’ve had clinical depression for a decade and a half now and know how to deal with it. Sidenote: If you have depression and therapy and medicine hasn’t helped you too much, highly recommend the Fisher-Wallace Stimulator! It honestly really changed my life. More in my blog post here).

The final episode of this show closes out with an almost total focus on Anne. This was true in the earlier episodes, but is more obvious here, as Anne is now so isolated and away from everyone else. I actually think it benefits from the close up look at Anne, as Jodie Turner-Smith is frankly the best part of this show by far.

As advertised, this is a brief look and I’m not doing a ton of research, but I did look up a few items in Alison Weir’s “The Lady in the Tower” just to remind myself of some facts (edit: OKAY I may have done a bit more research than originally planned. This still was relatively low research for me). It’s a good read when it comes to Anne’s last days at least, although it’s good to keep in mind that Weir has some of the same anti-Anne bias as most other historians. For a balanced view at the historiography around Anne, I highly suggest The Creation of Anne Boleyn by Susan Bordo.

This episode takes place over the last 2.5 weeks of Anne Boleyn’s life. Anne was sent to the Tower on May 2, 1536 and was executed on May 19, 1536.

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Credit: Anne Boleyn, Channel 5

  1. Anne is taken quietly to the Tower of London, at what looks like dusk. In real life, she was taken there in the late afternoon, and the news of her arrest had spread enough that there were large crowd on the riverbanks watching her arrive there. They also set off a cannon when she arrived.
    At the Tower, she meets the constable of the tower and is taken to her chambers without much conversation. In real life, she met the constable’s deputy, not Kingston himself. In addition, some records indicate that Anne may have suffered a bit of a nervous breakdown upon her arrival at the Tower (as ANYONE would, honestly), and fell down on her knees to pray. When the councillors left her at the tower, she spoke to them and asked if they would beseech the king to be good to her. 

  2. In the show, Anne’s rooms in the Tower of London are small and rather simple, though well furnished and certainly nicer than any prison we’d think of today. In reality, Anne was imprisoned in the same Queen’s apartment that had been built for her coronation only a few years prior. These were very large apartments. The Queen’s great watching chamber alone was 70 foot by 30 foot! The apartments also had a presence chamber, a privy chamber, a closet/oratory, a bedchamber, and another large chamber which may have served as a dining room. The rooms in the episode have bars on the windows; I’m honestly not sure if Anne’s room had barred windows or not in real life.  Yes, it was a really fancy, newly refurbished royal apartment, but at the same time, the Tower of London was a fortress and a prison. So it’s hard to tell.

  3. As Anne enters her cell, she states, ainsi sera, groigne qui groigne’, ‘grumble all you like, this is how it’s going to be.” This is…an odd choice.
    Anne adopted this defiant statement as her motto in 1530, when people were highly anti-Anne and pro-Catherine of Aragon, and had it embroidered on her servants’ livery coats at the time. However, the new liveries and the new motto were laid aside in only a few weeks. The Spanish version of the story (courtesy of gossip monger Eustace Chapuys) has it that that Anne chose the motto because she had heard it in France and stopped using it once she realized it was actually an imperialist Burgundian motto, but since Anne spent several years abroad in the court of Margaret of Austria and in France, it seems odd that she would not have known this initially. I think it’s more likely that she realized the defiant motto was just causing more tension and was more trouble than it’s worth.
    So contextually, it just…doesn’t quite make sense in this scene? Perhaps they were intending to say something along the lines of “que sera sera” (whatever will be will be).

  4. Anne’s red dress at the start of the episode may have two different meanings. This could refer both to her scandalous reputation and also to her post-death reinvention as a Christian martyr in the reign of Elizabeth I (the color red traditionally represents martyrs in protestant faiths).

  5. Lady Anne Shelton is told to keep a full report on everything Anne does. Constable of the Tower William Kingston’s letters identify five women that were with Anne during her imprisonment: his own wife Mary Scrope, Margaret Dymoke Coffin (married to the Queen’s Master of the House) the Queen’s aunt Anne Shelton, and another of Anne’s aunts, Elizabeth Boleyn. Anne had two domestic servants, two menservants, and a boy to serve her as well.
    Some records indicate that those serving Anne were all forbidden to speak with her unless Lady Kingston was present, indicating that she was really the ringleader reporting back to the Constable and Cromwell, not Lady Shelton, as shown in this show.
    In one of her letters from the Tower, Anne stated that it was unkind for the king to put women about her that she never loved and she would have preferred ladies of her own privy chamber. It’s unclear whether it was some of these women or others that actually went with Anne to the scaffold for her execution. Madge Shelton shows up later in the episode and is with Anne at the time of her death, but there’s no actual indication that she was there in real life. There were some women with her at the scaffold that Anne seemed to actually care for, but we don’t know their actual identities.

  6. Throughout the episode, Anne’s first priority is her daughter Elizabeth. She dreams about her daughter crying, she asks whether Elizabeth is safe multiple times, refuses to eat until she knows that her daughter is well (I don’t think there’s any evidence that Anne actually did this, by the way), and worries about her daughter’s birthright if she signs the annulment papers. As I said in an earlier blog post, this lines up with actual records – Anne truly was a very doting mother by Tudor standards. This also aligns with Jodie Turner-Smith’s statements in interviews in which she said she identified with Anne as a mother.
    Anne is told that Elizabeth was taken back to Hatfield, where Elizabeth spent some of her early childhood. Elizabeth was moved between several palaces throughout her life, however, as the royal households never really stayed put very long in Tudor times.

  7. Anne is seen reading the Bible and praying. She specifically reads: “For thou art my defender and helper, and has preserved my body from destruction, and from the snare of the slanderous tongue, and from the lips that forge lies, and has been mine helper against mine adversaries:” Ecclesiasticus 51:2. (i know it sounds like Ecclesiastes, but it’s different).

  8. In the show, the Constable tries to dine with her and Anne refuses to eat. She asks him to tell Cromwell that she won’t touch food until she has news of Elizabeth.
    In real life, we know from Kingston’s letters to Cromwell that Anne did take her meals with Kingston regularly, and apparently made a very good impression on him. Much of what we know about Anne’s last days come from these letters. His letters revealed that Anne asked for holy communion, worried over the men who had been arrested with her, became agitated over the possibilities of their deaths and her own (even from early on in her imprisonment), and also worried a great deal about the effect her arrest was having on her mother. She also repeatedly told the constable that she was innocent and that there was no reason she should not be able to take the sacrament. There apparently were…some muttered ramblings as well, honestly, because of stress and fear. This does show up a bit later in the show, when she starts muttering about dead man’s shoes and wanting to see Henry.
    Thus, overall, she talked a lot more and was much less …stoic than she is portrayed in the show. I love that she’s shown with so much dignity in the show, but historically, she was much less composed. She was completely terrified, and it showed in her conversations with others, which were rather manic at times.

  9. We see Anne starting to write a letter and than pause when she hears someone come in. We do have a letter that supposedly was written by Anne Boleyn to Henry while she was in the tower, but its authenticity is questioned. You can read more about that letter here.

  10. In Anne’s conversation with Cromwell, he reveals that five men were arrested along with her. The men arrested for adultery with Anne were Sir Henry Norris, Sir William Brereton, Sir Francis Weston, Mark Smeaton, and Anne’s own brother George Boleyn, Lord Rochford. The show doesn’t mention this, but two other men – Sir Thomas Wyatt and Sir Richard Page – were also accused of adultery with Anne but were later released.
    Anne straight up suggests that Cromwell tortured Mark Smeaton to get his confession. This really did happen. Records indicate that Smeaton was the only one who was tortured.

  11. In her meeting with Cromwell, Anne ends up losing her temper at Cromwell (as frankly, anyone would). Kingston grabs her and pins her down to restrain her and calm her down. I have never heard of this happening and do not think it at all possible. Everything I’ve read indicates that Kingston actually came to regard Anne Boleyn with respect and would not have grabbed her or restrained her physically.

  12. In the show, Madge Shelton came to the tower to be with Anne and comfort her friend. I so wish this were true and that Anne had a close friend with her in her last days, but I don’t believe it is. There are lots of traditions that a few of her friends were with her on the scaffold, but we don’t have any evidence as to their identities beyond “four young ladies” (more on that later!).

  13. When Kingston tells Anne her trial date, Madge instantly suggests they prepare. Anne correctly notes that she cannot have counsel in a trial for treason. In accordance with legal practice of the time, Anne also was not allowed to question any of the witnesses, summon witnesses to speak for her, or give evidence on her own behalf.  [On several occasions I’ve thought about making a blog post about various Tudor incidents that demonstrate the essential lack of human rights that we now have in most countries in modern times, and this would be pretty high on the list]
    Madge suggests they prepare for the trial, but Anne says no and that God will guide her speech when the time comes. Thus, this show again highlights Anne’s faith.

  14. At one point, Anne slices a pomegranate in half. Catherine of Aragon’s badge included the pomegranate. This perhaps is a symbol of how Anne supplanted Catherine of Aragon, alluding to the current situation where Anne is supplanted by Jane Seymour. Red juice runs down Anne’s hand in a clear reference to blood.

  15. Timeline Note: Most of the accused men were tried on May 12. All of them pled not guilty but Mark Smeaton. The jury pronounced them all guilty and sentenced them to be drawn, hung, and quartered. The finding of their guilt pretty much sealed Anne’s fate; Henry VIII seemed to agree and actually ordered her household to be broken up and dissolved on May 13. Anne and her brother George were tried on May 15, due to their status as nobles. All the men were executed on May 17 and Anne was executed on May 19.

  16. Madge helps Anne put on a black dress and hood for the trial. In real life, Anne wore a black velvet gown over a petticoat (like an underskirt) of scarlet damask, with a small cap that had a black and white feather. She was attended at the trial by a few of the ladies staying with her in the trial (and perhaps a few maids of honor from her household, but we don’t know for sure).

  17. Anne’s uncle, the Duke of Norfolk, really did preside over Anne’s and George’s trial in his role as Lord High Steward. The jury was made up of 26 peers of various ranks (of the 62 peers in the land). The jury may have actually included Anne’s father, the Earl of Wiltshire, but the records on that are pretty unclear (some people said he was there as a judge, but his name wasn’t on the official record).

    In the show, the trial appears to take place in a hall with spectators, but not an overly large one. In real life, they held the trial in the King’s Hall in The Tower of London, which was 80 feet by 50 feet. They actually built platforms and put in benches to accommodate the many spectators they expected to come watch the trial. Ambassador Eustace Chapuys claimed there were 2,000 spectators at the trial.

    In the episode, Anne stands during the trial. Common prisoners really did stand up to hear their charges read at Tudor trials, but since Anne was the Queen of England, she was given a chair to sit in for the whole time.

  18. Cromwell gives a few particular dates of alleged acts of adultery and incest. The historical trial was based on indictments handed down by two grand juries, one based in Middlesex (intended to address “unlawful acts” that had taken place in Middlesex, at Hampton Court Palace and at Whitehall) and one in Kent (intended to cover unlawful acts that had taken place in Kent, namely, at Greenwich Palace, East Greenwich, and Eltham Palace).  Some of the dates align with those in one or both of the indictments; some do not.
    Anne defends herself against one charge by noting that she was not in the place stated at that time, as she was in Greenwich recovering from the birth of Elizabeth.

    The gross line about Anne and George having their tongues in each other’s mouths is almost verbatim from the Middlesex Indictment.

  19. The charges and evidence against Anne Boleyn were honestly ludicrous and the vast majority of them are easily disproven by records. And people even knew that at the time! Imperial Ambassador Eustace Chapuys hated Anne with the fire of a thousand suns, but even he said that there was no valid proof or confession against her.
    As Alison Weir said in The Lady in The Tower, “Close scrutiny of the facts suggests that thirteen out of the twenty-one charges were impossible, and that if, four and a half centuries later it can be established that only eight were even plausible—which in itself suggests that even these were not genuine offenses—then the case against Anne is shaky indeed. Furthermore, allegations that a number of unspecified offenses had been committed ‘on diverse days before and after’ the stated dates on which the crimes had purportedly been committed would be difficult to disprove, and Cromwell was doubtless aware of this; it was a catchall guarantee…In no fewer than twelve instances, either Anne or her alleged accomplice can be shown not to have been in the specified location.”
    Weir also pointed out that on all but one of the dates cited, Anne was pregnant. At the time, sex during pregnancy was super scandalous. People believed sex while pregnant threatened the health of the unborn child.  
    Some of the alleged dates of adultery also occurred very soon after Anne gave birth; she likely was not physically up for sex at that time, and would still have been secluded with her ladies. There was also a very strong taboo against having sex after a woman gave birth but before she was churched.

  20. It appears that detailed records of the trial were taken at the time, but those records were lost or destroyed. We don’t have actual trial records, witness statements, or interrogation statements. The show’s portrayal of Anne being very dignified and composed during the trial is accurate. Records indicate that she defended herself very well, with clear logic.

    Lady Rochford and the Countess of Worcester testify against Anne at the trial in the episode. It’s a little unclear whether there were live witnesses at the trial in real life. Ambassador Chapuys claimed there were no witnesses against her, even though that was standard practice. Statements may have been read instead.

  21. It’s been accepted for a long time that Jane Parker, Lady Rochford (George Boleyn’s wife) was a witness against Anne Boleyn, but I don’t believe we have any contemporary evidence proving this. The records stating that she testified against him dated from years later (although they were based on extensive research and witness testimonies, so they can’t be completely dismissed either).
    The evidence against Anne regarding George is super paltry. It was pretty fashionable at the time to kiss women on the mouth as a greeting; this wasn’t unusual.
    We don’t know exactly what Elizabeth Browne, Lady Worcester, said about Anne, but various letters do seem to indicate that she did give evidence against her. Honestly, there are a lot of letters back and forth referring to Lady Worcester and it seems like perhaps she just said something false about Anne’s morality just to distract attention from her own behavior (her brother was chiding her at the time) and it may have just gotten…really really out of control.

  22. I don’t believe we actually know exactly what Anne said at the trial, but people reported that she spoke very well and defended herself with logic and dignity. She likely did not make any comments about her own personal ambition, as that is much more of a modern feminist spin, but the line about being loyal and faithful to her husband and God being her judge sounds much more accurate.

  23. In the show, the verdict is determined and given to the Duke of Norfolk in a piece of paper. I believe in real life, each juror had to individually give their verdict out loud. Every peer sitting in judgment of her gave their verdict as guilty, probably out of intense fear of the king.
    I definitely thought the bit where Norfolk said her crown and titles were removed forthwith was made up, but actually, it’s more true than I realized! Records indicated that Anne was asked to resign her crown; she likely wasn’t wearing it at the time, but it may have been placed ceremonially nearby for this purpose. Anne resigned the crown, and then agreed to the removal of all her titles.

  24. In real life, apparently the Duke of Norfolk actually did cry when he read the death sentence for his niece Anne, although it’s unclear whether this was due to grief for her or his family or shame (they had been on bad terms for months before the trial).

  25. Various records indicate that Anne may have spoken after her sentence was given. There are different accounts, but the gist is that she was ready to die personally but was saddened that the innocent men accused with her would also die. She also stated that she suspected there were other reasons she had been convicted, as she had always been faithful to the king.
    They didn’t show anything of George’s trial in the show, but in real life, he was tried immediately after Anne, in the same room. 

  26. Cranmer did go to see Anne in the tower in order to get her consent to dissolve the marriage. We know from Kingston’s letters to Cromwell that after her meeting with Cranmer, Anne said she might be able to go to a nunnery and that she was in “hope of life.”
    In the show, Cranmer says god could not accept her into paradise if she chose death – oh ffs. I don’t think that’s how that works in the theology of the time! I would need to consult with a pastor to know for sure though.
    Cranmer was actually a really amazing guy and extremely forward thinking for his time; there are letters indicating that he really did not believe Anne was guilty and may have at least thought about begging Henry to have mercy on her, even if he didn’t actually quite get all the way there. I don’t love this portrayal of him, as his character seems to believe Anne is guilty, based on some of his comments about hell.

  27. In the show, Kingston brings Anne out to have one last look at her brother before George is executed. This is sweet. I doubt it happened though. We’d never have any knowledge of it. People in the tower did occasionally get to see their loved ones with bribes and such.

  28. All five of the men accused of sleeping with Anne had their sentences of being drawn, hung, and quartered commuted to beheading by the axe by Henry. It was pretty notable that he did this even for Mark Smeaton, a lowly musician. But like, he doesn’t get brownie points for killing these people in a slightly less gruesome way.

    In the show, it’s noted that it took 3 strokes of the axe to kill George Boleyn. Unfortunately this is true. Executioners of the Tudor era were not known for being particularly skillful or fast in decapitating the condemned. This is one reason why it was considered merciful for Henry to send for the executioner of Calais, a famous sword executioner, to kill Anne Boleyn (note: he did not do this for his fifth wife, Catherine Howard, who was executed by the axe).
    This is all from Anne’s POV, so we don’t see any of the actual executions of the men condemned with her. In real life, they were all executed one after another, in front of each other. The order went – George Boleyn, Lord Rochford; Henry Norris; Sir Francis Weston; William Brereton; and finally Mark Smeaton. It must have been terrifically bloody and terrible, particularly for those that had to watch their fellows die in front of them.

  29. I sincerely doubt that Anne told off Cromwell as magnificently as she did in the show, but wouldn’t it be nice? My favorite line: “When people speak your name they will think of mine and the lengths you went to sully it. You will never be rid of me.” That’s arguably true! Although we’ll never know exactly who orchestrated Anne’s downfall (and I personally think some of the false evidence is too sloppy for Cromwell to have made up himself, when his other work shows a meticulous attention to detail), Cromwell has always been the chief suspect, and played a huge role regardless.

  30. The show leaves out one of the real life horrors of Anne’s execution, namely, how her execution was actually delayed several times. Anne was all ready to die at 9 am on May 18. She had been praying for several hours before the scheduled time and took mass from Archbishop Cranmer at that time. At the time, she swore on the sacrament in front of Cranmer and Kingston that she had not been unfaithful to the king. [This is really compelling evidence of Anne’s innocence actually; people very seriously believed in God, heaven, and hell at the time, and Anne knew she was about to die. Lying, while swearing on the Sacrament, right before her death could danger her immortal soul, and Anne really wouldn’t have done that.]
    When 9 am came and went, she asked Kingston whether she would be executed at noon; he deflected and did not tell her. After noon had passed, Kingston told her that her execution was delayed for a day. She would not be executed until around 8 am on March 19.

  31. In the show, Anne asks her ladies to give her prayer book to her daughter Elizabeth, and wrote a little bit in it to her. Anne did have a prayer book that she wrote in, and may have brought to her execution. What she actually wrote in it was her signature and ‘Remember me when you do pray that hope doth lead from day to day. It’s unclear exactly what happened to the prayer book after Anne’s execution, but it likely did not go to Elizabeth, as Henry VIII went on a “destroy everything that ever belonged to Anne” rampage and likely wouldn’t have allowed his daughter to keep anything of hers.
    Some amazing new discoveries involving Anne’s prayer book have recently come to light and if you're not familiar with them, I highly suggest you go read about them over here!

  32. In the show, Anne is accompanied to the scaffold by Madge Shelton and her mother Lady Shelton. In real life, eyewitness accounts say that Anne was attended by “four young ladies.” We do not know their identities, but this pretty conclusively rules out Lady Shelton and most of the other older women that were with her in the tower. Madge might have been one of them but there’s no evidence for it. It’s possible that Margaret Wyatt (sister of the poet Thomas Wyatt, who was arrested and then released) may have been there; there’s a tradition that Anne actually gave her a prayer book, but this is likely a rumor and not accurate. There are also stories that Anne’s niece Katherine Carey may have attended her, but a twelve year old child would almost certainly be considered far too young to serve Anne in the tower and on the scaffold.

    Both in the show and the real life, the executioner did actually ask Anne for forgiveness and she gave it to him “willingly,” not quite “with all my heart” as in the show.

  33. I will literally never forgive this series for not letting Jodie Turner-Smith give Anne Boleyn’s scaffold speech. Sure, we don’t know for SURE what Anne said, but we have a pretty good idea based on people’s various recollections. And Jodie would have KILLED  that speech. Fun fact: Jodie Turner-Smith agreed! I tweeted about this and she responded “me too,” which just about made my life.

  34. The epilogue mentions that Anne’s daughter Elizabeth had a locket ring with pictures of Elizabeth and Anne Boleyn. This refers to the Chequers Locket Ring and is….sort of true. The second portrait isn’t conclusively identified as Anne Boleyn, but like, probably.

