Over-Analyzing The Crown: S4E1 Gold Stick

All My Posts on The Crown
S3: 1 & 2: “Olding” & “Margaretology” 3: “Aberfan” 4: “Bubbikins, 5: “Coup” 6: “Tywysog Cymru” 7: “Moondust" 8: “Dangling Man” 9: “Imbroglio” 10: “Cri de Coeur”
S4: 1: “Gold Stick” 2: “The Balmoral Test” 3: “Fairytale” ( + Cinderella References) 4: “Favourites” 5: “Fagan” 6: “Terra Nullius” 7: ”The Hereditary Principle” 8: “48:1” 9: “Avalanche”
The Medals, Sashes, and Tiaras of The Crown; Tiaras/Crowns Overviews: Season 1 ; Season 2

Since I had great fun over-analyzing every episode of Season 3 of The Crown last year, I’m doing the same thing this year! I’ll be /trying/ to write these posts up one episode at a time (although I may watch ahead a bit of my writing), so there won’t be spoilers for any episode except that which I’m covering in the post. So if you haven’t watched Season 4 Episode 1 of the Crown yet and don’t want to be spoiled, please stop reading now. :)

trooping the colors.jpg

Screenshot from The Crown, Netflix

Olivia Colman as The Queen in the Trooping the Colour on The Crown vs. Real life Queen in the Trooping the Colour

Olivia Colman as The Queen in the Trooping the Colour on The Crown vs. Real life Queen in the Trooping the Colour (Credit: Tim Graham / Getty).

So let’s jump right into it, shall we? I’m going to assume if you’re reading this, you’re caught up on who all the main characters are and what’s happened previously in The Crown.

Lord Mountbatten and his gold stick.

Lord Mountbatten and his gold stick (Credit: Allan Warren).

  • “Gold Stick” starts off with the Trooping the Colour, an annual ceremony performed by the British and Commonwealth infantry regiments that also marks the official birthday of the British sovereign (which currently is in June). The queen rides out with the infantry (on horseback until the late 80s, which she switched to riding in a carriage), and then inspects her troops; much of the troops march past the queen and salute her. (There’s a LOT more to this ceremony, but as I don’t know much about British military traditions or terminology, I’m keeping it super simple). (Sidenote: my now-husband and I ended up in London on the official birthday of the British sovereign on accident back in 2013, and I’m pretty sure we saw a bit of the Trooping the Colour ceremony without having any idea of what we were looking at! My royals obsession developed many years later, lol).
    In this opening scene, we’ve got the Queen, Prince Philip, Prince Charles, and Lord Mountbatten all on horseback in the ceremony. This feels just like a fancy way of starting the season off initially, but the significance of this scene becomes more apparent over the episode.

    • First, the name of this episode is “Gold Stick,” which refers to both a ceremonial bodyguard office (the office of Gold Stick in Waiting) and the actual gold stick held by the person in that office. Those in this office attend all state occasions and rides at the sovereign’s side. Lord Mountbatten was appointed Gold Stick in Waiting in 1965 and I believe, served in that role until his death in 1979. I can’t find a list of office holders anywhere, but the Princess Royal, Anne, has apparently served in that position since 1999.
      Because this episode ends up being quite significantly about Lord Mountbatten’s death, it’s quite fitting that the episode starts with him formally serving in his role as Gold Stick in Waiting at the queen’s side. The Gold Stick itself is laid on top of Mountbatten’s coffin at his funeral, along with his ceremonial sword and admiral’s hat.

    • Second, the Trooping the Colour Ceremony was the site of a….sort of assassination attempt on Elizabeth II in 1981. A 17-year-old fired six shots during the ceremony, but it was quickly revealed that they were blanks. It was still a pretty significant event and given the foreboding air of the Season 4 trailers and the centrality of the Trooping the Colour shots in all the promotion, I honestly somewhat expected to see that event in this season. Even if they don’t end up showing that incident though, placing a trooping the colour ceremony at the beginning of an episode all about the assassination of a member of the British royal family is a pretty subtle but distinct reference to it, particularly since the ceremony in the show has IRA propaganda audio playing throughout.

I want someone to look at me the way Queen Elizabeth II looks at horses. Someone tell my husband this.

I want someone to look at me the way Queen Elizabeth II looks at horses. Someone tell my husband this (Credit: Samir Hussein / Getty).

  • There’s a lovely little tiny scene before the ceremony is even shown that just shows the Queen fondly interacting with her horse. As was established in Season 3 (in the Lord Mountbatten focused episode of that season, actually!), the Queen legitimately LOVES horses. Just so much. Here’s a photo showing how much she loves horses. Look at that love. <3

  • ADDED 11/18 (I promised I’d research Charles’ love live, and I have! Here ya go!): After The Trooping the Colours, the royal family gathers for a light meal and gossip about Charles. They quickly discuss several women that Charles has been dating, but don’t really get into the details of who any of them were, referring to them instead in a kind of shorthand.  I was able to figure out who most of them were, but not who “Westmorland” or “a Borgia” referred to. Please help me if you know!
    I’m happy to share the information about these women here, but I feel uncomfortable sharing paparazzi photos of women who were mostly only very briefly connected to the prince over forty years ago, as it feels just….very male gaze-y. You can easily google photos of these women if you like though.

    • Westmorland Girl – no idea who this is referring to.

    • A Guinness – Sabrina Guinness, from the brewing family. She later went on to date Mick Jagger and David Bowie. She did not marry until 2014, when she married playwright Sir Tom Stoppard.

    • Girl in a bathing costume – This may be referring to model Jane Priest, who was pictured with Charles, both wearing bathing suits, in Australia in 1979. She kissed him on the cheek at the beach in a picture where he looks adorably confused. She claimed later that her hanging out on the beach was actually a PR thing to make the prince appear less stuffy and more relatable.

    • Longman – Caroline Longman – her mother Lady Elizabeth Lambert was one of the bridesmaids at the Queens’ wedding in 1947.

    • “Whip?” “Whiplash” – referring to Anna Wallace, the daughter of a Scottish landowner with a notoriously firey temper. She dumped him after he ignored her at not one, but two formal events he invited her to – the Queen Mother’s 80th birthday party and some sort of polo party. Charles supposedly proposed to her twice. He actually dated her in 1980, right before dating Diana.

    • A Borgia! – no idea.

    • Sarah Spencer – Diana’s older sister. They dated briefly in 1977 until she talked about their relationship in the press in a negative light, saying she wouldn’t marry Charles  “if he were the dustman of the King of England.”

    • A few other important women Charles dated:

      • Amanda Knatchbull – Lord Mountbatten’s granddaughter (remember, he was Charles’s great-uncle, so although he was related to Amanda, it was a distant relation). They bonded after Dickie and Amanda’s little brother were killed in the IRA attack. Charles apparently proposed to her in 1980 but she didn’t accept. They saw each other frequently between 1974 and 1979. Dickie apparently really did push for their relationship in his life. She went on to work as a social worker and married someone else and is apparently quite happy out of the limelight.

      • Jane Wellesley – Daughter of the 8th Duke of Wellington, was considered a leading contender for Charles’ wife for a while. Dated in 1973-1974 and then broke up, possibly due to intense media scrutiny. Famously said: “Do you honestly believe I want to be queen?”

      • Davina Sheffield – The granddaughter of 1st Lord McGowan, linked to Charles in 1976. Her former boyfriend talked to the press about their relationship and ruined her “virginal” reputation, pretty much putting a stop to their relationship.

  • Costuming note: At the post-trooping the colors family dinner, every woman at the table is wearing a floral print - the Queen, Princess Anne, the Queen Mother, and Princess Margaret. Sarah Spencer is also in florals when Charles arrives at her house. And then you have Diana appear, dressed as a literal woodland fairy. Floral prints were EVERYWHERE in the 1970s, but I like that it seems to foreshadow Diana’s entrance anyway.

  • Added 11/18: The fact that Diana meets Charles while dressed like a woodland fairy and they discuss A Midsummer Night’s Dream upon their first meeting foreshadows all the descriptions of their love story as a fairy tale. In real life, Diana said that she met Prince Charles out in a field while her family was hunting with him.
    Diana tells Charles that she’s trying to stay out of the way and not be seen, but Sarah later said that Diana was obsessed with meeting Charles. Charles promises Diana not to tell her sister that he’d seen her, but then immediately tells Sarah about their meeting. This sets a precedent for Diana’s life - which was filled with lots of contradictory stories from her point of view vs. Charles and Camilla’s points of view.
    As Charles rides away with Sarah, Diana sits in the window sill very gracefully and watches him ride away, pointing to her ballet training.
    According to Diana: Her True Story in Her Own Words, Diana enjoyed dancing in the front hall of Althorpe Hall surrounded by portraits of her ancestors, where she’s shown meeting Charles in this episode.

  • Timing Notes: I have a theory that Season 4 picked up only a few days after Season 3 left off, but then jumped two years between the opening Trooping the Colours/Charles meeting Diana scenes and the election of Margaret Thatcher.
    Evidence: Season 3 ended with The Queen’s Silver Jubilee, which occurred in June 1977, with a big procession and Service of Thanksgiving on June 7, 1977. Although the date of the Trooping the Colour ceremony isn’t specifically stated, we know the ceremony occurs on the second Saturday of each June. Immediately after this scene in the show, Prince Charles drives off to hang out with Sarah Spencer (who he’s currently dating) and meets Diana for the first time. We know that historically, Charles dated Sarah IN 1977, and met Diana that same year (when Diana was 16). And Margaret Thatcher was elected prime minister in Mary 1979. ADDED 11/18: On a later watch, I noticed that some of the Ireland protest scenes in the Trooping the Colours scene featured signs stating that the queen had been on the throne from 1952-1977 - indicating further that the pre-credits sequence took place in 1977.
    You MAY ASK - well, but what about all those girls Charles supposedly dated - that his family was discussing immediately after the Trooping the Colour? Although Season 3 made it look like the Silver Jubilee was celebrated pretty shortly after Camilla Shand married Andrew Parker-Bowles, in real life, Camilla’s wedding occurred in 1973. Charles has definitely had many years to date whoever he wants.
    Anyway, it may not matter to anyone else, but I’m very much enjoying this theory of mine and am sticking by with it.

  • They pinned down Thatcher’s look SO EXACTLY. Check out the side by side of Gillian Anderson as Thatcher and real life Thatcher.

  • When Margaret Thatcher meets the queen, she curtsies in a very elaborate way. The Queen’s eyes get slightly wider at the sight. This apparently was a known quirk of Thatcher’s.

queen+and+thatcher+episode+1.jpg

Screenshot from The Crown, Netflix

  • When the Queen meets Thatcher, they’re wearing almost exactly the same outfit, as they both sport colorful skirt suits with floral pussy bow blouses and sensible heels. Elizabeth is in light purple with a floral blouse, Margaret is in bright blue with a light blue and white blouse. Margaret Thatcher DID indeed wear skirt suits and pussy bow blouses constantly, and the Queen wore pussy bow blouses a few times in the 70s. I’m wondering if they took advantage of the common historical fashion similarities between the characters as a jumping off point to indicate how much in common they really have - a point which Elizabeth made to Philip in an earlier scene, as she was watching the election returns, and which Margaret made in a later scene, to her own husband. Their similarities are also highlighted by the fact that first Prince Philip, and then Denis Thatcher, make somewhat derogatory jokes about two middle-aged women holding the two highest offices in the country.

    • Thatcher says to the queen: "I find women in general are not suited to high office. ...I find they are too emotional." There’s no evidence that said nothing of the sort in real life, but she wasn’t exactly an ardent supporter of women in high office. She was prime minister for over a decade but only every appointed one woman to cabinet and one woman as the vice chair of the Conservative party.

Gillian Anderson as Margaret Thatcher on The Crown vs. Margaret Thatcher in Real Life

Gillian Anderson as Margaret Thatcher on The Crown vs. Margaret Thatcher in Real Life (Credit: Keystone / Getty).

The Queen sporting various pussy bow blouses.

The Queen sporting various pussy bow blouses.