  35. The epilogue again is presented over a banner with Anne’s heraldic badge of a falcon on it and the stupid ainsi sera, groigne qui groigne slogan that she only used for a very brief time several years before her execution, but okay, fine. It’s a cool theme to come back to, and we know that she was attached to the slogan at one point.
    I’m pretty positive this is an invented banner, as I couldn’t find anything like it when I did a quick google search. Let me know if you know differently.

Quick, Non-Researched Historical Thoughts on "Anne Boleyn" Episode 2

Quick Thoughts on Channel 5’s Anne Boleyn: Episode 1; Episode 2; Episode 3

Alright, onto historical elements in episode 2 of Channel 5’s Anne Boleyn. As previously noted, these are quick, non-researched notes based almost entirely on my own prior knowledge as a giant Tudor history fanatic. If you see anything inaccurate, let me know! I'm human, after all. I may go back and add sources to this later if there’s enough interest.

Quick Opinion Note: I haven’t actually gotten to watch Episode 3 yet, but …/sigh/ I wanted this show to be so much better than it actually is. Jodie Turner-Smith remains a powerful force of nature, but there are other elements of the show that I really…just don’t like. A lot of the dialogue is clumsy and realistic. I don’t actually hate some of the more “WTF” moments that others have pointed out as being there just for shock value (e.g., Anne and Henry being into autoerotic asphyxiation - it actually presents an interesting power dynamic! or Anne kissing Jane Seymour - people were much more comfortable with kissing others on the mouth back then so this isn’t as weird as it comes off at first), but the costumes and scenes look pretty low budget. And if you’re going to advertise your show as a psychological thriller…I expect a bit more of that to come across than just Anne sitting surrounded by creepy whispers every once in a while. It just seems like there were a lot of missed opportunities here.

anne boleyn and henry jodie turner smith.jpg

Credit: Anne Boleyn, Channel 5

  1. In an early scene, some of the whispers Anne hears talk about witchcraft. I don’t believe anyone would have actually said that around Anne at that point, as she was still the queen and still very powerful. And despite what people seem to think, she wasn’t actually charged with witchcraft at all. If I recall, no big rumors of witchcraft spread about Anne until decades later. (Sidenote: Anne’s story has been changed and distorted by so many historians with their own agendas over time! Highly suggest you read “The Creation of Anne Boleyn” by Susan Bordo for a really great overview of this.).
    Think of it this way – Cromwell really wanted to take Anne down and was willing to send several men to their deaths to do it. If the witchcraft rumors were actually around, or there was any evidence for it at all, wouldn’t he have used it?
    The whispering voice about her baby being deformed also is a rumor – there’s no evidence that she gave birth to a deformed baby at the time.

2. Anne talks to her Uncle, the Duke of Norfolk Thomas Howard, and refers to his daughter’s married life with the king’s son. She’s talking about Mary Howard and Henry Fitzroy, Henry’s illegitimate son with Bessie Blount. They would have been married a few years at this point, but as they were still pretty young teenagers, they hadn’t consummated their marriage (we know because Henry VIII would later use this non-consummation as an excuse to deny Mary her dower lands). Henry Fitzroy wouldn’t outlast Anne by very much and died later that year.

3. Symbol Watch: Good Lord, there are so many dead animals throughout this episode. Look for any scene transitions – dead animals everywhere.

4. Anne goes to wash the feet of the poor, as Jesus did for the disciples at the Last Supper before his crucifixion. This was a traditional ceremony in renaissance England performed by the Queen. Catherine of Aragon did it, and Anne did as well (other Queens of Henry VIII probably did too, but these are the ones I know of off the top of my head). The Queen would also give out money to the poor at the same time.

5. In the show, this scene is disturbed by a woman coming in and yelling, calling Anne a whore and claiming “she killed our true queen.” While people were very angry at Anne and really did dislike her quite a lot (there was one famous incident before Henry and Anne married in which a mob of women apparently went to attack her), I don’t think individual people would have run up and shouted at her at this point. Remember - she was the Queen. She had a lot of power over the King and people knew it.
The scene ends with Anne telling a guard, about the woman, “Make sure her body is strapped up on the Tower for all to see.” /sigh/ No. Although there were a few people (even women) executed for criticism and spreading rumors about Anne, there are a couple things wrong with this statement. Although it was common to put the heads of those executed for treason up on spikes by London Bridge, it wasn’t the WHOLE body put up there. And the only woman who ever had her head up on a spike there was Elizabeth Barton, the maid of Kent (who spoke out against Anne but also prophesied the king’s death, so it wasn’t JUST for that). Also, there’s no indication that Anne was ever this vindictive against those who criticized her. She spoke rashly a few times about wishing for the death of Catherine of Aragon and Princess Mary (while under extreme pressure after years and years of waiting for the king to marry her), but I haven’t heard of any evidence that she would actually order a guard to kill someone who criticized her. I don’t think she even had the power to do that.

6. Anne goes immediately to Hatfield to check on her daughter Elizabeth and make sure she’s safe. Anne was known to be a very doting mother, and I’m glad they showed this! It was common practice among all the higher classes at this point, and particularly royalty, for the children to be raised far away from court, so of course Elizabeth wasn’t at Anne’s side all the time. However, there are records indicating that Anne really purchased just a ton of gifts for Elizabeth. I believe there’s a story that she even wanted to breastfeed her, but pretty sure that one was invented by a later historian and not supported by contemporary evidence.

7. While talking with Lady Anne Shelton about her daughter, Madge (who, remember, is the queen’s mistress, with Anne Boleyn’s knowledge and tacit acceptance), Queen Anne loses her temper at one point and says “I wasn’t aware that fucking a king was such a chore.” I’m not sure Anne would have actually said “fuck,” but the word did exist at that point (historical evidence dates forms of the word back to at least 1503) and we do know that Anne spoke rashly and lost her temper at times, particularly towards the end of her life. She’d been under extreme pressure for several years (which is what happens when like, most of Europe despises you and all your power derives from your inconstant husband) so honestly…it makes sense.

8. We got a short scene with Anne talking to Mary in which Anne actually managed to be decently polite to her stepdaughter. Mary really was rude to Anne pretty much every time she interacted with her, from the reports I’ve read, although I don’t know if she would have straight up antagonized Anne about her fertility troubles like she does here.

9. We see ferrets and such in various scenes. I love seeing this actually, as people took their pets with them everywhere then! Like, there’s even a story that Cardinal Thomas Wolsey’s dog bit the Pope during a meeting. I’m not sure how substantiated that story is, but even if it was just a legend, it was considered normal enough for someone to take their pet dog to meet the POPE that people certainly believed it.

10. Later, Anne invites one of her ladies (Elizabeth Browne), who’s falling asleep in her chair while keeping Anne company, to share her bed. This is presented as an unusual thing, but realistically, Anne would have either had a bedmate or someone sleeping in the same room with her pretty much all the time. Everyone did. That was just how things worked then.
There’s a whole subplot of this lady being pregnant with George Boleyn’s child and how the child can’t be recognized as George’s because of scandal. This…has zero basis in history. George is commonly portrayed as a bit of a ladies’ man and/or a closeted homosexual, but I don’t believe there’s actually any proof of any of this.

11. Anne confronts Henry for ignoring her later and they end up reuniting a bit. Here, we actually get a glimpse of their relationship at its healthiest. She helps him, he listens to her advice, and they genuinely seem like they care and love each other. Historically, it sounds like they really were a very well matched couple – both intelligent, well-read, and religious, with strong personalities and opinions.

12.   I haven’t gotten too much into the Spain treaty discussions back and forth because I don’t remember too much about it historically and the whole idea of this blog post is to put it out quickly without research. However, I do know that once Catherine of Aragon died, Spain was much more willing to make peace and treaties with Henry than they had beforehand. Spain was probably never quite as willing to make war on Henry and England over Catherine’s cause as Chapuys seemed to imply to her and her daughter; politically, it just doesn’t make sense to start a war over this sort of thing.

13. Mere weeks before she was arrested, Henry did in fact trick Ambassador Eustace Chapuys into finally acknowledging Anne as Queen and bowing to her. He had successfully just…avoided interacting with her that entire time, but Cromwell, and George Boleyn (lord Rochford) maneuvered him into being exactly the right place where he had no choice but to recognize her.
This was actually kind of a trend with Henry, where he’d bestow some honor on someone close to him very soon before having them arrested and executed them. This happened with Anne Boleyn and would later happen with Thomas Cromwell, who was given a noble title very soon before his downfall.
WEIRD THING I JUST NOTICED: I’m not really researching but I did a quick google just to confirm my facts here, and uh, Chapuys was tricked into acknowledging Anne Boleyn on April 18, 1536, and Thomas Cromwell was made the Earl of Essex on April 18, 1540. Both Anne and Thomas would be dead mere months after their brief triumphs.

14. Later at a party, Anne seems to be super happy due to making up with her husband, but later sees Jane Seymour politely denying a gift (clearly from the King) by kissing it and returning it, saying all she wanted was a respectable and advantageous marriage. Jane did pretty much exactly this in real life, although I sincerely doubt Anne was anywhere near by when it happened.

15. Anne’s upset about what she saw and, after drinking, makes a foolish comment to noble Henry Norris saying that “you look for dead man’s shoes.” In real life, Norris had been courting Madge Shelton for a while but hadn’t proposed yet; this was Anne’s way of saying “you’re not really here for Madge, you’re in love with me and you’re waiting for the king to die so you can try to marry me instead.” This was incredibly foolish of her, as at this point, it was illegal to even speak of the king’s death. In real life, I believe she sent Henry to go assure one of the court officers (I don’t remember who right now) that Anne was a good, respectable woman who would never cheat on the King, but this was overkill and actually made the court officer report the comment to others, which…cascaded and probably helped fuel the king’s paranoia and suspicions.

16. Anne and Henry have a drag out violent fight in which she fiercely insults him and he actually almost chokes her. They definitely did have very loud arguments at times, but I don’t know if there’s any evidence that Henry laid hands on her violently.

17. Since this is apparently a low budget series that can’t afford to put on a proper joust, we don’t actually get to see the joust where Henry leaves Anne for the last time. Lady Rochford, Jane Parker, instead tells Anne that the King abruptly left and the joust was cancelled.

18. The episode closes out with Lady Anne Shelton tricking Anne into going with her to see her Uncle, who promptly presents her with an order for her arrest.
In real life, she was summoned to appear to the privy council. One of the members there was indeed her Uncle. When she showed up, she was informed of her arrest.
In the scene, Anne tried to bring some of her closest ladies with her to go see her uncle, but was only allowed to have Lady Shelton. We know she had a few ladies in the tower with her, but we don’t know exactly who they are. They likely were not her favorite ladies and were there more to keep an eye on her than keep her company, but as the Queen, it wouldn’t have been proper for her to go even to prison without being properly attended.

Initial Quick, Non-Researched Thoughts on "Anne Boleyn" Episode 1

Quick Thoughts on Channel 5’s Anne Boleyn: Episode 1; Episode 2; Episode 3

I just watched episode 1 of Anne Boleyn, the new psychological thriller series from Channel 5 in the UK.* Thoughts so far: It's really well done (apart from the costumes, which lack historically accurate detailing, but they're not so bad that they're distracting). Jodie Turner-Smith is mesmerizing as Anne. She plays every facet of love, intelligence, humor, fear, anxiety, defensiveness, faith, joy, and devastation with subtle art. She also has that Anne charisma and power, taking your breath away just with her presence.

*The UK’s Channel 5 mini series “Anne Boleyn” has been causing a bit of uproar around Tudor communities for a while now because of the casting of a black woman in the lead role. I am incredibly over people being such asses about this (these comments range from repetitively close-minded and boring to HOLY SHIT THAT IS REALLY RACIST DUDE and they all piss me off), so I’m really just not going to get into it now. I would really rather just talk about content of the show itself.

(As an American, I watched this show via TV Mucho - apparently this only works if you set it to record in advance or watch it simultaneously with the UK broadcast. Also - you only get one free hour a day, which because of the 10 minute early start with the show, isn't actually enough, so I just broke down and bought one month's subscription. I have no idea how to access the show if you are out of the UK and didn’t already record it using TV Mucho, sorry.)

I COULD write thousands of words about this one episode, and I may later, but I'll just hit a few points briefly. I'm not doing in depth research on this but am only talking about a few items using my prior knowledge as a giant Tudor history fanatic. If you see anything inaccurate, let me know! I'm human, after all. I may go back and add sources to this later if there’s enough interest.

Credit: Anne Boleyn, Channel 5

1. The episode opens with a flash forward to Anne’s trial. This scene closes out with an axe being turned around and Anne taking a sharp intake of breath. The turning of the axe actually was totally a thing at Tudor trials! When the accused walked into court, the accompanying axeman’s blade was faced away from them. Once they were declared guilty and sentenced though, the blade was turned to face toward them. 

2. After the credits, a very pregnant Anne is shown wearing yellow at a formal event, which is held after the death of Catherine of Aragon. Henry is not wearing yellow. If I recall, one contemporary account from the time specified only that Henry wore yellow after COA’s death, and another only specified that Anne wore yellow. In addition, it’s up for debate whether this was meant for mourning (as some claim it was the Spanish color of mourning) or celebration.

 3. While playing cards (using cards that are larger than modern ones and really do look like those used in Tudor times!), Anne casually asks Madge Shelton (who in real life was her cousin) whether the king had called for her lately. This refers to the fact that during his queens’ pregnancies, Henry would regularly sleep with other women, as sex with a pregnant woman was considered dangerous to the baby.
Anne also disses Jane Parker, Lady Rochford and her brother George’s wife, and implies that she’s just…a very nasty woman. This is a very common characterization of Jane for some reason, but we don’t really have any evidence to support it beyond the simple fact that Jane survived the Boleyns’ fall.

4. Symbol Count 1: The French king sends some tiny French children (?) to present a clock to Anne for her future child. This will become more important later.

5. Symbol count 2: Jane Seymour wins at cards. Anne: “You had the winning hand all along.” Jane: “I didn’t understand the game.” Anne: “You really mustn’t play.” This indicates that Anne is already aware of her husband’s attraction to Jane and is warning her away from him. 

6. Later in bed, Anne and Henry talk about Cromwell’s plans for the monasteries. Anne says she has her own thoughts about what to do with the money from the monasteries, while Cromwell has other ideas. This disagreement really did happen. Anne wanted the money to go to charity and education. Cromwell wanted the money to go into the king’s treasury. It’s likely that this significant disagreement between Anne and Cromwell (who were formerly allied due to their common beliefs in reforming the church) may have contributed to Anne’s downfall.

 7. Symbol count 3: The court is looking at some new horses outside while Anne and Cromwell talk, clearly still disagreeing. Anne is in a peacock blue and there are several peacocks wandering around and making loud noises. Anne complains about the peacocks and tells Henry she wants them removed or she’ll hunt them down herself. These peacocks will come back several more times. 

8. Anne next talks to an older woman who appears to be Elizabeth’s governess (if this is the case, likely Lady Margaret Bryan) and specifically sends her sympathies to Mary (who at this point, is actually serving her younger sister, as a bit of a punishment for her obstinacy in refusing to accept the annulment of her parents’ marriage) on the death of her mother. Anne really did reach out to Mary after Catherine’s death, I believe she even encouraged Mary to reunite with her father.
Anne was not always kind to Mary honestly, but I believe at this point she wasn’t actually being a jerk. 

9. George brings Anne the first full English bible, fresh from Antwerp. Antwerp was a hotbed of Protestant thinking. Anne is delighted and puts the bible on a pedestal in her room. This really did happen – Anne put it there for any of her ladies to read regularly. At this point though, she takes the opportunity to encourage Jane Seymour to read Psalm 55 (ESV) – which includes a subtle reference to Jane betraying her with Henry: “for it is not an enemy who taunts me—then I could bear it; it is not an adversary who deals insolently with me—then I could hide from him. But it is you, a man, my equal, my companion, my familiar friend.” 

11. Henry has a jousting accident that leaves him unconscious and makes everyone freak out.
EVERYONE CITES THIS DAMN JOUSTING ACCIDENT but y’all, all the contemporary English sources indicate that he wasn’t even hurt and there are NO English reports about the king being unconscious. If it had actually happened that way, it would be in every person’s letters and diaries. The guy who started the thing about Henry being unconscious wasn’t in the country at the time and wrote about it several months later. UGH.
Anne panics as she overhears people talking about how she could never be regent because people hate her. She also overhears Ambassador Eustace Chapuys talking about sending for Mary, noting that she’d have Spanish backing. Chapuys was a big letter writer and is a source of information for a lot of what we know about Anne’s downfall. he was highly biased against her though so, so we have to take what he says with a grain of salt.
Anne asks her Uncle, who’s the Duke of Norfolk Thomas Howard (one of the most powerful men in the kingdom) to get rid of Chapuys.

Despite their spat over the monasteries, Cromwell is hanging with Anne and her family still and is part of their conversation. Anne says that all mail to Hatfield (where mary lives with princess Elizabeth) should be stopped and they shouldn’t let Mary see the king. She clearly is afraid that Mary will be captured and made the center of an uprising. This was wise, as this sort of thing actually did happen every time a Tudor monarch died.

 12. Symbol Count 4: Anne sees the feisty horse that threw the king in the accident taken away and decapitated. When she asks the king about it later, he says “I have no use for an animal that won’t obey me.”
The king also says, “my leg will never be the same.” This is actually true, as he did get a leg injury in a jousting accident that would become ulcerous and infected and would basically weep pus, smell terrible, and cause him tremendous pain for the rest of his life. 

 13. A couple scenes go by without much for me to talk about historically until Anne confronts her uncle about his conversations with the king and yells at him. We do know that Anne and her uncle had a falling out in the months before her death. He later would be on the jury that sentenced her to death.
After getting past her uncle, Anne finds Jane Seymour sitting on Henry’s knee. There are accounts of this really happening. Anne tears a necklace from her throat and slaps her. Historically, Anne did pull the necklace away (the necklace was a portrait of Henry), but it was at a different time, when the king wasn’t there).

 14. The incident leads to Anne miscarrying her child. This did happen pretty soon after CoA’s death and also was caused by the Jane Seymour knee-sitting incident.
Also HOLY TOKOPHOBIA BATMAN, if you are freaked out by pregnancy and childbirth, I would suggest skipping over this scene. It doesn’t show a lot but there are A LOT OF SOUNDS AND IT IS VERY DISTURBING. (yes, I probably have mild tokophobia).

 15. Symbol returns: The clock has wound down and is stopped, probably referring to Anne running out of time. Anne looks out the window and sees Henry petting the peacocks she asked him to kill with Jane Seymour, indicating her loss of power and status with her husband.

 16. I love that the show has Anne running to try to catch her husband to advocate for her plan with the monasteries, even though she’s just lost a baby, is very injured from childbirth, and she’s upset about the Jane situation. Anne really was very passionate about religious reform and charity and although this almost certainly didn’t happen, it’s a good way to show it.

 17. Anne appears alone in several scenes in this episode. Realistically, she would not have been alone, pretty much ever, as the Queen would always be accompanied by several ladies. Honestly, she probably didn’t even use the bathroom alone. But it works for showing Anne’s isolation and growing paranoia about her role at court.

I hope you enjoyed that quick rundown! It ended up over 1,500 words, which was approximately 1,000 more words than I planned, but - whatever. I’ll probably do the same thing for the next two episodes as well!

Over-Analyzing The Crown: S4E9 Avalanche

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” ( + Cinderella References) 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1” 9: “Avalanche”
The Medals, Sashes, and Tiaras of The Crown; Tiaras/Crowns Overviews: Season 1 ; Season 2

My apologies for the delay on the blog posts about the last two episodes of Season 4 of The Crown. I’ve been taking some time off to re-evaluate things.

I have determined that if I’m going to keep blogging, I need to cut back on the level of detail and research I put into each post or I’ll just implode from stress. I mean, my last blog post on 48:1 clocked in at over 8,000 words. That’s just not sustainable. So I’m going to put CONSIDERABLE effort into really cutting down these blog posts to 3,000 words or less in the future. This is still long enough for me to get into the nitty gritty details y’all love, but will make my life, and probably your life as readers, considerably easier.

On to Avalanche!

Top: Emma Corrin as Princess Diana in The Crown and Jay Webb as Wayne Sleep. Bottom: Princess Diana and Wayne Sleep.

Top: Emma Corrin as Princess Diana in The Crown and Jay Webb as Wayne Sleep.
Bottom Left: Princess Diana (Credit: Reg Wilson / Shutterstock).
Bottom Middle: Princess Diana and Wayne Sleep.
Bottom Right: Princess Diana and Wayne Sleep (Credit: Helen Wilson / Shutterstock).