  • The one odd note about the scene in which they meet is that the costume notably made the queen look a bit frumpy? Is this to indicate the slight nervousness she was showing before Thatcher walked in the room, messing with the flowers in front of her and all that? They made her look wider at the waist, although lots of photos from the late 70s early 80s show that the Queen was absolutely not that wide then and maybe not even now.

    • I have no idea if the Queen actually likes to guess the cabinet members before they’re picked (I haven’t found any evidence of that, and given how confidential her conversations are with her prime ministers, we’d really have no way of knowing) but that was a fantastic scene.

  • Later, on the way to Balmoral, we see Princess Anne arguing in a car with a man we’ve never seen before, who later is revealed in conversation with her father to be her husband, Mark Phillips. They discuss Anne potentially withdrawing from show jumping, and it’s implied that this is partly to get away from her husband, although she doesn’t really elaborate on their marriage issues.

    • Anne really was and is a brilliant equestrian and competed in the 1976 Olympic Games in Montreal as a member of the British team, riding the Queen’s horse, Goodwill (This is also the name of the horse she rides in the show jumping scene later in the episode). Anne actually met her husband at an equestrian party. Mark was on the Olympic equestrian teams in 1972 and 1988 and was a reserve team member in 1968.

    • They didn’t show Anne’s wedding or kidnapping attempt sadly, but at the time of the first episode of season 4, Anne would have been married to mark Phillips for almost 6 years. They would have had a 2 year old son by this first episode as well.

    • The scene showing prince Phillip talking with princess anne – do those actors ACTUALLY look that much alike or did the show do something to their noses to make them look more similar? It’s insane.

    • In this scene, Anne says she’s been on her backside most of the year, instead of on a horse, and says something cryptic about having “a case of the horrors on a horse.” Being on her backside may have been a reference to her having children. I don’t know why she would be afraid of riding though? She did have a pretty bad fall from a horse in the 80s, but this happens chronologically before that. I’ll do more research on this and see if I can find an answer.

  • We see a scene of Lord Mountbatten talking to Prince Charles on the phone, discussing his continuing relationship with Camilla. I don’t believe there’s any evidence of Charles having an affair with Camilla at this time actually, although they were certainly friends during her marriage to Andrew. Charles actually was godfather to her son Tom, born in 1974. Charles’ authorized biography indicates that he began an affair with Camilla in 1986 though, several years into his marriage to Diana.

    • Within the conversation, Charles refers to Dickie’s own slightly disastrous marriage with “consequences on national security,” which was briefly shown in Season 1/2 of the Crown, and says that Camilla’s husband is having affairs of his own. It does appear to be accepted fact that Parker Bowles DID have lots of affairs.
      Mountbatten’s marriage was apparently not a very happy one, and Edwina apparently had many many affairs. They apparently agreed to an open marriage after a while. He even once stated, “Edwina and I spent all our married lives getting into other people’s beds.” There’s some evidence indicating that Dickie was bisexual, and unfortunately, some very nasty allegations of pedophilia. I’m not entirely certain what national security concerns Charles specifically is referring to here, but his comment most likely refers to Edwina’s relationship with Pandit Nehru, India’s first prime minister after the country’s independence. I honestly don’t know enough about British-Indian relationships in the 1940s to say more than that.

    • Even though Charles and Camilla likely weren’t seeing each other at the time of Mountbatten’s death, I can understand why it was used in the show as a way to build tension and to underline Charles’s determination to find a good wife.

Charles Dance as Lord Mountbatten about to go lobster fishing vs. real life Lord Mountbatten on his boat.

Charles Dance as Lord Mountbatten about to go lobster fishing vs. real life Lord Mountbatten on his boat.

I couldn’t find a screenshot from The Crown of the Queen and Anne stalking, but if you’ve seen this episode, you’ll see how similar their stalking outfits are to their real life counterparts’ outfits in this pic.

I couldn’t find a screenshot from The Crown of the Queen and Anne stalking, but if you’ve seen this episode, you’ll see how similar their stalking outfits are to their real life counterparts’ outfits in this pic.

  • The sequence in which we see Charles fishing, Anne and the Queen stalking, Philip hunting off by himself alone, and Dickie going out on the lake with his daughter and grandkids is beautifully done and quite haunting, as even if you don’t really know what’s going to happen, tension builds with the occasional gunshots and the plotting bad guys in the car pointing out Dickie’s boat. Lord Mountbatten really was lobster fishing with his family when the bomb went off, and the pairing of the other royals’ well established animal death related sporting activities with his really ties them all together as a family and ties them together with a bit of foreboding.

    • As mentioned in the show, Mountbatten’s grandsons were on the boat with him and one of them died. His surviving grandson, Timothy Knatchbull, has written a book about the incident.

    • Lord Mountbatten’s fishing look is pretty accurate to real life.

    • I’m really sad we don’t get any more Charles Dance in this show. He’s just so good in this role.

  • The sequence of all the secretaries going to find and tell their royal family members the news broke my heart a little. The fact that it’s long-time royal secretary Martin Charteris who’s telling the queen (who had definitely retired before this incident in real life, but is still around on the show), is just….so meaningful and heart rending and sad.

    • The queen’s reaction to multiple cars coming out to find her hunting (“oh dear. It’s never good when they come in packs like this.”) just continues the hunting and animal references in these few scenes.

    • Charles really was in Iceland when Mountbatten was assassinated. He apparently wrote in his journal then: “Life will never be the same now that he has gone and I fear it will take me a very long time to forgive those people who today achieved something that two world wars and thousands of Germans and Japanese failed to achieve.”

  • Charles receives the letter Dickie wrote him right before his death while he’s flying back to England for the funeral. The letter essentially tells him to go find a virginal wife, someone who has no past and knows the rules. The show’s depiction of Mountbatten’s attitude on Charles’ love life appears to be pretty accurate, as he apparently did tell Charles to “have as many affairs as he can,” but also emphasized that his future wife needed to be a virgin, writing in a letter, “I think it is disturbing for women to have experiences if they have to remain on a pedestal after marriage.”

  • Margaret Thatcher’s words to the queen on the phone are almost exactly what she said in real life. The Crown has such an eye for detail; I love that Thatcher quickly snaps off her right earring before she picks up the phone.

    • The Crown: “This is a very great tragedy. Lord Mountbatten’s death leaves a gap that can never be filled. Our heartfelt condolences go out to you and your family, and of course of those of the servicemen killed at Warrenpoint today. …” She then goes on to condemn the IRA and promises to defeat them.

    • Real life - “His death leaves a gap that can never be filled. The British people give thanks for his life and grieve at his passing.”

  • The show only refers to the Warrenpoint incident in passing, but on the same day as Mountbatten’s assassination, the IRA ambushed a British Army convoy with two roadside bombs right outside Warrenpoint, Northern Ireland. 18 soldiers were killed and over 20 were seriously injured. It was the deadliest attack on the British Army during the Troubles.

    • As explained later in the episode, in audio of IRA speeches over Mountbatten’s funeral footage, the attack at Warrenpoint and on Mountbatten was intended as retaliation for the deaths of 13 unarmed civilians during a protest march in Derry in 1972, an incident known as Bloody Sunday. Graffiti did start appearing in known republican areas of Northern Ireland that said “13 gone and not forgotten, we got 18 and Mountbatten,” which is used as a direct quote in the show.

  • Philip and Charles, the people closest to Lord Mountbatten, yet again demonstrate their complicated relationship when the tipsy?drunk? Philip tells Charles that he’s doing the reading at Dickie’s funeral. Philip bitterly complains that Dickie ended up replacing Philip as a father figure to Charles and Charles replaced Philip as a son figure to Dickie. Season 3 didn’t really focus much on Philip’s issues with Charles, which haven’t been addressed in full since S2E9 Paterfamilias (showing both Philip’s and Charles’ experiences at Gordonstoun).

    • As Dickie was a surrogate father figure to Philip, Philip gets angry at Charles for suggesting that Dickie was a father figure to him too “What are you talking about? You have a father, you have a father.” Philip is clearly a couple glasses of whiskey in already.

    • Philip’s closed off attitude toward any sign of emotion is demonstrated both through his obvious inebriation and his statement that “he would have hated any mawkish outpourings of grief or sentimentality.” This repeats similar sentiments to those he expressed in S3E7 Moondust, when he told a group of priests in the midst of mid-life crises, “I’ve never heard such a load of pretentious self pitying nonsense. What you lot need to do is get off your backsides, get out into the world, and do something. That is why you are all so lost.”

    • According to the show, Mountbatten left 500 PAGES OF INSTRUCTIONS for the funeral. In real life, he did have it all planned out in detail, although I don’t know if we have an exact page number.

Lord Mountbatten’s funeral in real life, featuring the eponymous gold stick.

Lord Mountbatten’s funeral in real life, featuring the eponymous gold stick (Credit: Anwar Hussein / Getty).

  • Mountbatten’s funeral in The Crown looks almost exactly like pictures from his real funeral; the casket and layout of hat and swords on top is just like it was in real life.

    • The IRA audio over the funeral also said: “To Irish Republicans, Lord Mountbatten was the ultimate symbol of imperialist oppression. Each year he came to sit in his castle on land stolen by the English. He knew the risks in coming here, and his death represents a legitimate blow against an enemy target.” This audio strikes in contrast to the trooping the colour ceremony at the beginning, and the imperialist sentiments implied by such a ceremony.

    • Charles really did read Psalm 107 at Mountbatten’s funeral, which does specifically refer to those on the sea and God stilling the storm and the waves. Seems very appropriate.

    • The last shot of the funeral scene is coffin shaped, with a view up from the bottom toward the Queen, Philip, and Charles looking down at it. It’s very dark.

  • The strife between Philip and Charles continues later, as Charles comes to Anne’s show jumping contest but only comes forward to talk to his mother after his father walks away. They speak very very briefly, but mostly avoid each other.
    Anne’s show jumping scene is lovely but I really don’t have much to say about it because I know nothing about horses, sorry. It clearly is meant to show her getting over her fear of riding horses again, but that fear isn’t really explained in the first place, so it’s hard to get very attached to this story line.

  • I guess there’s a carnival going on outside the show jumping contest? Is that a thing? Anyway, there’s like carnival music and rides in the background as Charles drives away and meets Diana again, where she expresses sympathy on the death of Lord Mountbatten and compliments him on his handling of the reading at the funeral. He’s fully able to see her face this time, and she’s sporting a young-looking yellow overalls outfit that is very close to one of her real life outfits.
    It does seem to highlight both the carnival atmosphere and her youth, which is highlighted in the next scene when Charles calls Sarah Spencer to interrogate her about her sister. It appears that Charles, wearing a bowtie and suit, is calling Sarah from a party, and it’s clearly implied by the noise around her that Sarah is also at a party when she answers.

    • In real life, after Charles and Sarah stopped seeing each other, he didn’t see Diana again until 1980, when they were both at the same house party. They apparently did talk about Mountbatten’s death and Charles’ role at the funeral, but according to Diana, she was a lot less tactful in real life (quote taken from a tape used in the documentary Diana: In her Own Words). "We were talking about Mountbatten and his girlfriend and I said, ‘You must be so lonely.’ I said, ‘It’s pathetic watching you walking up the aisle with Mountbatten’s coffin in front, ghastly, you need someone beside you.’ Whereupon he leapt upon me and started kissing me and I thought, urgh, this is not what people do. And he was all over me for the rest of the evening, following me around like a puppy.”

Emma Corrin as Diana, later Princess of Wales, in The Crown vs. real life Diana, Princess of Wales.

Emma Corrin as Diana, later Princess of Wales, in The Crown vs. real life Diana, Princess of Wales (Credit: Anwar Hussein / Getty).

Diana, Princess of Wales sporting two sweater and skirt combinations similar to that seen in the show.

Diana, Princess of Wales sporting two sweater and skirt combinations similar to that seen in the show.
Left: Credit Eugene Aderbari / Shutterstock
Right: Credit Tim Graham / Getty

Enough time has passed since Charles and Sarah dated that she is now engaged and has invited him to her wedding, which he politely declines at the beginning of his phone call. This totally supports my “S4E1 starts in 1977 and then jumps to 1979” theory, lol (but not really, because people can get engaged much quicker than that, obviously).