  • The episode starts off with an incident in which Diana surprises Charles with a choreographed dance to Uptown Girl with Royal Ballet dancer Wayne Sleep. This really did happen on Dec. 23, 1985 at a private “Friends of Covent Garden” charity event. This charity event regularly featured surprise celebrity appearances, and Charles and Diana had appeared in a skit together the previous year as Romeo and Juliet. (Source: Tina Brown, The Diana Chronicles)

    • We unfortunately only have photos of it, and no video. Probably the closest we have to an actual video of it is this 2017 CNN film in which Sleep talks and walks through both his and Diana’s parts. I’m not a dancer at all, but from what I can tell, it seems like The Crown really tried to recreate Sleep’s description of the dance very closely.

      • As I’ve discussed before, Diana really did love to dance, and she had actually asked Sleep if he would give her lessons in the 1980s. He didn’t have time to teach her, but later, did agree to help her with her surprise dance. They apparently struck up quite a lovely friendship and afterward, Diana would occasionally pop in to come hang out with him in his dressing room after his performances to just chat. (Source: A 2017 interview with Wayne Sleep published in The Guardian).

        • This entire incident took place a month after another high profile dance of Princess Diana’s, namely, when she danced with John Travolta at the White House. At that dinner, she actually specifically asked to be seated next to Russian ballet master Mikhail Baryshnikov, and wanted to dance with him, but alas, Baryshnikov had an injured ankle at the time. (Source: Tina Brown, The Diana Chronicles)

Princess Diana with Wayne Sleep.

Princess Diana with Wayne Sleep.
(Credit: Mirrorpix / Getty)

  • Charles’ Reaction: We can’t know whether the couple argued about it in a car afterward, but there are reports that Charles was rather cool and distant towards Diana at a reception after the event. (Source: Tina Brown, The Diana Chronicles)

    • Diana’s dress in the episode looks to be an almost perfect copy of the real dress Diana wore, and Emma Corrin’s hair is styled out voluminously like Diana’s was in real life. I feel like they don’t quite capture the height of Diana’s hair though.

    • I’m really happy they included the detail of the height difference between Diana and her partner in the crown. In real life, Diana was at least 8 inches taller than Wayne Sleep without heels; at 5’2”, Sleep is the shortest male dancer ever admitted into the Royal Ballet School. On The Crown, Emma Corrin is only 4 inches taller than Jay Webb, the actor who played Sleep (again without heels), but I think the contrast and effect still comes across very well.

      • Fun fact: Wayne Sleep originated the role of Mr. Mistoffelees in the initial West End run of Andrew Lloyd Webber’s Cats! (Source: Marie Claire)

      • Additional fun fact: Jay Webb, who played Wayne Sleep in this episode, has acted in a fictional retelling of Princess Diana’s life before! As a child, he apparently played Prince Harry in the 1996 TV movie Princess in Love, a fictional retelling of Diana’s relationship with James Hewitt. (Source: Jay Webb’s CV ). I could barely find any photos from this film online, and it has, uhm, poor ratings. I may have to go watch this and see how terrible it is. For research purposes, of course. :D

  • The scene in which the Queen and Philip discuss the dance after reading about it in the newspaper didn’t actually happen back in 1985. Even though there were 2,500 people in the crowd, the dance didn’t actually make the news at the time (source: Town and Country). It was 1985 and people didn’t just have cameras in their pockets like we do now. The only photos of the dance were taken by a Royal Opera House photographer, and those weren’t actually published until 1995. Sleep said in his interview with The Guardian that their publication made Diana suspicious of him and they drifted apart after that. Note: This was really hard for me to believe, but I actually searched through a couple newspaper databases for any mention to Princess Diana and Uptown Girl in 1985/1986 and couldn’t find anything.

    • The back and forth between the Queen and Philip of "Why did you never dance for me?” “Because if memory serves you had your own ballerinas for that.” is a callback to the Season 2 premiere episode Misadventure, when the Queen found a photo of a ballet dancer in Philip’s bag when he was about to leave on tour.

  • The avalanche that occurred in the show was a real life event, although it happened several years after the Uptown Girl dance. In March 1988, Diana and Charles were at Klosters with friends when an avalanche killed their long time friend Major Hugh Lindsay and seriously injured Patti Palmer-Tomkinson. Diana was back at the chalet with Fergie at the time, and said later that they waited for news for several hours in utter fear.

    • When the COVID-19 pandemic locked down things in the UK, The Crown only had six days of shooting left. The show had actually planned on shooting the avalanche scene during this time, and had to change course very quickly to adjust to the situation. The director of the episode said that when all their plans had to be changed, she looked at what she really needed from that scene in the story to affect the journey of Charles and Diana, and ultimately decided to show the avalanche from Charles’s perspective. The result was a completely created avalanche visual that ends up enveloping the camera’s view entirely. (Source: “The Crown Cast Tell the Story of Filming Season 4” on Youtube, around 9 minutes).

    • Remember the character named Sarah who we saw in the press office in the 48:1 episode immediately previous to Avalanche? That’s Major Hugh Lindsay’s wife. I thought it was an interesting choice to have us see her work so much in the margins of one episode and then see her grief take center stage in the next.

      • The Ethics of Dramatizing Real Life Tragedies: Sarah Horsley, Hugh Lindsay’s widow, said that she was horrified by The Crown’s inclusion of the disaster in the show and that she specifically wrote and asked them not to include it. It makes me incredibly uneasy that they didn’t listen to her on this. Yes, yes, creative freedom and all that, but …this is a real person’s life. I guess at least he wasn’t portrayed by an actor in the show (at least as far as I can tell) and the actual incident wasn’t shown beyond some very brief avalanche footage with no people present. However, this appears to be more the result of COVID-19 shutting down production and changing their plans than any attempt to portray the incident sensitively.
        As the show moves closer and closer to present day, the criticism of its representation of events that are still affecting the lives of people today grows. I’m sure this will only become more of an issue in future seasons. I myself have a few questions about the ethical issues surrounding shows that come this close to present day (and my mother has some OPINIONS on this, y’all). Peter Morgan has said that he plans to maintain a “20 year rule” with the series to avoid becoming too journalistic and in order to have a bit of perspective on the events portrayed. So sorry, we’re not going to get to see Prince William or Prince Harry’s weddings in Seasons 5 or 6, nor are we going to meet Duchess Meghan. (Source: The Standard).
        We /might/ get up to seeing Prince Charles’s wedding to Camilla, which occurred in 2005, but I really don’t anticipate seeing anything beyond that. Production on the fifth season starts up in June 2021, season 5 won’t premiere until probably November 2022, and season 6 won’t come out until probably November 2023 (if we’re basing predictions off the past release schedules). Including Charles and Camilla’s wedding would have to bend/break Peter Morgan’s 20-year rule slightly, but I think it would be a rather brilliant way to end the series, personally.

Tobias Menzies as Prince Philip in The Crown.

Tobias Menzies as Prince Philip in The Crown.

  • The show depicts the Queen and Philip waiting for news about the avalanche anxiously, knowing that someone has died but not knowing if it is their son or not. I’m not sure if we have any stories about their reaction to this, but this does seem to echo Diana’s accounts of the event. She and Fergie were back at the chalet and apparently heard that /someone/ had died over an hour before they actually knew who it was.

    • Tobias Menzies has had very little to do this season frankly, but I thought his acting in this scene was incredible. His worry for his son was just written all over his face.

    • The royal household does in fact have contingency plans to deal with the deaths of all royal family members. This came up in Season 1’s Act of God, when Queen Mary (Queen Elizabeth’s grandmother) mentioned that there were rehearsals for her funeral going on outside her bedroom window. These plans are given bridge-based code names, just as the Queen mentions in the episode.

    • Those are:

      Queen Elizabeth II - Operation London Bridge
      Queen Elizabeth the Queen Mother - Operation Tay Bridge (these plans were rehearsed for 22 years before her deaht, apparently)
      Prince Philip, Duke of Edinburgh - Operation Forth Bridge
      Charles, Prince of Wales - Operation Menai Bridge

  • In the show, both Charles and Diana view the avalanche as a turning point in their marriage. Charles sees it as a potential life ending event and realizes that he needs to be with Camilla. Diana sees the incident as a wake up call that she should change her ways and recommit to her marriage. I haven’t seen any evidence that either party reacted to this tragedy in these ways.

    • Diana said later that the tragedy taught her that she could cope with a horrible situation and take control of a situation even when Charles opposed her decision. Once they found out that Hugh had died, Diana quickly went up to pack Hugh’s suitcase and gave Fergie Hugh’s passport to give to Charles’s bodyguard. (Diana: Her True Story in her Own Words)

    • People have been criticizing the show a lot for making Charles look bad, but honestly, they kind of did him a favor in this story line. I’ve read in several places that Charles wanted to stay and keep skiing after Hugh Lindsay’s death but that Diana insisted that they had to fly back to the UK with Lindsay’s remains at once. (Source: The Diana Chronicles, Diana: Her True Story in her Own Words). This reaction was likely just shock though, as later, staff at Highgrove reported that Charles was completely overcome with horror and guilt and wasn’t able to eat. (The Diana Chronicles)

  • The Queen calls out Diana for breaking her vows, which seems pretty hypocritical since everyone knew Charles had been in love with another woman for the entirety of his marriage.

    1. Charles is silenced yet again in the conversation with his parents and Diana and doesn’t get to speak his piece. This continues a theme with Charles’s interactions with his parents going back to Season 3 Tywysog Cymru, and continuing in Season 4’s The Balmoral Test. The Queen and Philip just want Charles to shut up and do his duty.

  • When the Queen talks to Anne about Charles and Diana, Anne mentions that Diana has had affairs with her bodyguard and her riding instructor. This refers to bodyguard Barry Mannakee and riding instructor James Hewitt.

    • Her relationship with Mannakee isn’t covered in the Crown in any depth, but Diana said in private tapes recorded by her voice coach (which were released after her death), Diana described her relationship with an unnamed bodyguard as the “greatest love” she’d ever had. Although Manakee is not mentioned by name in the tapes, the details she gives about when she met him and how he died align with his life. (Source: Oprah Daily). Manakee was also married at the time, and eventually lost his position as her bodyguard after they were caught in a “compromising position” in 1986. (Source: The Diana Chronicles). We don’t know nearly as much about Diana’s relationship with Manakee as we do about her relationship with Hewitt.

    • James Hewitt was Diana’s horse-riding instructor. He spoke to newspapers in the early 90s and later wrote a 1999 book called “Love and War” about his affair with Diana; she confirmed their relationship in interviews. The affair started in 1986 and ended in 1989 when he was posted to Germany.
      Because Hewitt has red hair, there have been rumors for years that he’s actually Prince Harry’s dad. However, Harry was born a full two years before the affair began, so there’s really no actual grounds to believe this story. Diana always attributed Harry’s red hair to her side of the family, the Spencers. (Source: Harper’s Bazaar). The scenes in this episode about Diana sneaking Hewitt into Kensington Palace into the trunk (boot) of her car apparently are realistic. (Source: Harper’s Bazaar, Anna Pasternak’s Princess in Love)

    • Diana’s affair with Hewitt was pretty well known among their staff and the people around them, so it seems that Anne really may have known about all of these things. In addition, while they may not have addressed their affairs with their staff quite so openly as depicted in the show, it does appear that Charles’s relationship with Camilla and Diana’s relationships were common knowledge.

    • As I mentioned earlier, there isn’t any sign that the avalanche actually caused Diana to change anything about her relationships, so the scenes where she kicks Hewitt out and bans him from the Palace are made up. The BBC reported that Diana stopped taking Hewitt’s calls in 1992.\\

Diana with the cast of The Phantom of the Opera in The West End. I /think/ that’s baby Andrew Lloyd Webber there too.

Diana with the cast of The Phantom of the Opera in The West End. I /think/ that’s baby Andrew Lloyd Webber there too.
(Credit: UPPA / Starstock)

Princess Diana with Andrew Lloyd Webber.

Princess Diana with Andrew Lloyd Webber.

  • The second Diana performance of the episode, in which Diana gave Charles a video of her performing a song from Phantom of the Opera, may not have happened quite the way it was depicted. The video has never been released and no one has officially ever talked about it, but back in 1988, The Washington Post reported that Diana did record something on the set of Phantom of the Opera and gave the video to Charles as a seven year anniversary gift. Wash Post also reports though that Andrew Lloyd Webber was there at the time, which he denied to The Telegraph. It’s unclear whether she actually sang in the video or not, but she definitely at least danced.

    • Diana really did love Phantom of the Opera and saw it numerous times. Andrew Lloyd Webber confirmed this via tweet, along with a picture of him with her.

  • Prince Charles has confirmed previously that his affair with Camilla began in 1986, after, in his view, his marriage had irretrievably broken down. Reports indicate that both Diana and Camilla’s husband Andrew knew about it. (Source: Insider). Of course, Andrew had already been having affairs for years and Diana also had her own relationships outside her marriage.

    • It’s hard to know how much Diana actually confronted Charles about the affair, but Diana did confront Camilla herself at a party in 1989. According to tapes Diana made for Andrew Morton for his book Diana: Her True Story (which were made years later and are from her own viewpoint, so there’s likely bias in this recollection), the interaction went something like this.
      Diana: “I know what's going on between you and Charles and I just want you to know that.”
      Camilla: “You've got everything you ever wanted. You've got all the men in the world fall in love with you and you've got two beautiful children, what more do you want?”
      Diana: “I want my husband. I'm sorry I'm in the way...and it must be hell for both of you. But I do know what's going on. Don't treat me like an idiot."

Josh O’Connor as Prince Charles and Erin Doherty as Princess Anne in The Crown.

Josh O’Connor as Prince Charles and Erin Doherty as Princess Anne in The Crown.

Prince Edward, Prince Charles, and Princess Anne.

Prince Edward, Prince Charles, and Princess Anne (Credit: Tim Graham / Getty).

  • When Charles complains to Anne about the situation, she points out to him that Camilla and Andrew’s marriage is actually happy in its own way, stating “You’re not Romeo and Juliet.” It’s a little unclear how true this is, but reports do indicate that Andrew was aware of Camilla’s relationship with Charles, didn’t have any problems with it, and the couple remained friendly after their divorce, so it’s quite possible that this is a correct characterization.

  • In the show, Diana repeatedly calls Charles, but he repeatedly ignores her. I pointed out in my earlier post that the colors blue and yellow seem pretty important to their relationship. Diana seems to be wearing blue more when she’s in love with Charles and they’re connecting, but seems to wear more yellow when they’re at odds. This isn’t super consistent, but that color juxtaposition shows up a LOT in the montage of Diana calling Charles and him ignoring her; at one point, he’s in blue and completely surrounded by yellow walls, which seems to indicate the huge emotional distance between them.

Left: Emma Corrin as Diana in The Crown. Right: Diana.

Left: Emma Corrin as Diana in The Crown.
Right: Princess Diana (Credit: Princess Diana Archive / Getty).

Left: Emma Corrin as Diana in The Crown. Right: Diana as a young teenager.

Left: Emma Corrin as Diana in The Crown.
Right: Diana as a young teenager.

  • The Crown depicts Charles as having spies that watch Diana, who inform him when her affair with Hewitt resumes. It appears that Charles did have courtiers around Diana who reported back to him, at least. On a very weird note, in 1998, the UNITED STATES National Security Agency admitted that they actually had “1,056 pages of classified information about the late Princess Diana.” (Source: Washington Post, 1998). This is…bizarre to say the least, and the NSA never explained exactly why this happened, but did say that references to Diana in the intercepted conversations were incidental and that she wasn’t a formal target of the NSA eavesdropping infrastructure.

Season 2 Tiaras and Crowns of "The Crown"

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” ( + Cinderella References) 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1” 9: “Avalanche”
The Medals, Sashes, and Tiaras of The Crown; Tiaras/Crowns Overviews: Season 1 ; Season 2

Other Posts about Crowns and Tiaras:
Diadems, Tiaras, and Crowns, Oh My! - an overview of types, definitions, and purposes
Disney Crowns and Tiaras: Historical and Modern Inspirations (Part I) - Snow White, Alice in Wonderland (cartoon and live), Sleeping Beauty/Maleficent, Robin Hood, and the Great Mouse Detective
Disney Crowns and Tiaras: Historical and Modern Inspirations (Part II): Cinderella, Little Mermaid, The Princess and the Frog, and The Sword in the Stone!

In a previous post that focused mostly on the medals and sashes often worn by royal characters on formal occasions in The Crown, I included a small amount of information on tiaras in the show, but never went into much depth. I’ve been wanting to do an quick overview of every tiara and crown worn by an English royal woman on the show for a while, and am just now getting around to it. My brain needs a break from all the research and just needed a quick look at something pretty so - here you go!

The Court Jeweller’s past in-depth blog posts featuring ALL the jewels in The Crown S1-S3 and overviewing the jewels in S4 were absolutely invaluable in gathering information about each tiara and crown in the show. Ella Kay does a brilliant job over there and has blogged about tiaras and jewels for years and years, so if this quick overview piques your interest, please go read everything on her blog; it’s absolutely fascinating and incredibly in depth on all sorts of royal jewellery from many different countries. The Tiarapedia she’s put together is also an incredibly valuable resource for anyone looking for tiara information.

S2E1 Misadventure: The Queen wears Queen Mary’s Lover’s Knot tiara for a diplomatic reception; Philip adorably flirts with her when he fixes her zipper right before they enter the room.

I’ve been wondering why they’ve used /this/ tiara so much on the show, and I think it might be because it’s such a familiar looking tiara to modern audiences. It was one of Princess Diana’s favorites and Duchess Catherine now wears it a fair amount too. I couldn’t rind any recent photos of the Queen herself wearing the tiara however.

(Information from the Court Jeweller’s blog post on this episode)

L to R: Claire Foy as Queen Elizabeth wearing a replica of Queen Lover’s Knot Tiara for The Crown; Elizabeth II wearing the lover’s knot tiara; Diana, Princess of Wales wearing the Lover’s Knot tiara (Credit: Anwar Hussein / Getty); Catherine, Duchess of Cambridge wearing the lover’s knot tiara (Credit: John Stillwell / Getty).

Later in the episode, the Queen attends the ballet wearing the Vladimir tiara in its “widowed” style (without pendant drops). I could not find screenshots of this except through the Court Jeweller, but you can go see them over there. This tiara does seem to be one of Elizabeth’s favorite tiaras, as she’s worn it consistently (widowed, with pearl drops, and with emerald drops) throughout her reign.

Queen Elizabeth II in various tiaras.
Credit Left to Right: Mark Cuthbert / Getty; Tim Graham / Getty; Reginald Davis / Shutterstock

S2E3 Lisbon: After a contentious talk on the royal yacht, Elizabeth agrees to give Philip the title of “prince,” and a mini coronation is held for him. During the ceremony, Elizabeth wears a replica of Queen Alexandra’s Kokoshnik. The Queen Mother wears the replica Greville tiara and Margaret wears the made-up tiara she wore to the coronation in the first season.

As noted by The Court Jeweller in their blog post on the episode, I’m fairly sure that no such ceremony took place when Philip was made a British prince. After Philip’s return from his trip around the Commonwealth, press reports kept coming out that Elizabeth and Philip were having marriage troubles. This annoyed the Queen so much that she not only issued a denial, but granted Philip the title of Prince in February 1957. This was reported in the newspapers but there’s no sign that there was any sort of official ceremony for it.

Philip was made a British prince in 1957. He actually was born “Prince Philip of Greece and Denmark” but gave up his Greek and Danish titles to become a naturalized British citizen shortly before his engagement to Elizabeth was announced in 1947. He apparently had been offered the title in 1955 and turned it down then, but his uncle Lord Mountbatten and his aunt, Queen Louise of Sweden, sort of insisted that he take it the second time. Philip probably didn’t want any fuss to be made about it.

Philip of course gets his own “Prince” coronet, which should be different from a ducal coronet, although I’ve had trouble actually putting a finger on what a standard prince coronet looks like. From what I’ve read online, a ducal coronet is usually a gold circlet with 8 strawberry leaves, with a crimson silk velvet lining with a gold tassel at its center, trimmed with a base of ermine. However, it looks like real Philip’s coronet at the coronation (when he was a duke, not a prince) actually…did not look like a ducal coronet at all. You can see in the photo that he actually has alternating crosses pattée and fleurs-de-lis, in an echo of the design of St. Edward’s Crown and the Imperial State Crown. Perhaps this was a special consort crown made for him? I’ve had trouble finding information on it anywhere, unfortunately.