Emma Corrin as Diana, later Princess of Wales, in The Crown vs. real life Diana, Princess of Wales.

Emma Corrin as Diana, later Princess of Wales, in The Crown vs. real life Diana, Princess of Wales.
Middle: Credit Tom Wargacki / Getty
Right: Credit Anwar Hussein / Getty

  • Sidenote: Apparently Sarah’s relationship with Charles did NOT end well, as she talked with reporters and reportedly said that she would not marry Charles “if he were the dustman or the King of England.” Supposedly, she showed Charles the article in which this quote appeared and he got rather angry, saying “You’ve just done something incredibly stupid.” She later took credit for introducing her sister to Charles though, and served as one of her ladies-in-waiting.

  • In the show Sarah tells Charles that the family calls Diana Duch “because ever since childhood she’s behaved as if she were destined for greater things.” This is true, and apparently even in adulthood, she used the name, and signed at least one family Christmas card as Duch instead of Diana.

  • I couldn’t find a screenshot of Diana’s sweater and skirt outfit that appears on screen when Sarah is describing her to Charles, but it looked pretty similar to several sweater and skirt outfits Diana wore in real life.

  • The dress Diana is wearing when Charles pulls up for their date is very very similar to two she wore in real life.

  • It’s funny, Emma Corrin doesn’t really LOOK that much like Princess Diana, but somehow feels very much like Diana. Is it the youth? The smile? The way she holds herself? Hard to tell. But it just feels like very good casting.

Disney Crowns and Tiaras: Historical and Modern Inspirations (Part II)

Related Blog Posts:

I decided a while back that I wanted to compare the crowns and tiaras in Disney films to real life crowns and tiaras, posted up one blog post about it in April, and then…nothing for a long time because pandemic depression.

So uh, here is part 2 finally. I’m not saying that these original crowns/tiaras WERE inspirations for those in the films (some actually post date the crowns/tiaras in the films), but am just looking for similarities.

Today, I’m going to look at crowns and tiaras in Cinderella, Little Mermaid, The Princess and the Frog, and The Sword in the Stone!

  • The king’s crown (Cinderella, 1950); a modern replica of the Crown of Rus (Ukraine); the Frankfurtian crown of Charles VII

  • Cinderella at her wedding (1950); Grace Kelly at her wedding to Monaco’s Prince Rainier in 1956; Audrey Hepburn in her wedding dress for cancelled wedding with James Hanson in 1952 (Credit: Bettmann / Getty)

The King’s Crown: Although the king doesn’t wear a crown in either the cartoon or live action versions, in the animated version, he does throw his crown out of the window. I managed to get a screenshot of it. It’s notably trimmed in ermine, a fur associated with European royal crowns and robes, but is otherwise pretty unusual, as it features very tall golden spikes, appears to be open to the sky, and is otherwise pretty unadorned (are those rubies around the edge maybe?).

As I mentioned in my first post about Disney crowns, most actual crowns (which remember, are used for coronations and formal ceremonies, as opposed to the the more decorative function of tiaras) these days are closed. Open crowns were much more of a thing in medieval times. If you ignore the padding on the inside, the appearance of the crown bears some similarities to Ukraine’s Crown of Rus, as both feature gold sides ascending into spikes of varying heights. The only gold spiky open crown I could find was the smaller of the imperial coronation crowns of Charles VII (Holy Roman Empire, made in Frankfurter in 1742). The Frankfurter crown is also relatively unadorned with jewels.

Cinderella’s wedding cap: Cinderella (Cartoon) doesn’t wear a tiara in the animated version, but she does have this odd headband/cap thing on her head, which honestly looks more like the juliet caps of the 1950s, as seen on Grace Kelly, more than any sort of tiara. This makes sense, as Disney is known for using a lot of modern clothing elements (modern meaning the years in which the film was developed and released), so the use of a 50s style wedding headdress and dress silhouette is totally on brand for them.

  • Cinderella’s wedding outfit (2015); Cinderella with her prince (2015); Queen Letizia’s floral tiara (created 1879, Queen Letizia of Spain); Empress Farah Pahlavi’s floral tiara (Credit: Historical Collection / Alamy); (unknown date of creation, but worn in the 1970s, Empress of Iran)

Cinderella (Live action) - The gold, brightly colored floral tiara that Cinderella wears in the live action version has a few real life counterparts. It reminds me a bit of maybe queen Letizia floral tiara or Empress Farah Pahlavi’s floral tiara.

  • King Triton (The Little Mermaid, 1989), Detail from Dispute between Minerva and Neptune over the Naming of the City of Athens by René-Antoine Houasse, c. 1689-1706

  • Ariel at her wedding (1989), the Braganza Tiara - 1829, Queen Rania’s diamond tiara (Credit: Tim Graham Picture Library / Getty); (Rania of Jordan, unclear where or when tiara was made) ,

  • Ariel and her daughter Melody (The Little Mermaid II: Return to the Sea, 2000), Princess Astrid of Norway wearing the Norwegian Gold Bandeau (possibly inherited from Princess Ingeborg of Sweden); Queen Sonja of Norway wearing the Norwegian Emerald Parure (Credit: Pascal Le Segretain / Getty); (possibly dating back to the 1820s-1830s)

  • Melody (2000); Madeleine, Princess of Sweden, wearing her Aquamarine bandeau

King Triton’s crown doesn’t look like any crown I’ve ever seen, but I believe it’s supposed to be different because he’s an underwater king. It looks like it’s supposed to emulate coral, not metal, and seems to echo the spikes of Triton’s trident, rather than any crown. I checked to see if his crown looks anything like traditional depictions of Poseidon. I only found one depiction of Poseidon/Neptune that looked anything like this. For the most part, statuary and paintings of Poseidon’s crown do /not/ look like Triton’s crown, but I did find one painting that has a crown with some similarities - Dispute between Minerva and Neptune over the Naming of the City of Athens by René-Antoine Houasse. The painting’s crown appears to go all the way around Poseidon’s head though, while Disney Trident’s crown appears to sit on the front of his head only. Note: Triton sports the same long hair and beard that Poseidon usually sports (although Triton’s is more extreme). Fun fact: Triton in Greek mythology is the son of Poseidon and is usually represented as a merman (and looks nothing like the disney character).

Ariel’s wedding tiara greatly resembles Aurora’s tiara from Sleeping Beauty, which I talked about previously. As I said then, “I couldn’t find any plain gold tiaras in this shape, but I did find a few modern silver and diamond that resemble it, such as the Braganza Tiara and Queen Rania’s Diamond Tiara. “

Ariel sporting an emerald tiara and jewelry set in Little Mermaid 2 - This tiara reminds me a lot of the Norwegian gold bandeau, which is primarily gold and studded with white, green, and red stones. I really haven’t seen many tiaras with white stones in them at all, much less matched with green, so I was pretty excited to see such a close match to Ariel’s crown. Also, with her matching crown, earrings, and necklace, Ariel is actually wearing a parure, which is a jewelry set all intended to be worn together. I’ve included a picture of the Norwegian Emerald Parure to demonstrate what a full emerald jewelry set looks like in real life.

Princess Melody’s tiny tiara most resembles Princess Madeleine of Sweden’s aquamarine bandeau. This tiara, which some have dubbed “the cyclops” has a very simple design, and was assumed to be modern for a long time, but actually goes back several generations, possibly to the art deco period.

  • Tiana (The Princess and The Frog, 2009), Sophie, Countess of Wessex, wearing her Wedding Tiara (1999) (Credit: Pascal Le Segretain / Getty); a painting of Queen Victoria wearing Queen Adelaide’s fringe tiara (England, 1831)

  • Lottie (2009); Princess Madeleine of Sweden wearing her aquamarine bandeau (made for her in 2000 for her 18th birthday), Princess Astrid of Belgium wearing the Savoy Aosta Tiara (~1920s France) (Credit: Pascal Le Segretain / Getty)

Tiana’s wedding tiara has an unusual design that reminds me more of lilly pads than most crowns, but it does have some resemblance to the wedding tiara of Sophie, Countess of Wessex, and a depiction of Queen Victoria wearing Queen Adelaide’s fringe tiara (the fringe tiara looks a little different today, more narrow and with the diamond fringe cutting closer to the head - I’m not sure if that’s because of the painter’s interpretation of the tiara or if the tiara has been reset over time into a different shape).

Charlotte “Lottie” wears a very simple looking tiara that reminds me a bit of the Savoy-Aosta tiara in shape, but also definitely reminds me of Princess Madeleine’s aquamarine bandeau, which I included in the previous section on Princess Melody’s tiara in Little Mermaid 2.

Arthur (The Sword in the Stone, 1963), the Imperial Crown of Brazil (made in Rio de Janeiro in 1841), or Napoleon iii’s crown (made in 1855 in Paris and sold in 1885 by the Third Republic, this photo is a reproduction), Crown of queen Elisabeta of Romania (made in 1881)

Arthur’s crown in The Sword in the Stone is surprisingly modern for a film set in medieval England, as medieval kings tended to have crowns open to the sky rather than this covered crown with big imperial semi-arches Arthur is wearing here. See: the tapestry from c. 1385 depicting what King Arthur’s crown actually would have looked like (if he even existed). I think they chose this crown design more to emphasize how young and small Arthur is rather than to depict anything resembling historically accurate. Sidenote: a crown like this is very heavy and would DEFINITELY only be worn for ceremonial occasions and only a brief amount of time.

The crown reminds me greatly of the Imperial Crown of Brazil, Napoleon III’s crown, or Queen Elizabeta of Romania’s crown. You can see the resemblance in the shape, colors, and the lines of jewels along the base of the crown. All three of these crowns date to the 1800s. The legend of King Arthur goes back to the 500s or so, and the Sword in the Stone film is set in 1200s-1300s ish.

Over-Analyzing Six the Musical: Haus of Holbein

Hans Holbein’s self-portrait, c. 1542-1543.

Hans Holbein’s self-portrait, c. 1542-1543.

All My Six Posts!
Over-Analyzing All the Historical References in Six- “Ex Wives,” “No Way,” “Don’t Lose Your Head“Heart of Stone” “Haus of Holbein” “Get Down
The Tudor Crown Inspiration in Six’s Logo; The Tudor Fashion Elements of the Costumes in Six (with Painting References)
Six the Musical Wives 1-3: Historical and Modern Costume Inspirations; Six the Musical Wives 4-6: Historical and Modern Costume Inspirations
The Ladies in Waiting of Six: Historical Inspirations and Costumes; Details from Six Costumer Gabriella Slade’s Instagram Takeover
The Early Costumes of Six the Musical: From Edinburgh to Cambridge to London
Updated Six the Musical Costumes for Broadway!; The Shoes of Six the Musical
The Alternate Costumes of Six the Musical; How the Six Alternates Change Their Styling for Each Queen
Virtual Dance Workshops and Q&As with Different Six Cast Members!

I’ve been meaning for a while now to write out analyses of all the songs in Six, looking at all the historical and pop culture references in them, but i’ve had a lot of trouble finding the focus and motivation to do so during all this self isolation. I started this series in like….April? But here we finally are. Hope you enjoy it. I plan on putting up one for each song eventually, but I’m working on other blog projects as well, so it may take a while.

Today, we’re looking at arguably the strangest song in the musical - Haus of Holbein.

Dialogue and lyrics in the show are in bolded font and my commentary is in italics. :) A lot of times, it’s really not relevant who said what line of dialogue, but I’ve inserted the queen’s name if it is.

Copy of a lost painting by Holbein showing Henry VII, Elizabeth of York (Henry VIII’s parents), Henry VIII, and Jane Seymour)

Copy of a lost painting by Holbein showing Henry VII, Elizabeth of York (Henry VIII’s parents), Henry VIII, and Jane Seymour)

Cleves: Now, seeing as Henry was running out of women to marry in England, he had to look a little further afield. He had to adjust his location settings, if you will.