Real Philip’s Coronation coronet is what is recreated in the Crown for his fake promotion to Prince ceremony. However, during the actual coronation scene on The Crown, he wore a totally different crown, which DOES appear to be just a regular ducal crown, with strawberry leaves. Weirdly enough though, it’s the exact same crown style that Lord Mountbatten is wearing in the coronation scene, even though he’s an earl, not a duke. Perhaps The Crown thought that the earl coronet was too odd looking for any named character to be seen wearing it? The earl coronet also has strawberry leaves, but features silver balls at the top.

Basically there were just some very strange decisions made around coronets for this show lol.

Left: A scene from The Crown; Right: Queen Elizabeth and Prince Philip (Credit: Paul Popper / Getty).

S2E4 Beryl: Princess Margaret wears the Cartier halo tiara for her birthday portrait by Cecil Beaton (So I guess they finally got the right to recreate it for the Crown!). In real life, she didn’t wear any tiara for this specific portrait. She also later wears the halo tiara at Elizabeth and Philip’s tenth anniversary dinner (and to dump Billy’s ass). At the tenth anniversary dinner, Elizabeth wears a replica kokoshnik (probably Queen Alexandra’s kokoshnik again, although it looks a little taller. Maybe it’s the angle). I don’t think we have any photos of the actual anniversary dinner so sadly, I can’t confirm, but there are photos of them dancing and Elizabeth wearing a kokoshnik. The queen mother wears the Greville tiara, but couldn’t find a photo of her in this scene; you can check it out on Court Jeweller.

Toward the end of the episode, Elizabeth and Philip miserably get undressed and go to bed after a diplomatic function of some sort; Elizabeth wears the lover’s knot tiara for this. Couldn’t find a photo of this moment, but it is on Court Jeweller.

Top L to R: Claire Foy as Queen Elizabeth and Matt Smith as Prince Philip in The Crown; Elizabeth II and Prince Phillip dancing at a state ball in Malta, 1967 (Credit: Hulton Archive / Getty); Vanessa Kirby as Princess Margaret in The Crown; Portrait of Princess Margaret.

Bottom L to R: Vanessa Kirby as Princess Margaret in The Crown; Princess Margaret (Credit: Daily Mail / Shutterstock); Princess Margaret; Queen Elizabeth The Queen Mother.

S2E6 Vergangenheit: David and Wallis wear paper/plastic crowns to a costume party. I couldn’t find a screenshot of Wallis’s crown, but I found a view of David’s (also, how wonderful is that octopus hat?). They really did wear paper crowns to a costume party at one point, but the ones in the show looked nothing like that.

S2E7 Matrimonium: For her wedding to Antony Armstrong-Jones, both in The Crown and in real life, Princess Margaret wore the Poltimore Tiara. This tiara was apparently one of Margaret’s favorite pieces, and belonged to her personally.

Left: Princess Margaret and Husband Anthony Armstrong-Jones leave Westminister following their wedding (Credit: Bettmann / Getty)
Right: Matt Smith and Vanessa Kirby as Prince Phillip and Princess Margaret in The Crown.

S2E8 Dear Mrs. Kennedy: The Queen wears the Vladimir Tiara with the emerald drops for her dinner and dance with Nkrumah.

Left: Queen Elizabeth II (Claire Foy) dances with Kwame Nkrumah (Danny Sapani) in The Crown.
Right: Photo of the actual dance between Queen Elizabeth II and Ghana President Kwame Nkrumah, 1961 (Credit: AP).

And that’s it for Season 2! There weren’t any tiaras or crowns in the last two episodes of the season, alas, as those were focused more on Charles angst and Philip ‘n’ Elizabeth angst rather than on any cool ceremonial occasions.

Season 1 Tiaras and Crowns of "The Crown"

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” ( + Cinderella References) 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1” 9: “Avalanche”
The Medals, Sashes, and Tiaras of The Crown; Tiaras/Crowns Overviews: Season 1 ; Season 2

Other Posts about Crowns and Tiaras:
Diadems, Tiaras, and Crowns, Oh My! - an overview of types, definitions, and purposes
Disney Crowns and Tiaras: Historical and Modern Inspirations (Part I) - Snow White, Alice in Wonderland (cartoon and live), Sleeping Beauty/Maleficent, Robin Hood, and the Great Mouse Detective
Disney Crowns and Tiaras: Historical and Modern Inspirations (Part II): Cinderella, Little Mermaid, The Princess and the Frog, and The Sword in the Stone!

In a previous post that focused mostly on the medals and sashes often worn by royal characters on formal occasions in The Crown, I included a small amount of information on tiaras in the show, but never went into much depth. I’ve been wanting to do an quick overview of every tiara and crown worn by an English royal woman on the show for a while, and am just now getting around to it. My brain needs a break from all the research and just needed a quick look at something pretty so - here you go!

The Court Jeweller’s past in-depth blog posts featuring ALL the jewels in The Crown S1-S3 and overviewing the jewels in S4 were absolutely invaluable in gathering information about each tiara and crown in the show. Ella Kay does a brilliant job over there and has blogged about tiaras and jewels for years and years, so if this quick overview piques your interest, please go read everything on her blog; it’s absolutely fascinating and incredibly in depth on all sorts of royal jewellery from many different countries. The Tiarapedia she’s put together is also an incredibly valuable resource for anyone looking for tiara information.

S1E1 Wolferton Splash: Princess Elizabeth wears Queen Mary’s Fringe Tiara for her wedding. (Information from the Court Jeweller’s blog post on this episode)

L to R: Claire Foy as Princess Elizabeth wearing a replica of Queen Mary’s Fringe Tiara for The Crown. Princess Elizabeth wears the real Queen Mary’s Fringe Tiara on her wedding day in November 20, 1947 (Credit: Popperfoto / Getty). Famously, the fringe broke and had to be hurriedly repaired before the ceremony (you can see that it looks slightly uneven around the middle).

S1E3 Windsor: The new Queen Elizabeth wears the Queen Mary’s Lover’s Knot Tiara while out at a formal occasion. I could not find any photos of Elizabeth wearing this tiara in this episode except on The Court Jeweller blog, but you can go see it over there on her blog post about this episode.

S1E5 Smoke and Mirrors: In a flashback, Elizabeth’s father Bertie (whose regnal name was George VI) tries on the St. Edward’s Crown. Elizabeth also tries on this crown in the present. Note: she’s wearing almost exactly the same colors and outfit she wore in S1E1 when she gazed on the crown toward the end of the episode, possibly indicating how she’s inherited the throne so much sooner than planned.

L to R: Claire Foy as Elizabeth II in The Crown, trying on a replica of St. Edward’s Crown; Elizabeth II posing with St. Edward’s Crown in real life (Credit: Hulton Archive / Getty).

Next, Elizabeth tries on the imperial crown. I couldn’t find photos of this moment except at The Court Jeweller, but you can go look at the screenshots over there.

Queen Elizabeth goes out on the town in her furs and tiara: The Vladimir Tiara, worn with pearl pendants

L to R: Claire Foy as Elizabeth II wearing a replica of the Vladimir Tiara in The Crown; Elizabeth II wearing the Vladimir Tiara (Credit: Anwar Hussein / Getty).

The Queen Mother and Princess Margaret are both shown wearing tiaras at the coronation . The Queen Mother did in fact wear the circlet from her crown, although the replica of it is a bit awkward. In real life, Princess Margaret wore the Cartier Halo Tiara at the coronation, but The Court Jeweller reports that there were copyright issues preventing it from being used, so they replaced it with another. I’m not quite the tiara expert that others are, but the tiara in the show seems to slightly resemble Queen Mary’s Diamond Bandeau, which Meghan Markle wore on her wedding day to Prince Harry. (Information from The Court Jeweller’s blog on this episode)

Margaret also wore some sort of coronet for part of the coronation ceremony. In the United Kingdom, peers (what we would think of as nobles, with a specific title such as Duke, Marquess, Earl, Viscount, or Baron) wear specific coronets for their rank to the coronation of a new monarch along with their coronation robes. Coronets do not have any stones. Princess Margaret and Princess Elizabeth also both wore simple coronets at their father’s coronation.

L to R: Victoria Hamilton as the Queen Mother and Vanessa Kirby as Princess Margaret in The Crown. Hamilton wears a replica of Queen Elizabeth the Queen Mother’s crown, without its arches. Margaret’s tiara in this scene does not appear to be a replica of any one tiara but somewhat resembles the Queen Mary’s Diamond Bandeau.; the real life Queen Mother (wearing her crown) and Princess Margaret (wearing a coronet) at the coronation (and a very bored Prince Charles)(Credit: Hulton Deutsch / Getty); Princess Margaret wearing the Halo Scroll Tiara.

In The Crown, the Queen is shown wearing the George IV State Diadem, which is traditionally worn by queens and queens consort in procession to coronations and state openings of Parliament. Elizabeth wore the diadem on her way to the coronation and on her procession down the aisle, was then crowned with St. Edward’s crown, and then wore the Imperial State Crown as she left Westminster Abbey.

L to R: Claire Foy as Elizabeth II wearing a replica of the George IV State Diadem on The Crown; Elizabeth II wearing the real George IV State Diadem as she arrives at Westminster Abbey for her coronation on June 2, 1953 (Credit: Topical Press Agency / Getty).

L to R: Promo photo of Claire Foy from The Crown wearing the replica St. Edward’s Crown; Elizabeth II wearing St. Edward’s Crown after her coronation on June 2, 1953 (Credit: Print Collector / Getty); Promo photo of Claire Foy from The Crown wearing the replica Imperial State Crown; Elizabeth II wearing the Imperial State Crown at the end of her coronation in Westminster Abbey.

S1E6 Gelignite: Elizabeth wears the Lover’s Knot Tiara again for a formal event. Again, I couldn’t find generally available screenshots for this, so you’ll have to check it out over on The Court Jeweller’s post on the episode.

S1E8 Pride and Joy: Princess Margaret, representing the Queen while Elizabeth and Philip are touring the commonwealth, is originally given the weird tiara she wore at the coronation to wear, but asks to change it instead. At the actual event, she wears the replica version of the Queen Mary’s Lover’s Knot Tiara. I couldn’t find any photos of the real Princess Margaret wearing the lover’s knot (because it wasn’t hers, which is made clear within the episode’s dialogue), but here’s the real Queen Elizabeth wearing it. (Information from The Court Jeweller’s post on this episode)

A portrait of the Queen Mother wearing the Greville Tiara.

A portrait of the Queen Mother wearing the Greville Tiara by Richard Stone (1986).

L to R: Vanessa Kirby as Princess Margaret on The Crown wearing a replica of Queen’s Mary’s Lover’s Knot Tiara; Elizabeth II wearing the real Lover’s Knot tiara (Credit: Mirrorpix).

S1E9 Assassins: Elizabeth wears the Lover’s Knot tiara for dinner at Downing Street (in honor of Winston Churchill’s stepping down from office). You can see The Court Jeweller’s screenshots in her blog post on the episode over here. A few other tiaras appear at Churchill’s formal dinner, but as I’m only covering royal tiaras, you’ll have to go check those out over there.

Do you think they just hadn’t had time to make more tiaras for her to wear in this first season? It’s rather odd that they repeated the lover’s knot so many times in one season.

S1E10 Gloriana: The Queen Mother wears the Greville Tiara during a ball at Balmoral. I couldn’t find any other screenshots of her wearing this, but you can see it over on the Crown Jeweller’s blog post on the topic. Here’s a portrait of the real Queen Mother wearing the Greville Tiara though.

Elizabeth wears the Lover’s Knot tiara (again). Margaret wears the weird coronation tiara again. Seriously, I really think they just hadn’t had time to make many tiara replicas at this point.

In the very final shot of Season 1, Elizabeth II is shown wearing the George IV State Diadem again for her portrait as queen.

L to R: Claire Foy as Elizabeth II wearing a replica of the George IV State Diadem on The Crown; Elizabeth II wearing the George IV State Diadem.

It was great fun putting this together and actually rather quick for me, so I’ll be putting together an overview for each season here soon. Stay tuned. :)

Over-Analyzing The Crown: S4E8 48:1

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1”
Season 1 Tiaras and Crowns of “The Crown”; The Medals, Sashes, and Tiaras of The Crown
Visual Cinderella References in The Crown S4E3 Fairytale

Since I had great fun over-analyzing every episode of Season 3 of The Crown last year, I’m doing the same thing this year! So if you haven’t watched Season 4 Episode 8 of the Crown yet and don’t want to be spoiled, please stop reading now. :)

Content Warning: Some discussion of human rights violations, political violence, coup d’etats, murders, mass death. I’ll give a CW right before those portions of the post as well.

  • The episode starts off with a flashback to April 21, 1947, with a cameo by Claire Foy as Princess Elizabeth before she rose to the throne. It’s her 21st birthday, and from Capetown, South Africa, Elizabeth speaks to “all the peoples of the British Commonwealth and Empire, wherever they live, whatever race they come from, and whatever language they speak.”
    Toward the end, she famously says, “I declare before you all that my whole life whether it be long or short shall be devoted to your service and the service of our great imperial family to which we all belong.” This speech is, I believe, a word for word rendition of her actual 21st birthday speech, which can be read in full here.
    As she continues to speak, we pan away to people from all over the commonwealth listening to her voice on the radio while going about their day. It’s a short but very affecting montage. I really wish that they told us which towns/cities/countries we were seeing though.

    • Fun fact: This is actually the earliest chronological appearance of the Queen (apart from some childhood flashbacks), as the first episode in The Crown started with her wedding on November 20, 1947. Claire Foy’s reappearance was much remarked upon when she was spotted filming these scene back in November 2019.

    • This speech was supposedly given from the garden of Government House in Cape Town. I guess they moved it to the porch in the show for dramatic purposes. At the time, Elizabeth was touring South Africa and Rhodesia (now Zimbabwe) with her parents and younger sister.
      However, IT LOOKS LIKE there’s actually evidence that the 21st birthday speech was not delivered live or recorded in Cape Town at all, but may have been pre-recorded a week earlier at a hotel in Rhodesia.

      • The Telegraph noted in 2018:

        A new book, Queen of the World by biographer Robert Hardman, has suggested it was impossible for the speech to have been delivered at 7pm in Cape Town on the birthday, cross-referencing the sun-dappled photographs of the Princess reading it with the timings of April sunsets, and unpublished diary accounts.

        One such diary, kept by the King’s press secretary Captain Lewis Ritchie and now locked in the Royal Archives, states that, on Sunday, April 13, 1947, at Victoria Falls Hotel in what was then Rhodesia: ‘At 6 pm, Princess Elizabeth recorded her speech for the BBC. It was afterwards played off for Her Royal Highness to hear and was a great triumph.’

        It was later broadcast from Cape Town as if live.”

    • The scenes we see, which all include radios of some sort, from what I can tell (but most of these are like 4 second pans so it’s hard to tell): (No, I’m not even going to try to guess too much which of these places is which, I am not familiar enough with the culture and racial makeup of all the people in these places to even try. Plus, I’ve already done a lot of research on who was in the Commonwealth in 1985 and I don’t want to have to do it for 1947 too, lol. The time of day, plants, animals, and landscape in each scene are definite clues, so if anyone wants to take a crack at guessing which is which, go for it).

      • Men listening from a barbershop set up outside (appears to be night)

      • Men and a boy walking through a rural pond with goats in the background (daytime)

      • Various people putting up their equipment after fishing on a beach (looks like dusk)

      • Women wringing out and hanging out clothes (daytime)

      • Men with rifles sitting outside of tents with camels in the background and surrounded by desert plants (daytime)

      • A man lying on a bed and two women sitting by him (sun coming through the window)

      • Various people sitting and standing outside a house in the rain, one woman sorting some sort of green crop. Chiles also feature in a basket out front.

      • Men inside and outside of a pickup truck filled with sheep (daytime)

      • Women, maids, and ranchers gathered around a radio listening (daytime - looks like morning light to me), distinctive orange flowers in a vase in the back.

      • A group of women playing games and talking in a common room at Oxford - Margaret Roberts shushes those that are talking and then walks out under the Hertford Bridge in Oxford, England (a city landmark).

Top: The Crown; Bottom: The real life Princess Elizabeth on her 21st birthday

Top: The Crown; Bottom: The real life Princess Elizabeth on her 21st birthday (Credit: Topical Press Agency / Getty).

Left: Margaret Thatcher back when she was Margaret Roberts in college; Right: Margaret Roberts in The Crown.

Left: Margaret Thatcher back when she was Margaret Roberts in college; Right: Margaret Roberts in The Crown.

  • The Commonwealth of Nations (usually just called the Commonwealth) is now a voluntary political association of 54 member states. Although the commonwealth members are not legally obligated to each other, the states basically work together to promote specific values. These core principles were outlined in the 1971 Singapore Declaration and the Lusaka Declaration of 1979 as: support for the United Nations and world peace, egalitarianism and individual liberty, the eradication of poverty, ignorance, disease, and economic inequality, opposition to racism and gender discrimination, free trade, institutional cooperation, multilateralism, and the rejection of international coercion.

    • The Head of the Commonwealth is Queen Elizabeth II; although the position is not technically hereditary, Prince Charles was appointed her successor to this role in 2018. This is a largely symbolic role with no involvement in the day to day governance of any of the commonwealth member states.
      As depicted in this episode, decisions involving the Commonwealth are generally made at the biennial Commonwealth Heads of Government Meeting (CHOGM). The Commonwealth Secretariat is the Commonwealth’s central agency and institution and is in charge of basically all the administrative aspects of the Commonwealth: setting up meetings, helping countries implement policies and decisions of the Commonwealth, and assisting with the development of various policies. The secretariat is run by an elected Commonwealth Secretary-General.
      Nearly all of the member countries of the commonwealth are former territories of the British Empire. (Source: The Commonwealth and the very helpful Wikipedia charts specifying the system of government of each state)
      I should note that in 1985-1986, when the majority of this episode is set, South Africa was not part of the Commonwealth, as it was basically kicked out after it became a republic in 1961 due to its racial apartheid policies. It was readmitted in 1994 after its first multi-racial elections were held.

    • The Commonwealth in 1985 (the list of commonwealth countries at the bottom of this 1985 document from The South African Institute of International Affairs reviewing the events at CHOGM in Nassau in 1985 was very helpful in compiling this last. This document also provides valuable contemporaneous background information from a supposedly neutral research source based in South Africa; I’ve skimmed this over and haven’t found anything terribly objectionable in it, but if I’ve missed something, please let me know.)

      • 16 of the member states were also Commonwealth realms and had the Queen as their head of state. Antigua and Barbuda, Australia, Bahamas, Barbados, Belize, Canada, Grenada, Jamaica, New Zealand, Papua New Guinea, Saint Kitts and Nevis (sometimes Saint Christopher and Nevis), Saint Lucia, Saint Vincent and the Grenadines, Solomon Islands, *Tuvalu, and United Kingdom
        *(Tuvalu was a special member and didn’t have a representative at CHOGM but appears to have been counted for the 48:1 episode and line purposes)

      • 28 of the member states were republics of various types: Bangladesh, Botswana, Cyprus, Dominica, Fiji , The Gambia, Ghana, Guyana, India, Kenya, Kiribati, Malawi, Maldives, Malta, Mauritius, *Nauru, Nigeria, Western Samoa (now known as Samoa), Seychelles, Sierra Leone, Singapore, Sri Lanka, Tanzania, Trinidad and Tobago, Uganda, Vanuatu, Zambia, Zimbabwe.
        Since 1985, 6 other republics have joined - Cameroon, Mozambique, Namibia, Pakistan, Rwanda, and South Africa.
        *[Nauru was a special member and didn’t have a representative at CHOGM but appears to have been counted for the 48:1 episode and line purposes]

      • 5 of the member states are monarchies that do not have Queen Elizabeth at the head: Brunei, Swaziland (known known as Eswatini), Lesotho, Malaysia, Tonga

  • The Commonwealth montage, still backed by the audio of Elizabeth’s speech, ends with baby Margaret Thatcher (Margaret Roberts at this point in her life) at Oxford, listening to the radio, walking joyfully across campus in full Oxford academic dress (which is still worn for examinations and on numerous other occasions), and then pursuing office in the conservative association at Oxford. Once again, Margaret is shown primarily in blue and is the only woman seen in the association pictures. She stands out quite emphatically from the others. This seems to call back to how she stood out among all the men in her cabinet photos in S4E1 The Balmoral Test.

    • We also get a shot of her working in a chemistry lab, which does reflect Margaret Thatcher’s real career as a research chemist after college.

    • Then we get a quick shot of her graduation from Oxford, with her parents at her side, posing for photographs.

Left: Press Secretary Michael Shea on The Crown; Right: the Real life Michael Shea.

Left: Press Secretary Michael Shea on The Crown; Right: the Real life Michael Shea (Credit: PA).

Top: Sir Shridath Surendranath Ramphal on The Crown; Bottom: Sir Shridath Surendranath Ramphal with the Queen in real life. (Note: I have lightened the top image a bit just so the details can be seen. I have to do this with screenshots from The Crow…

Top: Sir Shridath Surendranath Ramphal on The Crown; Bottom: Sir Shridath Surendranath Ramphal with the Queen in real life.

(Note: I have lightened the top image a bit just so the details can be seen. I have to do this with screenshots from The Crown pretty regularly, alas.)

  • Next we’re introduced to Michael Shea’s rather purple prose in his novel “Ixion's Wheel: A Threnody,” which is presented on the screen as its typed, to suit its….hilarious pretentiousness. After he finishes it on his typewriter, he submits it to his editor. She describes it as his “War and Peace,” and he jokingly asks that it be thought of as Ulysses instead. She dramatically jokes, “I shall set aside a year of my life,” and later says, “You deserve congratulations for being able to carry it up the stairs.”

    • War and Peace, by Leo Tolstoy, is famously long and clocks in at over 500,000 words in most English translations. Although there’s more than one famous literature piece known as Ulysses, Shea is likely referring to James Joyce’s novel Ulysses here, which is around 265,000 words long. For reference, most novels these days are between 60,000-100,000 words long.

    • Text on the screen tells us that his editor’s office is in Bloomsbury, London. Bloomsbury is a very artsy and culturally important area in the city which features numerous museums and colleges and is also home to Bloomsbury publishing. Bloomsbury’s artsy-fartsy reputation actually began back in the early 1900s, when a group of English, writers, artists and intellectuals (including Virginia Woolf) lived in and around that neighborhood and became known as the Bloomsbury set.

      • The actual text on the screen:
        ”It was the volte-face of Eurydice except I was Aristaeus, driving her on towards the serpent. 'Malachi, Maalichi...' Twice she called me by my name, twice she beckoned me with her outstretched dactyl. I stood in darkness and she in light, and yet here i was the diurnal, and she was the crepuscular, if such a nugatory distinction pertain. The aurora was breaking, the island, sea-girt, was fast stirring. I looked at her again, her dermis pellucid in the lambent sunshine seemed as if a fish skin pulled taut. She gave me one last glancing look, and then stepped off, and plunged down into the waxing viridescence of the Ionian Waters below. Morus tua, vita mea. The End.”

        • I am not going to bother trying to interpret this all but here are a few bits:

          • Eurydice, Aristaeus, serpant: In Greek Mythology, Eurydice was a nymph married to the legendary musician/poet Orpheus in Greek mythology. Aristaeus, a minor god, tried to pursue her one day and while escaping, she stepped on a snake. She was bitten and died.
            After her death, the musician persuaded Hades to let her leave the underworld and come back with him. Hades agreed, on the condition that Orpheus that he had to walk in front of her and could not turn and look back at her until they were both completely in the daylight. Toward the end of the journey, after Orpheus had reached the light but Eurydice was still slightly behind, Orpheus turned to look at her. She was immediately whisked back to the underworld.

          • Malachi traditionally is said to have written the book of Malachi in the Hebrew Bible. Very little is known about him, and he may not have actually existed.

          • “Ionian waters” - refers to the Ionian Sea, which is a bay of the Mediterranean Sea that stretches from Southern Italy to Western Greece.

          • Morus tua, vita mea - Latin for “your death, my life.”

          • Ixion's Wheel: A Threnody - In Greek mythology, Ixion was the king of the Lapiths. He had a habit of getting into trouble, to say the least. He eventually was thrown out of Olympus and bound to an “ever-spinning fiery wheel for eternity” by Hermes.
            A Threnody is a song or poem to mourn the dead.

  • Michael arrives at work at Buckingham Palace and happily greets everyone he walks by. His colleague Sarah tells him that a newspaper is asking for confirmation of “an apparently open secret in Commonwealth government circles that the Queen is deeply frustrated by Thatcher’s refusal to back sanctions against the apartheid regime in South Africa.” Shea scoffs at the question and says, “You should know better than to come to me with nonsense like that, Sarah. In the 33 years she’s been on the throne, the Queen has never once expressed a point of view about her prime ministers, positive or negative, and never will. Political impartiality and support of her prime minister is an article of faith to her.” This simple conversation basically previews all the plot points of this episode, in order.

    • We’ll see the press office throughout the episode and get to know its staff decently well. Pay attention to Sarah. She’ll be important in the next episode.

    • A TV in the background shows video footage of police in South Africa beating black protestors. A reporter notes that the brutality against protestors is causing increased international outrage.

  • Next, we see the Queen meeting with a man she refers to as “Sonny” to discuss the atrocities in South Africa and the need for economic sanctions from the Commonwealth. The episode never quite tells us this, but Sonny is, in fact Sir Shridath Surendranath Ramphal, also known as Sir Sonny Ramphal, who served as Commonwealth Secretary-General from 1975-1990. Sonny notes that 48 of the commonwealth countries are now committed to sanctions, but that there must be “total unanimity” to implement them. Thatcher remains opposed.
    Note: The Crown can be pretty bad about telling us who specific people are sometimes, but this one seems pretty egregious. I genuinely had no idea who Sonny was and thought he was just an advisor for the queen. It’s not realistic to expect your viewers to come in with in-depth knowledge of who ran the Commonwealth in the 1980s or even to be able to intuit that he’s working /for/ the Commonwealth when we really only see Sonny in his interactions with the Queen and Margaret Thatcher throughout this episode. It would have taken five seconds to mention that he was the secretary-general; why was this step not taken?

    • The Queen is wearing a green and orange plaid dress. This color combination is unusual enough that I feel like it probably symbolizes something? I can’t put an exact finger on it, but it may refer to the flag of QwaQwa, one of South Africa’s bantustans. Bantustans were territories that the ruling party pushed black South Africans into with the intention of segregating out the population; the Government stripped black citizens of their citizenship and most of their political and civil rights and declared them citizens of the bantustans instead.

      • Content Warning: Human rights violations, racism, political violence, coup d’etats, murders, mass death. [italicized text]

        Apartheid was terrifically complicated and horrible and lasted for decades. I attempted to research it (because I was never actually taught about it in any class I ever took) and was quickly overwhelmed by the huge scope and destruction of it all. There’s no way I can encompass it all. Very briefly though, apartheid refers to the South African’s republic deliberate, systemic, society wide physical and economic discrimination against the majority population of the country, namely, black South Africans. It was the systemic and deliberate segregation. degradation, and abuse of millions of people. They were forced to live in specific areas, did not have freedom to move about their country, and were given inferior education systems and job opportunities. Many protestors against apartheid policy were beaten and killed. Tens of thousands of people were abducted and/or detained without trial for years. 21,000 people were killed in political violence during apartheid (including 14,000 deaths during the transition process from 1990-1994).(Source: Crime Against Humanity, Analyzing the Repression of the Apartheid State)

        End Content Warning.

  • Margaret rants to her ministers, saying “Why do we allow our queen to fraternize with countries like Uganda, Malaysia, Nigeria, Swazi land?” She states that these countries have unelected dictators and despots with appalling human rights records. I find it really unintentionally funny that she says “I’ll give her a frank conversation about not wasting my time” while actually making dinner for her ministers (I mean, you’re the prime minister, you can probably hire someone to cook for you so you can spend your valuable time on like, running the country).

    • Thatcher can be difficult to relate to sometimes, but she actually makes some very good points in this episode. I’m /not/ an expert on any of the countries she’s mentioned, and am heavily heavily oversimplifying here, but I’ve researched them a bit and here’s just a small portion of what I discovered (I’m leaving out a LOT in every single case).

      Content Warning: Human rights violations, political violence, coup d’etats, murders, mass death. [italicized text]

      • Uganda: Only a few months before this episode takes place, President Milton Obote, who had led a government noted for huge human rights abuses throughout the Ugandan Bush War, had been overthrown in a coup d’etat. Amnesty International estimated at the time that Obote’s regime was responsible for more than 300,000 civilian deaths across Uganda.

      • Malaysia: In 1984, a diplomatic situation arose between Britain and Malaysia when several British newspapers reported on Sultan Iskandar of Johor’s coronation with headlines such as “Killer becomes King” (the Sultan had killed a man a few years earlier and been quickly pardoned by his father); the Malaysian government demanded an apology from the British government, which refused to do so. In addition, numerous Malaysian laws of the time (and even now) posed serious human rights concerns; media content and news was heavily controlled and the government often arbitrarily arrested those that threatened “social order” (such as political activists, labour activists, academics, and religious groups) and detained them for long periods without trial, sometimes for years.

      • Nigeria: Between Nigeria’s independence in 1960 and the events of this episode, six separate coup d’etats had taken place. Several of these regimes silenced their critics by jailing and threatening journalists, closing down newspapers, and banning organizations (there are still serious human rights issues regarding freedom of expression there still today). The government that had just come to power a few months before the events of this episode was notoriously and openly corrupt.

      • Swaziland: Political activities and trade unions were banned in Swaziland (now known as Eswatini) in 1973 when King Sobhuza II repealed the constitution, dissolved parliament, and assumed all powers of government. Parliament would not be allowed to meet again until 1979. The press was highly constrained and the king can waive an individual’s freedom of speech or press at will. Criticism of the king may result in prosecution for sedition or treason.

        End Content Warning.

    • Thatcher specifically makes her cabinet ministers kedgeree, which includes fish, rice, and eggs. It’s an Indian dish that was likely brought to the UK when India was a British colony, where it became a fashionable breakfast dish. This simple dish draws yet another line back to the UK’s former days as an empire and its connection to the Commonwealth.

Credit: Royal Collection Trust

Credit: WPA Pool / Getty

Credit: Royal Collection Trust

  • Next we get the Queen trying on outfits for CHOGM, particularly a “sunshine chiffon” outfit which her advisor notes will pick up the yellow in the Commonwealth flag. Her wardrobe advisor (who is not named) specifically shows him her porcupine brooch, which refers to the Queen’s real life porcupine brooch, given to her by King Otumfuo Opoku Ware of the Ashanti Tribe in Ghana in 1972 (Ghana is, of course, part of the Commonwealth). Her advisor also mentions a diamond necklace that had been given to the Queen on her 21st birthday by South Africa.

    • Prince Andrew comes in to talk to his mother and tells her that he’s going to ask his younger brother Edward to be his best man, and not his older brother Charles. He relates this gleefully, in a “I’ll show Charles” way, and calls his brother an insecure, jealous fool. The Queen comments that this decision will “raise some eyebrows.” We also get a super brief glimpse of Sarah Ferguson (who was a friend of Princess Diana’s). Andrew and Sarah did not actually get engaged until after CHOGM 1985, as he did not propose to her until Feb. 19, 1986 (his 26th birthday). They married on July 23, 1986. Edward was indeed Andrew’s best man, although Charles gave a reading.

    • Andrew also refers to Charles’s vision of a “slimmed down” role for the monarchy. In real life, Charles has been advocating for this for years. Under his plan, the monarchy would become more cost effective, with only royals at the top of the line of succession actually supported by the Sovereign Grant. This dream is now closer to reality then ever before, as Prince Andrew himself is no longer participating in royal duties due to the backlash over his association with Jeffrey Epstein, Prince Harry and Duchess Meghan Markle have left their official roles as working royals, and COVID-19 has tightened purse strings and dialed back everyone’s appearances and roles.

    • Prince Andrew also says “like other second sons I could mention, I’d be so obviously be better [at being the heir] than him. Here, he’s referring to the Queen’s own father, a second son who became king only after his older brother abdicated from the throne.

    • In this conversation, the Queen also refers to her two families - her direct blood relatives and the commonwealth of nation. This tying together of the Commonwealth with her family and the immediate reference to her father helps illustrate again why the Commonwealth is so important to the Queen.

    • As Andrew walks away to greet Fergie, the Queen’s advisor notes that a specific dress will go well with the diamond necklace the people of South Africa gave the queen on her 21st birthday (when she gave that speech at the top of the episode). This necklace was indeed given to her on that occasion; , she has shortened it since and used the remaining diamonds to create a bracelet as well. (Source: The Order of Sartorial Splendor). She still pulls out this diamond necklace and bracelet for diplomatic visits, including her most recent visit to South Africa. I can’t figure out whether she actually wore it at CHOGM in 1985, but it seems possible, given the topic at hand.

  • At the CHOGM meeting in the Bahamas, the Queen (wearing blue and red, picking up the blue in the Commonwealth flag but also representing the UK flag) addresses the meeting and says that the Commonwealth of Nations is her second family. Next, she fulfills her pledge to talk to Margaret Thatcher about sanctions against South Africa. The conversation doesn’t leave either woman vey happy.

    • Thatcher states that sanctions against apartheid won’t help and will just hurt and devastate both South Africa and the UK. She notes that the United Kingdom has three billion pounds of trade in South Africa. To put this in context, in 1985, the UK did about 105.9 billion in export trade and 101.4 billion in import trade. (Source: UK Trade, 1948-2019: Statistics)

  • Although this character of Margaret Thatcher definitely has some points to make about the commonwealth, her views are also clearly influenced by an intense feeling of superiority and racism. Margaret is clearly just annoyed by the commonwealth’s existence– “There are ways of Britain being great again. And that is through a revitalized economy, not through association with unreliable tribal leaders in eccentric costumes.”

    • Margaret’s phrasing about making Britain great again was a common theme throughout her political career, dating back to a 1950 speech. Yup, she beat out Trump to the slogan by over 60 years.

    • The Queen’s rejoinder is that in some ways, she is herself, a tribal leader in eccentric costume, which points out Thatcher’s rather racist point of view. “To me all these countries are great countries with great histories….To you, the commonwealth is a distraction, a waste of time. It was the pledge I made forty years ago, on the wireless.” Margaret acknowledges that she remembers the speech and listened to it at the time, but continues on to say, “We cannot let the values of the past distract us from the realities of the present.” The Queen, clearly not too happy with Thatcher, says crisply, “48 countries of the commonwealth are now preparing a statement condemning south Africa and recommending sanctions, I am recommending you sign it.”

Above: The Crown’s Britannia. Below: The real HMY Britannia. I believe the views are switched in the pictures (look for the big wooden doors as a reference point).

Above: The Crown’s Britannia. Below: The real HMY Britannia. I believe the views are switched in the pictures (look for the big wooden doors as a reference point).

PM Thatcher wears a blue dress in The Crown in her power color. I couldn’t find many pics of her wearing a blue dress like this (as she usually wore suits) but I did find this one picture from after her time as PM and a reference photo of the Queen …

Left: PM Thatcher wears a blue dress in The Crown in her power color.
Top Right: I couldn’t find many pics of her wearing a blue dress like this (as she usually wore suits) but I did find this one picture from after her time as PM (Credit: Mario Testino).
Bottom Right: A reference photo of the Queen herself in a similar outfit (Credit: Joan Williams / Shutterstock).

  • We get another fun appearance by Denis Thatcher (who I personally find endlessly entertaining). After Margaret refers to the HMY Britannia as a big boat, Denis Thatcher insists that the ship is called a yacht when the queen is on it.

    • A yacht is generally thought of as a medium sized pleasure boat, at least 33 feet in length. The large commercial yacht code of Great Britain defines a large yacht as one that is 79 feet long or more. Superyachts are defined as yachts longer than 130 feet. The Britannia however, was 412 feet long!

    • This isn’t the first time we’ve seen HMY Britannia on the series (HMY stands for “Her Majesty’s Yacht”). It also popped up in S2’s Lisbon scenes. The real royal yacht was retired from service in the 90s and now (in non covid times) serves as a floating ship museum. The Crown didn’t film on the boat, but staff of the show apparently toured the actual yacht, took lots of photos, and built their own version. You can see photos and the layout of the ship over on the ship museum’s website.

    • Margaret Thatcher ends her phone conversation with her husband by calling him a know it all and affectionately calling him “DT.” This really was PM Thatcher’s nickname for her husband, as was noted in numerous articles about the two and his own obituary in The Independent.

  • In Margaret Thatcher’s own lodging in the Bahamas during CHOGM, we see her crossing out lots of statements with a red pen in a montage that shows a similar scene repeated over and over again. More and more people watch every time to see if Thatcher will approve of the statement. She rejects numerous words to refer to the actions against South Africa throughout the sequence: sanctions, proposals, measures, actions, and controls.
    The queen ultimately states that they need a writer to solve the problem, not a “useless politician[],” and looks to Michael Shea. And then Michael Shea’s story from the beginning of the episode is brought full circle and he finally comes up with the word that will satisfy Thatcher - signals. Sonny later notes that among the signals she accepted were several actions that she would never have agreed to if they were actually called sanctions.
    At the end of it all, when the Queen was feeling quite triumphant, Thatcher challenged her and the other CHOGM' leader’s view by noting: “Did one person move to the 48 or did the 48 move to the one? Yes, I agreed to signals, but as you may now, with one simple turn, signals can point to an entirely different direction.”

    • A 1985 article in The Times said “there were many differing interpretations on the extent to which Mrs Margaret Thatcher had had to compromise to make agreement possible.” Thatcher herself claimed that she persuaded the other Commonwealth leaders that her approach was correct, stating “They joined me.” However, the Prime Minister of New Zealand disagreed, saying that she had made significant concessions and that Britain had “surrendered its position as to its literal interpretation of sanctions. ”

      • So it does appear that this level of nitpicking about words really did occur. The Times article described the final seven-page article as containing sanctions, threats, and inducement to encourage South Africa’s government to begin a dialogue with representative black leaders about replacing apartheid with a non-racial governmental system. Mrs. Thatcher said the document contained “psychological signals” to South Africa that the international community was losing patience with them. However, the word “signals” does not actually appear in the text at all.

    • The actual accord included the following items:

      • We, therefore, call on the authorities in Pretoria [the administrative capital of South Africa at the time] for the following steps to be taken in a genuine manner and as a matter of urgency:

        1. Declare that the system of apartheid will be dismantled and specific and meaningful action taken in fulfilment of that intent.

        2. Terminate the existing state of emergency.

        3. Release immediately and unconditionally Nelson Mandela and all others imprisoned and detained for their opposition to apartheid.

        4. Establish political freedom and specifically lift the existing ban on the African National Congress and other political parties.

        5. Initiate, in the context of a suspension of violence on all sides, a process of dialogue across lines of colour, politics and religion, with a view to establishing a non-racial and representative government.

      • The accord also discussed numerous other continuing measures and efforts, including an arms embargo, avoiding any sports contacts with South Africa, and numerous economic measures against the country. Those economic measures included:

        • a ban on all new government loans to the Government of South Africa and its agencies..

        • a readiness to take unilaterally what action may be possible to preclude the import of Krugerrands;

        • no Government funding for trade missions to South Africa or for participation in exhibitions and trade fairs in South Africa;

        • a ban on the sale and export of computer equipment capable of use by South African military forces, police or security forces;

        • a ban on new contracts for the sale and export of nuclear goods, materials and technology to South Africa;

        • a ban on the sale and export of oil to South Africa;

        • a strict and rigorously controlled embargo on imports of arms, ammunition, military vehicles and paramilitary equipment from South Africa.,

        • an embargo on all military co-operation with South Africa. and

        • discouragement of all cultural and scientific events except where these contribute towards the ending of apartheid or have no possible role in promoting it.

    • A History Extra article about this episode pointed out that according to recently released records from PM Thatcher’s time, she was actually much more active in fighting against apartheid than previously thought. “‘Mrs Thatcher was much more critical of South Africa in private than people thought,’ says historian Dominic Sandbrook. ‘She gave the country’s leaders quite a lot of grief behind the scenes, including telling them to release Nelson Mandela. She told the South Africans that Britain didn’t like the system and that it had to change. But because she refused to condemn it publicly, people assumed it must be because she secretly supported them.’”

Above: The Crown. Below: The real life CHOGM 1985 picture.

Above: The Crown. Below: The real life CHOGM 1985 picture (Credit: John Shelly Collection / Getty).

I collected pics of PM Thatcher’s various power blue suits and had nowhere else to put it, please enjoy.