This lead-in is obviously a joking reference to the number of Henry VIII’s wives, but it actually really wasn’t standard practice for English princes/kings to marry English women. It was more common for royals to marry off their sons to princesses or noblewomen from abroad to secure alliances. Before Henry VIII changed things up, the only previous English female royal consorts were Elizabeth Woodville (wife of Edward IV. Their marriage and the favors shown to her family ended up being incredibly divisive and basically re-started the Wars of the Roses), Anne Neville (whose husband Richard III was never expected to become king), and Elizabeth of York (whose marriage to Henry VII, Henry VIII’s father, was entirely strategic to end the English civil wars known as the Wars of the Roses). Over his life, Henry VIII would marry two foreign noblewomen in the traditional manner (Catherine of Aragon and Anna of Cleves) and four Englishwomen (Anne Boleyn, Jane Seymour, Katherine Howard, and Kateryn Parr).

Double portrait of Jean de Dinteville and Georges de Selves (“The Ambassadors,” 1533), by Hans Holbein the Younger

Double portrait of Jean de Dinteville and Georges de Selves (“The Ambassadors,” 1533), by Hans Holbein the Younger

“Location settings” refers to the dating app Tinder, which will pop up again later in this song as well.

To find his next queen, we’re heading to Germany. Where he enlisted the help of the legendary painter, Hans Holbein. Welcome to the house…To the Haus of Holbein, ja!

Ja-yes in German.

This song is a tribute to and pun on German electronic music, as it’s literally written in the form of house music (house/haus - get it? Haus in German LITERALLY means house.). House music is a genre of electronic music which is easily recognizable by a repetitive, insistent beat and a fast tempo. German electronic music in particular has been really influential on the entire genre of house, as it was an active underground subculture before the fall of the Berlin Wall that simply exploded after Germany was reunified. I really can’t say much more about house music or German electronic music, as it’s completely not my area of expertise and I’m terrified of saying something wrong and having music fans come after me, but the association of Germany with electronic music is well known enough that the moment I heard this song, I just started laughing. I personally think it’s the most on point musical pun in the entire show.

Portrait of Thomas More (1527), by Hans Holbein the Younger

Portrait of Thomas More (1527), by Hans Holbein the Younger

Hans Holbein the younger was a German painter who’s now one of the most famous Renaissance painters who worked in England, rather than Italy (like all those guys named after Teenage Mutant Ninja Turtles). He first started his work in England as an acquaintance of Thomas More, and later came back under the patronage of Anne Boleyn and Thomas Cromwell.  He became King’s Painter to Henry VIII by 1535, but funnily enough, he was actually the junior painter at the time; he was never the highest-paid artist on the royal payroll.

Today, his portraits of various English figures are by far the most famous and well-known from Henry VIII’s time. I’ve included lots of his paintings throughout this post.

Additional references from the phrase “Haus of Holbein”: In renaissance times, it was really common to refer to a noble family as a house. Think, House of Lancaster, House of York, House of Hapsburg, etc. This is a fun reference to this and appropriates the word to refer to Holbein, who wasn’t noble and was from a common family.
It’s pretty common to say that an unknown artist who’s clearly painting in the style of a specific artist and was possibly taught by them is from that artist’s workshop, or is a follower of them. You’ll see attributions along the lines of “after Holbein,” “Holbein’s workshop,” or “follower of Holbein.” Although I haven’t seen “house of” used in this specific way, the entire “house of holbein” concept may possibly refer to this.

copy of a lost painting of Thomas More’s family (1592), by Hans Holbein t

copy of a lost painting of Thomas More’s family (1592), by Hans Holbein t

Hans Holbein goes around the world Painting all of the beautiful girls.
From Spain, To France, And Germany.
The king chooses one, But which one will it be?

We know for a fact that Hans Holbein painted Anna of Cleves and her sister Amalia (both in Germany), Louise of Guise, and Anna of Lorraine (both in France), and Christina of Denmark. I couldn’t actually find any portraits of anyone from Spain, but if anyone knows of any, please let me know!

Germany was at the time divided into various states and duchies. English speakers began to refer to the region as Germany in about 1520 and the group of languages as “Germanic.” The name was derived from the Roman term “Germania,” which simply described fertile lands beyond a specific Roman border known as the Limes; Romans also referred to the tribes there as “Germani,” but the tribes themselves did not use the term. Germans refer to themselves as “Deutsche” (which roughly translates to “people” or “nation”) and their country as “Deutschland.” Germany wouldn’t actually exist as a unified country until 1871. (Fun fact: before English speakers referred to the land and people as Germany and Germans, they referred to the area as Almany and Almains, which derives from old French. These terms were obsolete by the 19th century).

You bring the corsets. We’ll bring the cinches. No one wants a waist over Nine inches.

So the undergarments they’re referring to here weren’t actually known as corsets at the time, but stays. This line is obviously used for humor and overexaggeration, but it also illustrates a common modern belief that women in the past were just smaller due to . This isn’t true. There were plenty of “plus size” women in the past.

Also tight-lacing wasn’t a thing then. As this article from Collectors Weekly notes, “Even though so-called “tight-lacing” was popular during the late 1800s, women rarely reduced their waists more than 1-2 inches. Generally, a corset with a 20-inch waist would be worn with a gap in the back, so the woman’s corseted waist measured between 22 and 26 inches. Where did these tales of ladies of the court and their obscenely tiny 13-inch waists come from? Fetish fantasy literature of the era.” If you’d like to learn more about historical corsets and the myths that popular media have spread about them, please watch all the YouTube videos of Karolina Żebrowska and Bernadette Banner (historical fashion YouTube is SO WONDERFUL, Y’ALL).

The term cinches refers to the fact that a corset literally “cinches” in your waist.

A close up of a portrait of Elizabeth I, unknown artist, c. 1575. Elizabeth I was known for wearing white makeup containing lead to cover her smallpox scars.

A close up of a portrait of Elizabeth I, unknown artist, c. 1575. Elizabeth I was known for wearing white makeup containing lead to cover her smallpox scars.