I collected pics of PM Thatcher’s various power blue suits and had nowhere else to put it, please enjoy.
Credit:
Top L to R: Tim Graham / Getty; Shutterstock; John Stillwell
Middle L to R: Jean Guichard / Getty; Mondadori Portfolio / Getty
Bottom Middle: Keystone / Getty; Bottom Right: David Montgomery / Getty

  • For the formal CHOGM picture, the Queen and Margaret Thatcher wear very similar outfits to what they wore in real life. However, Thatcher’s real dress in real life was blue, not red. The change in colors seems to really signify her opposition to the queen in this episode.

    • From close inspection of the pictures, I believe that Queen Elizabeth both in real life and in The Crown wore The Grand Duchess of Vladimir Tiara. This tiara was first given to Duchess Marie of Mecklenburg-Schwerin, a German princess who married a son of Emperor Alexander II, on the occasion of her wedding in 1874. After the Russian Revolution in 1917, Maria hid her jewels, including this tiara, in a bedroom the palace. Her son and a friend eventually disguised themselves as workmen, got into the palace, and snuck out the jewels, which were taken to safety. Her daughter Grand Duchess Elena Vladimirovna sold several of her mother’s jewels, including this tiara, to Queen Mary of the United Kingdom in 1921. The piece can be worn with pearls and pendants or without (a tiara worn without its pendant stones is described as “widowed”). (Source: The Court Jeweller)
      The Queen is also wearing a diamond necklace and earrings, but I’m not as familiar with her non-tiara jewelry and am not sure of their identity. They aren’t the South African diamonds though, as those look very different than what is represented here.

  • Michael talks to his agent friend. She suggests he write a political thriller about White Hall. However, Michael, shocked, says that he’s old fashioned and “would never betray those confidences or the people I am sworn to serve.”

    • White Hall was a residence of the English monarchs from 1530-1698 until it burned down. After, a street was built on the former location of the palace and named Whitehall. A number of government buildings sit on that street and thus, it’s common to hear “White Hall” used as a reference to the government overall.

  • Discouraged, Michael goes to work at Buckingham Palace, where he is warned that the newspaper “Today” is planning to write a story about the tensions between Thatcher and the queen over the apartheid sanction discussions at CHOGM.

    • This is a big enough issue, that Michael Shea goes to the queen with her private secretary to report on the article to her. He says that the actual article will have little impact, but that it won’t be long before “bigger, more influential newspapers realize this warrants further scrutiny.” Shea advises that the Queen give some preemptive statement of support for the prime minister which would kill the gossip. Instead, the Queen asks, “What if on this occasion, I’d be happy to let the people know the displeasure is real?…You know how seriously I take my constitutional duty….to remain silent, but one has to draw a line in the sand.”

    • Here, they’re all talking about the sovereign’s traditional silence on all political issues in the UK’s constitutional monarchy. As CNN put it when reports of the queen’s views on Brexit became news in 2016, “Ever since her ancestor King Charles I lost his head in 1649 following the English Civil War with Parliament, British monarchs’ constitutional role has gradually distilled to this: representing the whole country – and steering clear of politics….The royal family’s position requires the support of parliamentarians – on either side of the political divide. To support one party – or cause – will only lead to trouble further down the line.”

    • There have been a few times where the Queen’s political views have slipped out, although she has never given a press interview and does not vote in elections. (Source: The Independent) Her views have emerged on the Scottish referendum, the delay in arresting a radical Islamist cleric, why the UK lost the American colonies, Turkey entering the EU, and of course, as shown in this episode, PM Thatcher’s approach to proposed sanctions against the apartheid regime in South Africa. These views have pretty much all emerged due to leaks and people talking about their private conversations with her; she never speaks publicly on any political issues.

    When the queen suggests that she would be okay with confirming the rift between her and the PM to the press, Michael , looking aghast, advises strongly against it, saying that it “would risk doing serious and irreparable harm to the relationship between Buckingham Palace and Downing Street.” When the Queen insists on this course of action, Michael says that he would not go with the newspaper “Today,” but with a different one, with more heft and “a clear sense of the unprecedent nature of this, where they understood the rules of the game.” Shea insists on the private secretary (played here as Martin Charteris, although Charteris had retired years earlier) noting his objection, but then goes up to meet a few reporters from the Sunday Times at the pub.

    • Michael protests to the private secretary, saying the decision was reckless and irresponsible, and stated specifically that he wanted his objection noted. Eventually though, we see that he meets a few people at the pub, presumably reporters from the Sunday Times.

  • Later, after the PM is tipped off about The Sunday Times piece, we get a fantastic scene in which the Buckingham Palace staff and the Downing Street staff both walk into Victoria station to get the newspapers fresh off the presses from opposite directions. There’s almost a West Side Story face-off feel about it all. The staff quickly distributes the paper and then we get a fun montage of shocked characters reading the paper: everyone in downing street, then Princess Margaret with her dog, Princess Anne with HER two dogs, Sonny reading it with several others, then we see Charles and Andrew reading it. Finally, we get to see Philip reading it to the queen, then to Denis, reading it to Margaret.

    • This framing of both powerful women being read the article by their husbands underlines their essential similarities, even as they’re facing off on such a polarizing issue. In addition, they’re both wearing grey prints at the time - the queen in a grey plaid and the PM in blue and grey print checks

    • The editor of the Sunday Times at the time actually wrote an article on the episode reminiscing about it all recently - you can read that over here.

  • Later, right before their audience, we get another look at one of my favorite settings in the series - the Queen’s office in Buckingham Palace, which is bright yellow and COVERED in horse pictures.

    • This room is actually also briefly used in the recently released Bridgerton, as the Duke of Hastings’ office. This room is specifically the Large Smoking Room in Wilton House, which contains 55 gouache paintings of horses dating back to 1755. The yellow silk was only added to the walls in the last few years, so it’s possible that the room has appeared in other period dramas without my recognizing it (as it’s far more distinctive now with that yellow).
      The building, a former abbey, was actually originally granted to the forbears of its current owners by Henry VIII, although of course the house has gone through numerous renovations since then.
      Wilton House was a filming location for The Crown, Bridgerton, Pride and Prejudice (2004), Emma (2019), Sense and Sensibility (1995), Outlander (series 2), The Young Victoria (2007), and NUMEROUS other TV shows and films, so if you like period dramas, it may look familiar!

    • We get a very intense musical theme here which honestly reminds me so much of one of the Battlestar Galactica themes that it drives me NUTS. Like - similar chords and pounding beats and such.

  •  Thatcher walks into her meeting to confront the queen with purpose. She notes that over the past 7 years, they’ve had 164 meetings. She states, “The editors told the Downing Street press secretary that the sources were unimpeachable, unprecedentedly close.”

    • A lot of this scene is just pure speculation and not based on facts that I can analyze, but it is an incredibly impressive one, in which Thatcher notes that of the two women, she is the one from a small street in a small town, not the Queen, thus implying that she is better able to judge the needs of the common man.

    • Their mutual Christian faiths are alluded to when Thatcher notes “No one would remember the Good Samaritan if he only had good intentions. You see, he had money as well.” This line was plucked from a real life interview with Margaret Thatcher. I’m having trouble tracking down the exact source, but this specific quote is all over the place, so I believe it’s accurate. I’ll keep looking for a source and update this.

    • As they part, Margaret congratulates the queen on Andrew’s upcoming marriage, and points out that her son is getting married soon too. She then drops the bombshell that her son is now a busiessman, with significant interests in South Africa. This doesn’t exactly explain /everything/ she does throughout this episode, but it does illustrate how personal the issue actually is to her as well; she does not wish to ruin her son financially.

      • Mark Thatcher did indeed do business with South Africa and continued to be a shady ass dude and embarrassment to his family. He was a tax exile in Switzerland, then moved to the US, then had to move to South Africa to get away from tax evasion charges in the US, was investigated for loan sharking in South Africa, and then later was actually arrested for getting involved with a 2004 coup d’etat attempt in Equatorial Guinea. He is so shady, that it’s actually hilarious. The Guardian wrote an article about him at one point that said, “When Sir Bernard Ingham, Lady Thatcher's blunt-speaking press secretary at Downing Street, was asked by the troublesome son how he could best help his mum win the 1987 general election, he reputedly answered: ‘Leave the country.’”

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Top: Screenshot from The Crown, Netflix
Bottom: PA Images / Getty

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IMG_20210119_210909.jpg

Credit: Tim Graham / Getty

  • The scene of the royal siblings hanging out, drinking, and bitching about their mother together right before Andrew’s wedding has become a fan favorite of the season, and it’s clear to see why. It’s rather iconic, particularly as it ends with Charles’s devastating put down of Andrew (noting that he’s a fringe member of the royal family who will never be king, so why would the press care about his wedding anyway?) and Edward’s final “That was impressively cunty.”

    • Charles said that the queen did what she had told him never ever to do - speak. This seems to be a pretty clear callback to the events of Season 3’s “Tywysog Cymru.” 

    • Charles’s put down of Andrew circles back to Andrew’s earlier claims that he’d be a better heir then Charles and that Charles is just jealous of him and…squashes them very thoroughly. His pointing out that William is now in line to the throne also points out the flaw in Andrew’s “i’m the second son” reasoning; if anything happens to Charles, it’s certainly not going to be Andrew who’s next in line to the throne.

    • These events really did happen pretty closely together. The Sunday Times story “Queen dismayed by ‘uncaring’ Thatcher” came out on July 20, 1986 and Andrew and Sarah married on July 23, 1986. And stories of the time really did note that the controversy over the article was somewhat threatening the good news of Andrew’s wedding. The LA Times said on July 22, 1986, “The growing political controversy that enveloped the traditionally neutral Buckingham Palace threatened to add a sour note to Wednesday’s royal wedding of Prince Andrew and Sarah Ferguson.”

  • In The Crown, after the press kerfuffle over the story continues even after the palace denied the story, the palace ends up betraying Michael Shea (who never wanted to talk to the press about the queen’s views in the first place, remember), blames him for the leak, and fires him. This is really not accurate to real life.

  • One unfortunate consequence of the denial of the story – editor of the Sunday times has gone out guns blazing. The Private Secretary tells the Queen that the palace will have to give the press something to put out the fire - a culprit to deflect blame from the queen. He ultimately asks s Michael Shea to step down and be the culprit, even though Michael had strenuously advised against the plan from the beginning and objected to it.

    • Shea did ultimately admit that he spoke to a Times reporter but denied the specifics of it and said his statements were misrepresented. A New York Times article from July 29, 1986 discussed this more in depth, (I had to access this article through a library database, so I can’t actually link it directly, alas - the original Heseltine Times letter is behind a paywall.):

      • “The letter [written by Queen’s private secretary Sir William Heseltine and sent to the Times of London] confirmed what had generally been suspected when it conceded that Michael Shea, the Queen's press secretary, was the so-called ‘palace mole’ who had a series of conversations with a Sunday Times reporter before the newspaper proclaimed to the world last week that the Queen found Mrs. Thatcher's policies 'uncaring, confrontational and socially divisive.’ But having conceded that much, Sir William went on to belittle Mr. Shea as a plausible source for the sort of disclosures The Sunday Times was purporting to make. It was the press secretary's job to speak to reporters and answer their questions, the letter said, but a press secretary ‘certainly does not'‘ know the Queen's views on political issues.
        With the palace press secretary finally revealed as the newspaper's main source, two related questions were left open to debate. One was whether The Sunday Times had broken or merely strained the ground rules for what was supposed to be a nonattributable background interview. The other was whether Mr. Shea had been using the conventions of a background interview, which would normally protect him from identification, to spread concern that Mrs. Thatcher's adamant stand in opposition to sanctions against South Africa was proving to be an embarrassment to the Queen in her role as Head of the Commonwealth.”

    • Shea actually stayed on as the Queen’s press secretary through June 1987 (so for almost a year after his role in the leak became public knowledge) and gave his notice in March of that year. (Source: AP, March 3 1987). At the time, when he was asked if he’d been fired, Shea said bluntly, “That’s ridiculous. I have held the post twice as long as any other press secretary, and I have had an offer that I cannot refuse.” He became head of public affairs for Hanson Trust afterward. He eventually wrote and published over 20 books, including a memoir which I have been desperately searching for and can’t find anywhere.

    • Shea had been the queen’s press secretary since 1978 and had actually managed several media crises that we’ve seen depicted throughout the show - including the eventual exposure of Sir Anthony Blunt (the royals’ art curator) as a former Soviet Spy (Seen in S3E1 Olding - in which his identity was revealed to the queen, but not exposed to the press at that time), the press frenzy around Charles and Diana’s wedding (S4E3 Fairytale), Michael Fagan’s break-in (S4E5 Fagan), and rumors of Charles and Diana’s rocky marriage (seen in S4E6 Terra Nullius).

  • Queen watches as Shea takes his box out of the front gate, clearly very upset. The queen herself looks upset. Then she goes back and sits down, pulls out stuff from her red box, looks at a photo of her father. As the episode closes out, we get audio from the 21st birthday speech at the beginning of the episode, noting - “My whole life, whether it be long or short, will be devoted to your service, and the service of the whole imperial family to which we all belong.”

    • Julian Jarrold, who directed 48:1, said in The Crown’s official podcast that he really thought the Queen’s dedication to the Commonwealth and her work with CHOGM was in huge part a tribute to her late father. George VI was the first head of the commonwealth. I haven’t been able to find sources talking about his specific dedication to the Commonwealth, but since he was willing to let India and other republics enter the commonwealth (initially all commonwealth members were countries who recognized George VI as king) and took on the title of “head of the commonwealth” instead of king in the organization, it seems that he considered it important enough to compromise on his role within the organization.

  • Eventually, in the Autumn of 1986, PM Thatcher did agree to join the rest of the European Community countries in imposing limited economic sanctions on South Africa. (Source: New York Times, Sept. 17, 1986) That August, after extreme pressure from other Commonwealth countries, Thatcher reluctantly said she’d agree to sanctions if all other 11 community members agreed to them. (Source: New York Times, Aug, 5, 1986) The countries agreed to ban imports of iron, steel, and gold coins from South Africa and also prohibited new investment there by European companies.

Visual Cinderella References in The Crown S4E3 Fairytale

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” ( + Cinderella References) 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1” 9: “Avalanche”
The Medals, Sashes, and Tiaras of The Crown; Tiaras/Crowns Overviews: Season 1 ; Season 2

Benjamin Caron, who’s directed at least two episodes in every season of The Crown so far, posted a number of interesting photo comparisons on his Instagram a while back of scenes from S4E3 “Fairytale” and scenes from Disney’s 1950 animated Cinderella. He generally only posted these with something along the lines of “Fairytale,” so he has not actually specified whether these were deliberate shot recreations or not, but I’m guessing that they were. He DID specify in the comments that the famous mouse running across one scene was intentionally put in there as an homage to the mice in Cinderella.

Diana in her Cinderella blue in her kindergarten classroom, positioned in front of a children’s display of Cinderella’s carriage and horses.

Diana in her Cinderella blue in her kindergarten classroom, positioned in front of a children’s display of Cinderella’s carriage and horses.

I’ve taken all these scenes, put them side by side (on Instagram, you have to flip back and forth), and placed them in roughly chronological order within the episode, for your perusal and enjoyment. All credit goes to The Crown, Disney’ s Cinderella, and of course, director Benjamin Caron.

You may see a few stray instagram buttons and dots, as I took these screenshots directly from there.

This all seems to be inspired by the words of the actual archbishop on Charles and Diana’s wedding day, which were played over the end of the episode: “Here is the stuff of which fairy tales are made. A prince and princess on their wedding day. But fairytales usually end at this point with the simple phrase, ‘They lived happily ever after.' As husband and wife live out their vows, loving and cherishing one another, sharing life’s splendors and miseries, achievements and setbacks, they will be transformed in the process. Our faith sees the wedding day not as the place of arrival, but the place where the adventure really begins.”

And that’s why you shouldn’t label a couple’s story, because you have no idea what’s going on in it. But that’s just my two cents, lol.

The outstretched hand of the stepsister is reflected in Princess Margaret’s outstretched hand for a manicure, as she (along with all the other royal women) wait to hear whether Charles proposed or not.  Although Margaret isn’t as unpleasant as the s…

The outstretched hand of the stepsister is reflected in Princess Margaret’s outstretched hand for a manicure, as she (along with all the other royal women) wait to hear whether Charles proposed or not.
Although Margaret isn’t as unpleasant as the stepsisters, she ultimately loses the spotlight to the pretty and popular Cinderella/Diana, as is noted later in the season.

The mouse that launched a thousand tweets runs across the foreground as the Queen Mother waits for word on Charles’s proposal. Benjamin Caron really did confirm in the comments of this post that the placement was intentional. Then you have Jaq and G…

The mouse that launched a thousand tweets runs across the foreground as the Queen Mother waits for word on Charles’s proposal.

Benjamin Caron really did confirm in the comments of this post that the placement was intentional.

Then you have Jaq and Gus Gus from Cinderella.

The clock ticking as everyone waits on Charles’s news vs. the famous clock striking midnight in Cinderella.

The clock ticking as everyone waits on Charles’s news vs. the famous clock striking midnight in Cinderella.

“Balmoral Castle” in The Crown, which was actually portrayed by Ardverikie House vs. the King’s Castle in Cinderella.

“Balmoral Castle” in The Crown, which was actually portrayed by Ardverikie House vs. the King’s Castle in Cinderella.

Diana staring up at Prince Charles in the same way that Cinderella staring up at her prince. I previously noted in my post on Fairytale that Diana wears a ton of blue and yellow. Is that…a Cinderella reference? Although Cinderella’s dress is actuall…

Diana staring up at Prince Charles in the same way that Cinderella staring up at her prince. I previously noted in my post on Fairytale that Diana wears a ton of blue and yellow. Is that…a Cinderella reference? Although Cinderella’s dress is actually a light silver (yes, this is a hill I will die on), it’s always portrayed as blue in promotional material. And the Prince in Cinderella wears white and yellow.

The gates opening at Buckingham Palace vs. The gates at the King’s castle in Cinderella.

The gates opening at Buckingham Palace vs. The gates at the King’s castle in Cinderella.

Diana goes up the staircase at Buckingham Palace to meet Prince Charles’s family for a formal dinner (notably wearing a dress that’s blue, white, and yellow plaid) vs. Cinderella begins her walk up the staircase to the ball at the castle.

Diana goes up the staircase at Buckingham Palace to meet Prince Charles’s family for a formal dinner (notably wearing a dress that’s blue, white, and yellow plaid) vs. Cinderella begins her walk up the staircase to the ball at the castle.

The announcer in The Crown vs. The announcer in Cinderella.

The announcer in The Crown vs. The announcer in Cinderella.

A third party lens view of Charles and Diana vs. a third party lens view of the Prince and Cinderella.

A third party lens view of Charles and Diana vs. a third party lens view of the Prince and Cinderella.

The mail arriving in The Crown vs. The mail arriving in Cinderella.

The mail arriving in The Crown vs. The mail arriving in Cinderella.

Diana’s grandmother giving her princess lessons (which, as i mentioned in my previous blog on this episode, did NOT happen in real life) vs. the stepmother Lady Tremaine in Cinderella. It seems that Diana didn’t get along with this grandmother for q…

Diana’s grandmother giving her princess lessons (which, as i mentioned in my previous blog on this episode, did NOT happen in real life) vs. the stepmother Lady Tremaine in Cinderella. It seems that Diana didn’t get along with this grandmother for quite some time (she testified against Diana’s mother getting custody in her parents’ divorce), so this reference seems pretty apt actually.

Also why does Lady Tremaine’s dress kind of resemble the pie crust collars Diana wears several times in this episode?

Diana looking out the window for her prince vs. Cinderella looking out the window for her prince.

Diana looking out the window for her prince vs. Cinderella looking out the window for her prince.

Diana running down the spiral stairs in the palace vs. Cinderella going down the spiral-ish stairs from her bedroom to the main house.

Diana running down the spiral stairs in the palace vs. Cinderella going down the spiral-ish stairs from her bedroom to the main house.

The pumpkin carriage in Cinderella vs. the pumpkin (far right, sort of buried under the instagram button) in the kitchen scene in The Crown.Since the pumpkin came from the household’s garden for its own use, it actually kind of works to have the pum…

The pumpkin carriage in Cinderella vs. the pumpkin (far right, sort of buried under the instagram button) in the kitchen scene in The Crown.

Since the pumpkin came from the household’s garden for its own use, it actually kind of works to have the pumpkin in the palace kitchen!

Diana staring in her mirror in despair vs. Cinderella looking in her mirror.

Diana staring in her mirror in despair vs. Cinderella looking in her mirror.

The fireworks around the palace in The Crown vs. the fireworks outside a digital recreation of Cinderella’s castle at Walt Disney World, as seen in the logo before each Disney film.

The fireworks around the palace in The Crown vs. the fireworks outside a digital recreation of Cinderella’s castle at Walt Disney World, as seen in the logo before each Disney film.

Over-Analyzing The Crown: S4E7 The Hereditary Principle

Princess Margaret in The Crown, on her way to see her new therapist.

Princess Margaret in The Crown, on her way to see her new therapist.

  • To be totally honest, I’ve been dreading blogging about this specific episode since before the season even dropped on Netflix. Early reviews called out the inflammatory plotline of this episode, which blames the Queen Mother for her mentally disabled nieces being put in a hospital and hidden from their family. This characterization does not conform with actual historical evidence, but ends the episode with pictures and birth and death dates of both of the actual women discussed here, implying that it IS the true story. Obviously the show is a drama, and people who watch it should realize that without being explicitly told that the series is not a documentary, but I personally think The Crown went too far in this episode.
    I have chosen not to include pictures of Nerissa or Katherine Bowles-Lyon here in this blog post, as it does not seem that they were capable of consenting to photographs. If you’d like to find photographs of them, you can easily Google them and find them elsewhere.

    The story according to the Crown: During her first therapy session, Princess Margaret finds out that she has two mentally disabled cousins - Nerissa and Katherine Bowes-Lyon. She checks the Burke’s peerage records with her sister, the Queen, and they find that both cousins were listed as deceased. Margaret drives her friend Dazzle to the psychiatric hospital where the sisters live, has him go in undercover to meet her cousins, and discovers that they (and several other more distant relatives - named Idonea, Etheldreda, and Rosemary) had been in the mental hospital back in the 1940s . When Margaret goes to speak to her mother about this, it is revealed that the Queen Mother was aware of situation and had kept it a secret from her daughters for their entire lives. She justified this action by claiming that it was done to preserve the integrity of the royal family’s bloodline after her husband became king. Margaret’s therapist reveals to her later that the gene responsible for the cousins’ disability did not run in the royal family line at all.

    The actual story: In April 1987, The Sun broke the news that the Queen had two mentally disabled first cousins, Nerissa and Katherine Bowes-Lyon, who had lived in a mental institution for almost 50 years, although their deaths had been recorded in the records of British aristocracy (Burke’s Peerage and Debrett’s handbook of British noble families) decades before (Source: Maclean’s - April 20, 1987). Nerissa had died in 1986 at the age of 66 and had been buried near the hospital in a grave with a plastic marker. The story also reported that three other cousins of the sisters (Idonea, Etheldreda, and Rosemary) had actually been placed in the same hospital on the same day as Nerissa and Katherine; Rosemary died in 1972 but Idonea and Etheldreda were still in the hospital with Katherine when the story broke. (Source: UPI). The Royal Family gave only a very brief statement on the issue, saying that the Queen was aware of the situation but that it was a private matter for the immediate Bowes-Lyon family.
    The therapist’s words about the genetic disorder not actually running in the royal line is completely correct, as I’ll discuss in more depth below.
    The entire frame story of Margaret discovering the sisters, getting Dazzle to go into the hospital undercover, and confronting her mother appears to be entirely invented. For the record, I don’t have any problem with a frame story like this being concocted to tell the story; my big issue is that The Crown lays blame at the feet of the Queen Mother and makes her sound like a friggin Nazi with lines about “the purity of the bloodline,” when in real life, she had nothing to do with it and didn’t even know that her nieces were in a psychiatric hospital until 1982.

bowes lyon family tree.png
  • Here’s a quick break down of all that.

    • The genetic disorder - Nerissa and Katherine had a genetic disorder that passed down from their maternal grandfather, Baron Clinton (Charles Hepburn-Stuart-Forbes-Trefusis). Three of their maternal cousins, Idonea, Rosemary, and Ethelreda, also had the same disorder. I could not find any records that actually named what this genetic disorder was; in the 1930s-1940s, they were simply called “imbeciles.” Their defect left them unable to speak and with a mental age of about three.

      I could not find any family tree that showed all the people relevant to this discussion, so I made my own. This is obviously a very simplified and abbreviated version just to show the relationships of the royal family to the cousins discussed in this episode, but I hope it helps elucidate the situation. As the therapist says in the episode, the gene that resulted in Nerissa and Katherine’s condition came from their mother, who was not a blood relative of the Bowes-Lyons. Thus, the gene at issue had absolutely nothing to do with the royal family’s genetics.
      The show depicts them as knowing who the royal family is and knowing that they are their family. Although the 1987 article from Macleans states that Katherine “has no knowledge of her royal connections,” the 2011 documentary “The Queen’s Hidden Cousins” quoted a nurse who worked with the sisters as saying “If the Queen or Queen Mum were ever on television, they’d curtsey – very regal, very low. Obviously there was some sort of memory.” (Source: Daily Mail)

      • In The Crown Podcast episode on The Hereditary Principle, head of research Annie Salzberger gave a bit more detail about the sisters’ condition. (Source: Podcast episode transcript)
        “We don't have Katherine's files, but we have Nerissa’s, and Nerissa is diagnosed ‘imbecile’. That's the official term. Now that doesn't kind of equate to anything today. So then we had to try to read through records to understand how they described any symptoms of this illness or physical aspects to it, or it was just mental. So, so her record state that she quote ‘makes unintelligible noises all the time, is very affectionate, and can say a few babyish words’. And then staff also described Katherine as ‘alert’. ‘She understands what she's being told, but she only communicates pointing noises and smiles. She is severely mentally handicapped, but has no physical disabilities’ that, um, their family relative describes them as ‘lovely children’, ‘like frightened does’ and that we know that they recognize each other, but they don't recognize other family members, which really interested the doctors.”

    • Was it a cover up? It’s a bit unclear. Nerissa and Katherine were sent away to Royal Earlswood Hospital in 1941, when Nerissa was 22 and Katherine was 15. Although the show portrays the cousins’ commitment as resulting from George VI’s rise to the throne and the royal family’s need to keep them hidden away, in reality, they were placed in the hospital nearly five years after Edward VIII abdicated.
      Lady Elizabeth Anson, a niece of Nerissa and Katherine’s, spoke to The Sun at the time and said that the family had not actually attempted to conceal the sisters, but that her grandmother (the sisters’ mother) was often careless with filling out her forms for Burke’s and Debrett’s.
      It is possible that the Bowes-Lyon family may have been unusually wary of any allegations of mental illness, as 1800s gossip rumored that a Bowes-Lyon child born with significant physical disabilities was kept locked away in their ancestral seat at Glamis Castle (yes, the same Glamis from Shakespeare’s Macbeth). The Smithsonian Magazine wrote about “the monster of Glamis” in 2012 and looked at lots of historical accounts of various Victorians stumbling around trying to find the secrets of the castle, but it does not seem like there’s any hard proof to indicate that this was ever anything more than a story.

    • Did the Queen Mother know? The Sun also noted at the end of the article that the Queen Mother only learned about Nerissa and Katherine’s survival around 1982. When she found out about them, she sent them money with which to buy candy and toys.

    • Did the Royal Family neglect the sisters? The Daily Mail reported in 2011, at the time the documentary “The Queen’s Hiddens Cousins” aired, that Nerissa and Katherine’s last reported visitors were in the 1960s.
      A general manager for the East Surrey Health Authority said to the Associated Press in 1987, "Both sisters had regular visits from their families up until the early 1960s when one of their closest relatives died. Since then, they have had few visitors. My understanding is that Katherine had no regular visitors.” (Source: Vogue). Records indicate that the closest thing either sister had to a family visit in the 1980s was when a reporter from The Sun pretended to be a relative to get in and take pictures of Katherine for the article breaking the story. One former nurse also said they did not receive birthday cards or anything at Christmas (source: Express).
      However, Express also reported that the queen was upset about the documentary’s allegations that her cousins were neglected, saying that they were false. A statement from an anonymous source “close to Buckingham Palace” said: “The Queen is very, very upset at the thought that this programme is being made which is just not true. Both Katherine and Nerissa were visited very regularly by their family but neither could speak, and throughout their lives had the thinking age of four years old. They were unable to recognise visitors, often becoming hugely distressed as they struggled to work out who was with them. They also both regularly received presents, especially at Christmas, a fact disputed in this supposedly factual documentary. Neither sister knew who the presents were from but they enjoyed the moment of receiving a lovely gift. If Channel 4 had bothered to get the facts right and ask people who knew the true story, this would be a different matter. They just didn’t ask anybody and came up with this upsetting nonsense which brings nothing but hurt.”

  • The Crown DID actually cast people with real disabilities as Nerissa, Katherine, their cousins, and the others living at the hospital. I haven’t found a ton of information on this, but it has been discussed briefly in The Crown podcast. (Source: The Crown podcast transcript). Episode director Jessica Hobbs was very adamant that Nerissa, Katherine, and all the other residents at the Royal Earlswood be represented by actors who had similar conditions. Casting director Kate Bone apparently went to lots of different groups, institutions, and hospitals to find people with mental disabilities who would be interested in acting in the show. The show specifically brought all these actors into the set the day before so they could get familiar with it and be comfortable with the location. Hobbs said in the podcast, “We just wanted to make sure that there weren't going to be triggers of distress or might be uncomfortable for them or frightening. So that was, you know, it was just a whole process of how we worked towards it. It was one of the two best days I've had onset in my life because at the end of it, you could just, the crew were in awe basically. These people were amazing and they loved it. And that was for me, the big thing.”

    • Hobbs also went on to discuss the fact that the institution itself was not necessarily a bad thing. She said: “I didn't want to make a moralistic judgment. I didn't want to say ‘it’s a Dickensian institution, it was appalling’. It was all, you know, my mother worked in mental health before I was born, but she was a nurse at an institution. So I’d heard the most wonderful stories about the way people were and what they did and who they thought they were on different days and how you could communicate. And I just wanted to make sure that there was also love and the way that people were portrayed on set and that there were, there was connection between carers. There are extraordinary carers that have worked over the years. It was just finding that balance. The story for me was that that the family shut them away because they were ashamed and worried about being tainted. And I think that that's just historically, what we've continued to do as a community. But I also think we haven't provided help and support for those families who need extra help. So these situations have come about because of the way we've approached it as a community.”

    • There has been a bit of discussion online about whether the episode is exploitative of people with disabilities. I won’t venture an opinion on this, but it does sound like The Crown crew really did attempt to portray all the residents of the hospital with dignity and care. And this is a super low bar, but just by casting people with actual disabilities in this role, they’re doing better than a lot of the entertainment industry, where it’s still very standard practice to cast non-disabled actors. Bustle did a great job exploring the scope of this issue in this article in 2019, but this issue still really exists today, as shown by the recent outcry over Sia casting a neurotypical actress as a nonverbal autistic character in her upcoming film Music.

  • Sidenote: I’m pretty sure it would be fantastically unethical for a therapist to disclose the medical history and records of third parties to her patient, but I guess the story had to be kicked off in this episode somehow.

Princess Margaret and Anthony Armstrong-Jones with her dog Rolly.

Princess Margaret and Anthony Armstrong-Jones with her dog Rolly (Credit: PA Images).

Now that the big controversy over this episode has been discussed, let’s move on to over-analyzing the episode from its start.

  • At the beginning of the episode, Princess Margaret appears to be up to her old tricks, getting ready for a fun night to the sounds of “C’est Si Bon” by Dean Martin (a 1962 recording of a 1947 song). But as this episode will make clear, Margaret is now 54 (as will be confirmed by a newscast later in the episode), and her party hard lifestyle is starting to catch up to her. Throughout this opening scene, she’s smoking and coughing in a way that’s similar to how her father coughed before his death (which we saw in S1E2). A butler takes away her dog and a handsome younger man bikes up to her house and rings his bell to get her attention.

    • I couldn’t find much detail about any of Princess Margaret’s dogs, but we know that she did own several terriers and spaniels as an adult. A cavalier king charles spaniel Rolly was probably the most famous of these, as he took a few engagement pictures with Margaret and her fiance Anthony Armstrong-Jones in February 1960. (Source: Pets by Royal Appointment, By Brian Hoey)

    • There’s coverage of the royal variety show at the Palladium on the tv in the background. The Queen and Prince Philip are seen in full formal dress, with the queen sporting a tiara. This appears to be the November 1984 Royal Variety Show, given Margaret’s age and the timing of her surgery later in the episode. Fun fact: The Queen and Prince Philip actually didn’t attend the 1984 royal variety show; the senior royals at that event were, instead, the Queen Mother, Prince Charles, and Princess Diana (the only royal variety show she ever attended).

      • I would like to talk about all the tiaras in The Crown more in depth in the future, but for now, I’ll just note that the tiara the Queen is wearing at the Royal Variety Show scene appears to be her favorite, which is known as the Girls of Great Britain and Ireland Tiara. You can go read more about it at The Court Jeweller, who has in depth entries on almost every tiara and jewel worn by the Queen. As you can see in the photo comparison below though, it’s not….necessarily a very good replica. It looks far too metallic and dark, while the real tiara is very bright and glittering in photos. It also looks like it may be a tiny bit too tall? It sits very differently on Olivia Colman’s head than the real one does on Queen Elizabeth’s.

      • The fact that Margaret is not at this big event and is instead partying at home subtly begins the episode’s theme of Margaret increasingly moving to the margins of the royal family, rather than being at the center (this will come up again a few more times). In real life, the last time she had been at a royal variety show was 1968, a decade and a half before this episode is set. She’ll attend the variety show in 1990 as well.

Upper Left: The Crown. All other photos: Queen Elizabeth in real life wearing similar white dresses.

Upper Left: The Crown. Upper Right: Queen Elizabeth in similar dress (Credit: Eric Vandeville / Getty).
Lower Left: Queen Elizabeth in similar dress (Credit: Tim Graham / Getty)
Lower Middle: Queen Elizabeth (Credit: Tim Graham / Getty).

Left: Olivia Colman on The Crown; Right: Queen Elizabeth II wearing the real  Girls of Great Britain and Ireland tiara.

Left: Olivia Colman on The Crown; Right: Queen Elizabeth II wearing the real Girls of Great Britain and Ireland tiara.

  • Somewhere else, we see the television on at a psychiatric hospital of some sort, full of adult patients milling around in a large room. As God Save the Queen plays on the television set, two women in particular stand up to attention and salute. They are seen taking their medicines, but don’t utter a word.

  • Margaret dances to David Bowie’s “Let’s Dance” (1983) with her man friend while literally wearing dark red shoes (“put on your red shoes and dance”). Her friend is quickly revealed to be Derek “Dazzle” Jennings, who tells her that he’s greatly enjoyed spending time with her, but implies that their time together must end. Dazzle specifically calls her “ma’am,” indicating his relative youth and his respect for her status. In real life, we know that Margaret really did have all her friends call her “Ma’am” and was a stickler for etiquette.

    • Margaret has been dressed in similar dresses the entire season - structurally simple a-line dresses in bright colored prints and jewel tone colors. However, from what I can tell, the historical Margaret really only dressed like that when she was actually at her house on Mustique. I scoured through lots of photos of her fashion from the 70s and 80s, and in general, she dressed far more conservatively and more like her sister when she was going about in England and at formal events. The decision to dress her this way throughout most of Season 4 seems to indicate that she’s still living in the past and wishing for her days on Mustique with her young and sexy boyfriend Roddy Llewellyn

    • Derek “Dazzle” Jennings was a real friend of Margaret’s who was 16 years younger than her. He was very popular and had a wide circle of friends including various celebrities, but in 1984, took the orders and became a priest. He was “famously” gay, just as Queen Elizabeth says later in the show. Author Noel Botham claims in his book Margaret: The Last Real Princess, that Margaret was actually infatuated with Dazzle and “used any excuse to place herself near him,” but that she did know about his sexuality and was aware that nothing was likely to happen between them. Overall, their relationship was far more spiritual than romantic, as Dazzle did really try to convert Princess Margaret to Catholicism (as is shown later in the show), and they stayed friends until Dazzle’s death in 1994 (contrary to what The Crown shows).

Upper Left: The Crown, all other photos: the real life Princess Margaret

Upper Left: The Crown; Upper Right: Princess Margaret (Credit: Bettmann / Getty).
Lower Left: Princess Margaret (Credit: Georges De Keerle / Getty).

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Prince Edward’s 21st birthday party contrasted with a quieter party at the psychiatric hospital.

Prince Edward’s 21st birthday party contrasted with a quieter party at the psychiatric hospital. Both scenes from The Crown.

  • In the next scene, Margaret dresses more to match her sister (as she did in real life) for a lunch between the two- and bemoans her lack of luck with men. She specifically notes that Colin Tennant had said that she and Dazzle should be kept apart for public safety. We’ve seen Colin Tennant, Baron Glenconner a few times in the show; he married Margaret’s friend Lady Anne at the beginning of S2E4 Beryl and was also seen on Mustique in S3E10 Cri de Coeur, also with Lady Anne (who introduced Margaret to Roddy Llewellyn, both in the show and in real life). In real life, Colin bought Mustique and was the one who gave a plot of land on the island to Princess Margaret as a wedding gift.

    • I love that it’s Queen Elizabeth who had to specifically tell Margaret that Dazzle was “a friend of Dorothy.” This is slang for “gay” which dates back to at least World War II, and was used as a way for gay men to identify themselves without putting themselves in danger at a time when homosexuality was illegal. It’s unclear exactly where this term came from, but some think it was a reference to the Wizard of Oz books and films, whose themes and colorful characters resonated with the gay community at the time. Judy Garland herself, who played Dorothy in the most famous film version of the Wizard of Oz, was an undeniable gay icon.

    • Margaret initally can’t believe that Dazzle is gay, noting with surprise “He looked at me with great adoring eyes. “ Elizabeth calmly responds, “I think you’ll find that ti’s because you’re a royal princess and he’s a raging snob.” Their conversation is interrupted when Margaret begins to cough up blood, which must have terrified the two women, as this is how their father first found out about his illness in S1E1 of the series (although in real life, he was not diagnosed with lung cancer until 1951).

  • Next is a very brief scene of Margaret undergoing exploratory surgery and news reports about her condition. In real life, this surgery removed an “innocent” portion of her lung, which has been interpreted to mean “non-malignant.” Margaret was never actually diagnosed with any form of cancer. We later see her recovering at the hospital, dressed fabulously in a very colorful blouse while using a nebulizer to breathe. Note that there’s a tea set laid out in the hospital room near her (which seems very on brand).
    The news reports that Princess Margaret smoked 60 cigarettes a day. This is accurate to life. She allegedly gave up smoking briefly after the operation, but within 3 months was back at it (although she’d reduced her consumption down to 30 cigarettes a day). The princess would not fully give up smoking or drinking until at least 8 years after her lung surgery in 1985. (Source: Daily Mail)

    • We get more shots at the hospital and the two unknown adult women watching the news about Margaret’s condition on TV. They look incredibly distressed by Margaret’s health.

  • In the next scene, we see snippets of two birthday parties - Prince Edward’s 21st birthday with the royal family at the palace and Katherine’s birthday at the mental hospital. Even though we haven’t been introduced to the older women yet, this juxtaposition clearly connects them to the royal family, shot by shot. The fancy tiered cake at the palace juxtaposes with a tiny cake at the hospital, with a single candle on top.
    Philip gives a speech for his youngest son Edward’s birthday, noting that he didn’t actually want to have a 3rd and 4th child but his wife won them in a negotiation in an argument (on a yacht, in Lisbon, in a storm - specifically referring to scenes going back to S2E3’s Lisbon. He goes on to say that while the eldest two came out of duty, the younger two came out of joy (not pleasure, as he initially said). Charles and Anne, the eldest two, laughingly refer to their younger brothers as “the b team.” Philip also pretends to forget his son’s name right before the toast, which leaves Edward unamused.

    • At Edward’s party, Margaret is dressed in a solid color dark blue shirt which is a bit more toned down than most things she’s worn this season, perhaps indicating how unwell she is feeling. She sits with her sister and they reminisce over Edward’s christening, when the two of them held their babies in a photo; this refers to the very last scene of Season 2 and the final shot of the S1-S2 cast of the Crown.

    • In the background, Edward hysterically receives both a trombone and a scuba helmet and messes around with them, to the delight of the younger royals.

The final shot of Season 2 of The Crown at Prince Edward’s christening.

The final shot of Season 2 of The Crown at Prince Edward’s christening.

  • Margaret asks the Queen to give her more responsibility as a royal, as she plans on giving up men, cigarettes, and perhaps even alcohol (as she waves another drink away). She specifically says, “Your sister needs to stay afloat with a sense of meaning.” This calls back to Margaret’s previous requests for more work in S1E8 Pride and Joy and S3E2 Margaretology, which has resulted in first, Winston Churchill taking away Margaret’s deputization to do the queen’s work while the queen is away on tour due to Margaret’s over the top ways, and later, the Queen and Prince Philip deciding that Margaret is too impulsive and unreliable to be given more responsibility.

  • Unfortunately, in the next scene between the two sisters, Margaret’s request is quickly denied and she actually has her last remaining responsibilities as counsellor of state taken away. As Margaret said to Elizabeth, “it can’t be good news or you wouldn’t have brought Lurch.” (referring to the Queen’s private secretary as the Adams Family butler). As Charteris explains, by law, only 6 people can be deputized to act for the monarch at a time, and now that Prince Edward has come of age, he is replacing poor Margo in that role, as he is higher up in the line of succession.

    • The 1937 Regency Act allows the monarch to have a list of six senior royals, known as Counsellors of State, who can be called on to deputize for the sovereign in an official capacity. This is known and has been standard practice since that time, so I sincerely doubt Princess Margaret would have actually been taken surprise by this change. In recent years, the list has been trimmed down even more to only 4 people - both Princess Anne and Prince Edward have now been replaced as Counsellors of State at this point by Prince Charles’s own sons. (Source: Royal.uk)

    • Margaret’s argument about why she should remain counsellor of state - “I have the maturity, I have the wisdom; Edward’s a boy. He’s an immature useless boy.” - is very similar to her mother’s own lament back in S1E8 Pride and Joy, in which she says her experience as queen by her husband’s side was wasted after the king’s death and the crown passed to an immature girl (her own daughter Elizabeth).

    • Elizabeth, who’s trying but is honestly a bit oblivious to other people’s troubles, as usual, says that now Margaret will have more time to pursue her own interests. Margaret tells her bitterly, “I don’t want more time. Time it scares me. It fills me with dread. I want something to fill it with.” She says her friends worth knowing won’t have anything to do with her, and the charities don’t want her now that they have princess Diana (as she is “younger, nicer, prettier”). Her complaints about Diana getting so much attention echo Princess Anne’s previous statements in S4E4’s Favourites and Charles’s in S4E6’s Terra Nullius.

  • We see a very quick order of the garter ceremony in which …presumably something important happens, but the show certainly doesn’t tell us. The queen is in her order of the garter robes, but Edward wasn’t inducted into the order of the garter until 2006. Is there a counsellor of state ceremony? I couldn’t figure this out, so if you know, please tell me.

  • Margaret then flies off to her property on the private Caribbean island of Mustique, which is run by her friends Colin Tennant and his wife, Lady Anne Glenconner. She emerges from the plane slowly (refusing an offer of help from some sort of helper) while wearing a wild jewel-tone patterned dress. This contrasts with her arriving at Anne’s house already passed out in the car from drinking in the early, pre-Roddy moments of S3E10’s Cri de Coeur. Anne meets her in a white jumpsuit covered with brightly colored flowers, looking very concerned. She asks Margaret “Is everything alright,” and gets a brisk “no” in response.

    • I actually wish Anne had a bit more to do in this series than accompany Margaret and look concerned. She’s fascinating in her own right and published her memoir last year (Lady in Waiting: My Extraordinary Life in the Shadow of the Crown) to great acclaim.

  • Margaret continues to hangs out on Mustique looking incredibly sad, not really listening to Colin as he drones on about the island’s board of directors, doing cross word puzzles that come in over the fax machine, and dreaming of seeing Roddy Llewellyn swimming in her pool. For the record, I will never forgive The Crown for only giving us one episode featuring the gorgeous Harry Treadaway as Roddy; the show portrayed their relationship as a very brief fling, but in reality, they dated for eight years! They had been together for about three years, actually, before the tabloids broke the story, and were together until 1980 sometime. Queen Elizabeth refused to invite him into her home. Fun fact, Llewellyn released a self-titled pop album in 1978. (Source: Vanity Fair). They only broke up when Roddy fell in love with someone else and got married. They still remained friends, and Margaret became friends with Roddy’s wife as well. How much fun would it have been to see all that portrayed in The Crown?

    • It is possible that Margaret missed Roddy as much as is portrayed in the show. Lady Anne said in a documentary that after Margaret’s funeral, the queen came up and thanked her for introducing Margaret to Roddy, as he made her very happy.

    • FUN FACT: Princess Margaret actually totally did crossword puzzles. I found a fantastic little article published in The Canberra Times in May 1954, noting that Princess Margaret won “a prize of three guineas worth of books for a correct entry in a weekly magazine crossword puzzle.” The editor in charge of the contest actually thought her entry was a joke at first, but confirmed its veracity with Buckingham Palace. Margaret was 23 years old at the time.

Top: Colin Tennant and his wife Lady Anne Glenconner on The Crown. Bottom Left: Colin, Margaret, and Anne. Bottom Right: Colin and Anne.

Top: Colin Tennant and his wife Lady Anne Glenconner on The Crown. Bottom Left: Colin, Margaret, and Anne (Credit: PA Images). Bottom Right: Colin and Anne (Credit: Slim Aarons / Getty).

Top: The Crown. Bottom: the real life Princess Margaret with various friends.

Top: The Crown.
Bottom Left: Margaret with friend (Credit: Anwar Hussein / Getty).
Bottom Right: Margaret with friends (Credit: Lichfield / Getty).

  • Prince Charles comes in to visit Margaret and finds her in the pool. We get a great shot from Margaret’s point of view looking up through the water at Prince Charles and Anne. They walk about a bit and talk together. Charles’s gardening interests (previously discussed in Fairytale and Favourites) come up again as he points out all the gardens at Margaret’s estate (which, of course, were put in by Roddy). Charles also mentions that Diana is pregnant again, but that the couple continues to quarrel all the time.

    • Charles actually was pretty close to his Aunt Margot in real life. Prince Charles did and still wears double breasted suits very much like this. Margaret puts on a dark loose dress and hair turban to walk with her nephew, which resembles many things the real Margaret wore at Mustique.

    • Uh, apparently only Margaret’s nephew and niece care about her in CrownWorld, and her adult children give zero shits about her, as we’ve NEVER seen them, even though at this point in the story, her son David would be 23 and her daughter Sarah would be 20. The longer I think about this fact, the more it weirds me out that they apparently didn’t even make an appearance at Edward’s 21st birthday party, even though they would of course be close to their similarly aged cousin. David actually started lessons in the Buckingham Palace schoolroom with his cousin Prince Andrew at age 5 and Sarah was a bridesmaid at Charles and Diana’s wedding. So…they were definitely there, even if the show hasn’t even alluded to them since the moon landing (I’m fairly sure they attended the rocket launch party at Buckingham palace with their parents in S3’s Moondust as children, but they aren’t credited on the IMDB page for the episode. Will have to investigate).

    • I really enjoy the back and forth conversation of - “I’ve started to see someone.” “ Yes, we all know.” “No, not Camilla.” Charles doesn’t even pretend to be surprised that Margaret assumes he and Camilla are having an affair. Charles ends up suggesting that Margaret see a mental health professional as he himself is, or as Margaret calls them, “a head shrinker.” (Charles: “Aunt Margot, you can’t call them that”). Prince Charles really did go to therapy to help deal with his marriage problems for quite some time, reportedly 14 years.

      This apparently was all Princess Anne’s idea, by the way. Charles promised his sister that he would bring it up to Margaret, and mentioned that Anne actually found the professional he’s recommending to Margaret.

Top left: The Crown. All other photos: the real life Princess Margaret.

Top left: The Crown.
Bottom: Various pictures of Princess Margaret
Credit Left to Right: Keyston-France; Shutterstock; Slim Aarons / Getty

Left: The Crown. Right: The real life Prince Charles.

Left: The Crown. Right: The real life Prince Charles (Credit: David Cooper).

  • Anne Tenant comes back to England with Margaret and drives her to the therapist’s place. Margaret is doing her best to stay incognito, wearing a head scarf, big sunglasses, and a purple coat. She acts very stand-offish at the very idea of therapy, says that she finds the whole idea pathetic, and states, “Self pity won’t get you very far. You just have to get on with it.” Margaret ultimately does admit that she’s been feeling a little low and hasn’t been able to get out of her slump. The purple in her outfit appears to emphasize her intrinsic royalness, which will come up again and again in this episode.

    • Princess Margaret did see a therapist during her marriage to Tony Armstrong-Jones, but I couldn’t find any indication that she’d seen a therapist later in life.

    • The therapist asked if any family members had mental illness, which introduces the sisters’ storyline. Margaret states that the Prince of Wales “has his ups and downs. But I wouldn’t say that’s a condition. That’s just marriage.” (continuing the season’s constant focus on Charles and Diana’s struggling marriage). She also notes that “the duke of Gloucester got low from time to time. This appears to refer to Prince Henry, Duke of Gloucester - the third son and fourth child of King George V and Queen Mary (and thus, Margaret’s uncle). I have only briefly researched Prince Henry since he’s only mentioned in passing, but he apparently was a rather nervous child with poor health and sometimes had nervous fits of crying or giggling. However, after he was sent to school (becoming the first son of a British monarch to attend school), he thrived and apparently become much more healthy and happy. As an adult, he apparently drank whisky excessively, which may be what Margaret is referring to here. He suffered a few strokes in the later years of his life, eventually ending up in a wheelchair and unable to speak.

Left: The Crown. Middle and Right Photos: the real life Princess Diana.

Left: The Crown. Middle and Right Photos: the real life Princess Diana (Credit: Tim Graham / Getty).

  • Next, Margaret hangs out with her sister the Queen while an Easter egg hunt goes on in the background (the royals apparently do have a private family Easter egg hunt) and tells her all about what she’s learned about their cousins Katherine and Nerissa. The Queen says she knew about their issues, but that they were long dead. The two women end up consulting Burke’s Peerage to look up the Bowes-Lyon sisters and find that Nerissa’s death date was listed as 1940 and Katherine’s was listed as 1961. In this scene, both women wear paisley prints in wildly different colors, showing their close relationship but also their significant differences.

    • Fantastic Queen-ism as Margaret pushes her button to summon help: “What are you doing, that’s my button.”

    • Margaret continues her trend of stubbornly denying her own ill health by insisting on climbing up the ladder to get the books off the shelf herself, refusing her sister’s offer of help.

    • Burke’s Peerage has been published since 1826 and features the ancestry and heraldry of “the Peerage, Baronetage, Knightage and Landed Gentry of the United Kingdom [and] the historical families of Ireland and the Commonwealth of Nations.” These books are updated yearly. The firm also has published books covering “the Imperial, Royal and Mediatised families of Europe and Latin America, the Presidential and distinguished families of the United States, the ruling families of Africa and the Middle East and other prominent families worldwide.”

    • We get a few shots of various family members running around in the background, including an obviously pregnant Diana leading around a toddling blonde Prince William. Per usual, she’s dressed in an almost perfect homage to some of Diana’s actual pregnancy outfits.

    • Sidenote: How much time has passed in this episode? Prince Edward turned 21 on March 10, 1985 and Easter that year took place on April 7, 1985. Diana goes from looking not at all pregnant at Edwards’s birthday party to SUPER pregnant at Easter, in the space of a few weeks. That’s….impressive. In addition, Prince Harry was actually born in 1984, but that minor detail change doesn’t really change much in this story.

  • Margaret is next seen at Buckingham Palace doing a crossword puzzle and refusing to pick up the phone when Dazzle calls. She initially says she doesn’t want to see him, but apparently changes her mind, as in the next scene, we see the two of them driving in a car. Dazzle is praying in Latin and asks Margaret when she had last driven, as she is ….somewhat bad at it (she almost runs over a bicyclist on the way). Dazzle, who is training to become a priest at this point, feels weird about lying about who he is to get into the hospital and check on Katherine and Nerissa, but Margaret bullies him into doing so anyway, saying “You can always confess later, now go.” Margaret hides out in the car (in the rain) until Dazzle comes back, confirming that he met Katherine and Nerissa (who are very much alive) and also telling her that there are several other relatives living there.

    • I didn’t actually find any info on whether Princess Margaret actually could drive or not, but I did find this somewhat hilarious article on the driving habits of the royals in the process (apparently Prince Philip still was driving around on private land in 2019, even though he was almost 98 at the time, and uh, Prince Edward’s 11-year-old son was also seen driving on private land).

    • I like that even when Margaret is going on a covert mission where she doesn’t want to be seen or recognized, she dresses fabulously in furs and big gold earrings.

    • Nerissa and Katherine have pictures of the Queen (Claire Foy) and Princess Margaret (Helena Bonham Carter) by their bedsides and clearly know that they are their royals and their family members. I read a LT of articles about Nerissa and Katherine while writing this blog post and didn’t find a single one that mentioned them having photos. However, they did indeed stand and salute when they saw the royals on the screen.

Upper Left: The Crown. All other photos: The real life Princess Margaret and Queen Elizabeth.

Upper Left: The Crown.
Upper Right: Queen Elizabeth and Princess Margaret (Credit: Tim Graham / Getty).
Lower Left: Princess Margaret (Credit: Tim Graham / Getty)
Lower Middle: Queen Elizabeth and Princess Margaret (Credit: AP)
Lower Right: Queen Elizabeth (Credit: Tim Graham / Getty).

  • After this revelation, Margaret goes to her mother’s castle in Scotland. She pulls her mother away from her friends (including Lady Fermoy, Princess Diana’s grandmother) to confront her dramatically on a beach. Margaret is in the standard royal family Scotland uniform at this point (skirt, shirt, jacket, long coat, and headscarf). We haven’t seen Margaret dress like this much this season, but both she and her sister both commonly dressed like this in real life. The Queen Mother is in a blue and white dress with a cardigan and pearls that very much resembles the type of outfit the real Queen Mother wore her entire life.

    • Remember, we saw the Queen Mother tour and purchase her Scottish castle in S1’s Pride and Joy. This episode seems to constantly refer back to previous episodes. Everything in it points back to the mistakes of the past.

    • Margaret angrily shouts at her mother about five of their family members being “locked up and neglected.” The Queen Mother argues that Aunt Fenella (Katherine and Nerissa’s mother) was overwhelmed and that things were complicated around that time because of the abdication. Margaret then brilliantly yells, “Not everything that is wrong with this family can be explained away by the abdication!” which is totally true. As I previously mentioned, Katherine, Nerissa, and their three cousins were all placed in the hospital about five years after the abdication, so it’s unlikely that that actually played any role in their family’s decision to do so.

    • Margaret also yells that anyone in the family that doesn’t follow the rules and perfectly fit their role is rejected, underlining a constant theme throughout the show. We’ve seen Prince Philip, Princess Margaret, Prince Charles, and Diana all really struggle with their roles as royals throughout the series.

  • Later, Margaret sits in her mother’s castle looking positively ill, wearing the same outfit and using a plaid blanket to keep warm. Her mother, dressed formally for dinner, comes in and tells her all sorts of things about how the abdication changed things, and claims “Their professionally diagnosed idiocy and imbecility would make people question the integrity of the bloodline.” As I’ve discussed, this is bullshit, as the genetic disorder didn’t run in the royal line.

    • The Queen Mother notably refers to “the children of my brother” and “their first cousins,” while Margaret quite specifically names them all as individuals. When her mother refers to "their imbecility,” Margaret, shocked, says “don’t use their words.” This calls back to the earlier moment between Charles and Margaret when he told her she couldn’t call therapists head shrinkers. Each younger generation seems to be trying to teach their older generations to be better in this episode.

    • “The hereditary principle already hangs by such a precarious thread,” she says, giving the episode its title. This refers to the entire concept of hereditary monarchy, in which the throne passes from one member of a ruling family to another member of the same family.

    • Several examples of mental illness in the Windsor family are given: George III, Prince John, “your uncle” (presumably referring again to the duke of gloucester, who I discussed previously in this post).

      • George III was famously the “mad king,” whose recurrent mental illness ultimately led to the establishment of a regency, in which his eldest son ruled as Prince Regent for the last 9 years of his father’s life. During these episodes, he was often manic and deranged, sometimes talking until foam actually ran out of his mouth. There are several theories as to what was wrong with George, including porphyria and bipolar disorder. (Source: BBC). He was the subject of a popular play (The Madness of George III), a film, and also shows up in the new Netflix series Bridgerton.

      • Prince John was the youngest child of George V and Queen Mary and therefore was also Margaret’s uncle. He began to have seizures when he was four years old and was diagnosed with epilepsy. John was sent to live at Sandringham House with his nanny and governess. He died in 1919 at the age of 13. At the time, no one really understood epilepsy and patients with epilepsy were often treated as though they were insane. His condition was not revealed to the public until after his death, so there was lots of speculation that he was being mistreated. (Source: Libby-Jane Charleston on Medium)

  • Margaret sits on the plane with a line of alcohol bottles conspicuously at her back. She may have tried to give up alcohol briefly, but is about to get right back to it. Back at her therapist’s, she ponders, “It’s all a family disease isn’t it? When they tell you you can’t marry, when they strip away your official role, when they side with your husband as your marriage falls apart, and now this. This final insult. That every diminishment, every rotten misfortune is written in my blood.” She then asks her therapist if she’s destined to be mad, at which point her therapist explains the actual origin of her cousins’ genetic disorder. Margaret ends up concluding that the girls never needed to be hidden away and what her family did to them was unforgivable.

    • This gorgeously delivered monologue (Helena Bonham Carter BETTER be nominated for a Tony for this episode) references her previous relationship with Peter Townsend (a big plotline in Season 1), the moment earlier in this episode when her role as Counsellor of State was given to Prince Edward, and the way that her family favored her husband Tony even when he was absent from her own birthday dinner and blatantly cheating on her (featured in S3E10 Cri de Coeur).

  •  In the next scene, Margaret fiddles on the piano while talking to Dazzle. Her therapist has suggested psycho therapy, meds, and increased exercise to help her. Dazzle urges her to convert to Catholicism and tells her how joining the church gave him a faith and helped him; how “submitting oneself to something larger” lifted the gloom and emptiness in his life. She rejects this idea, and states that she has already committed herself to a larger power - the royal family - and converting would result in her being kicked out of the family.

    • Margaret is in serious denial about her life and her family. She states, “My title, my seniority, my proximity to the crown – it is my happiness. It’s who I am. I don’t expect you to understand.”  When Dazzle points out that her family does terrible things to its outer members to protect itself, and that they only protect the center. Margaret insists, “But I am in the center! I am in the very center. I am the Queen’s sister, daughter of a king-emperor, and I will always be in the center.”

      • The “center” metaphor is very apt at describing Margaret’s situation throughout her life. Before her sister Elizabeth got married and had children, Margaret was second in line to the throne. With successive children and children’s children, she’s been pushed further and further away from the throne. At this point in her life, she is…8th in line to the throne, behind Prince Charles and his son Prince William, Prince Andrew, Prince Edward, Princess Anne and her children Peter and Zara Phillips. At the time of her death, she was 11th to the throne. The nature of hereditary monarchy is that those who aren’t actually the firstborn direct descendants of the monarch are continually pushed further back in line as more royals marry and have children. It’s just inevitable.

      • Margaret’s use of “king-emperor” hearkens back to her mother’s use of the term earlier in the episode. Her mother was in denial about the situation with Katherine, Nerissa, and their three cousins, and Margaret is totally in denial about her position here.

      • At the end of the scene, Margaret says they shouldn’t see each other again but asks, if he has a moment, for him to pray for her. As I noted earlier, the real life Dazzle really did try to convert Margaret to Catholicism. However, the two remained friends until his death in 1994. She was actually one of the last people he saw before his death.

  • Margaret, now feeling even more desolate and insignificant than ever, flies back to Mustique and gets a montage of party scenes. She’s seen in an acid yellow dress singing at a party, staring in her mirror, walking at a beach, and dancing by herself. She notably is back to smoking and drinking. She’s wearing brighter colors than ever in almost all these scenes, until the very end, when she’s sporting a much simpler and quieter printed dress. The episode ends with Margaret sitting alone at her pool (which of course, reminds her of Roddy and all that she’s lost), staring at her toes in the water and looking desperately sad and alone as the sun sets behind her.

    • The lyrics Margaret sings (from Fallin’ by Connie Francis) are on point as usual. “Yeah I was riding high, but then my ivory tower toppled and I tumbled from the sky. I got a feelin’ like I’m fallin’ and you’re the reason why.” The party music and noise is overtaken by the same sort of mystical music Diana has been getting all season (the instrumental arrangement is specifically “Voices”).

      • Her toes are specifically painted red, which calls back to the red finger nail polish she was wearing in S3E10 Cri de Coeur when she’s crying after her affair with Roddy was broken in the press and he tried to comfort her.