So what, The makeup contains lead poison? At least your complexion will bring all the boys in.

Yes, Renaissance makeup actually did contain lead. As the National Geographic noted in one article, “Women in the Roman Empire used lead makeup to whiten their faces, and in the 16th century, English nobles did pretty much the same thing. One of the most famous figures to use lead makeup was Queen Elizabeth I, who used it to cover her smallpox scars. This mixture of lead and vinegar that Elizabeth used was known as Venetian ceruse, or the spirits of Saturn. While it may have smoothed a woman’s complexion day-to-day, over time it caused skin discoloring, hair loss, and rotted teeth.”

Ignore the fear and you’ll be fine, We’ll turn this vier into a nine.
So just say “ja” and don’t say “nein”... ‘Cause now you’re in the house,
In the Haus of Holbein, ja! Ooh ja! Das ist gut, ooh ja! Ja! The Haus of Holbein.

Vier in german means four. Ja – yes; nein – No.

Anna of Cleves, by Hans Holbein the Younger, c. 1539

Anna of Cleves, by Hans Holbein the Younger, c. 1539

We must make sure the princesses look great
When their time comes for their Holbein portrait!

Anna and Amalia of Cleves weren’t actually princesses, they were the daughters of a duke, so they were duchesses. (Sidenote, go read my friend Heather Darsie’s book “Anna, Duchess of Cleves: The King’s ‘Beloved Sister’”). They are often referred to as princesses but that’s not quite accurate. They were the daughters of the ruler of the Duchy of Cleves, which was a state of the Holy Roman Empire. The HRE was a decentralized, limited elective monarchy, and the emperor really didn’t have a lot of power, so the Duke was effectively the highest authority in Cleves. I understand why people think the daughters of the highest authority in a land are princesses, but…no.

Christina of Denmark, whose portrait Holbein also painted, was a Danish princess, the youngest surviving daughter of King Christian II of Denmark and Norway and Isabella of Austria.

We know what all the best inventions are
To hold everything out.
Ja, it’s wunderbar!

This is a terrible pun on the Wonderbra. Wunderbar in german literally means wonderful.

For blonder hair, then you just add a magical ingredient from your bladder.

Urine was really used to bleach hair blonde back in ancient times, but I couldn’t find reliable evidence of it being used in the renaissance. It’s possible that it was? I found SO MANY random blog posts on this and other methods that renaissance women used to bleach their hair, but couldn’t find a reliable historical periodical or a primary source reporting on it. Other reported methods of bleaching the hair in Renaissance Italy were use of natural ingredients such as alum, oak apples, walnut shells and bark, sulfur, and lemons, and exposure to the sun.

Try these heels, so high it’s naughty. But we cannot guarantee that you’ll still walk at forty.

High heels weren’t really a thing under Henry VIII. You got a bit of a low heel under Elizabeth I, but you didn’t really get stratospherically high heels in England until the late 1600s under the Stuarts. And then, it started first as a men’s fashion.

Ignore the fear and you’ll be fine, We’ll turn this vier into a nine.
So just say “ja” and don’t say “nein”... ‘Cause now you’re in the house…
In the Haus of Holbein, ja! Ooh ja! Das ist gut, ooh ja! Ja! The Haus of Holbein.

Christina of Denmark, by Hans Holbein the Younger

Christina of Denmark, by Hans Holbein the Younger

The time has come for you to select your bride, your highness! May we present Christina of Denmark? One of the queens goes up on stage to represent Christina. She’s in front of three boxes, and stands in the middle one. Looking for mates, dates, and a British monarch whom to secure the line of succession, winky-face. “Christina” steps over to the right box, where the box lights up red and a sound effect of a thumbs down is played.

Nein? Well, never mind, she already made a match with the Duke of Milan. Okay, next! “Christina” steps down.

This entire segment is based on Tinder, which I’ve never personally used (met my future husband before it became popular), but apparently you swipe one way on a person’s profile if you’re interested and swipe another way if you’re not interested. If you both swipe that you’re “interested,” you get a match and can start talking. It’s interesting that they use this here in the show, but of course the women don’t get to swipe either way, because they really didn’t have any choice in the matter.

Christina of Denmark WAS one of the women painted by Hans Holbein, but apparently she didn’t really want to marry him. She supposedly joked that she would marry Henry VIII if she had two heads. It was said that her aunt, Dowager Queen Mary of Hungary, the Governor of the Low Countries, who served as Christina’s guardian, was also very much unenthused by the match.

She really did go on to marry the Duke of Milan, then after his death, the Duke of Lorraine. She served as regent of Lorraine during her son’s minority until the king of France captured him and took him to be brought up at the French court. She went into exile and later briefly attempted to claim the throne of Denmark.

An unidentified woman, previously identified as Amalia of Cleves, by Hans Holbein the Younger, c. 1539

An unidentified woman, previously identified as Amalia of Cleves, by Hans Holbein the Younger, c. 1539

Your highness, may we present Amalia of Cleves? Another queen steps up to represent Amalia of Cleves. It is the same setup. Just a German girl trying to live the English dream. Hashtag no Catholics, hashtag big dowry. “Amalia” steps over to the right box, where the box lights up red and a sound effect of a thumbs down is played yet again.

Amalia was two years younger than Anna and remained in Cleves for her entire life, never marrying or having children. So the religion of the ruling family of Cleves is commonly misunderstood. They’re commonly described as Protestant (which is referred to several times in Six) but the truth is a bit more complicated than that.

Anna and Amalia’s mother Maria von Berg was a very devout Catholic woman; their father Johann III von Jülich-Kleve-Berg (sometimes known as John III the Peaceful) was tolerant of religious differences and created church regulations with the help of Catholic humanist Erasmus. So it’s likely that the sisters both grew up Catholic. Their eldest sister Sybille was married off to John Frederick of Saxony, who went on to lead the Protestant Schmalkaldic League. Their brother Wilhelm’s religion is a little amorphous, as his four daughters received a Lutheran education, but his two sons received a Catholic education.

Anna received a Catholic funeral in England , as she had requested in her will, and was likely Catholic herself. In contrast, Amalia was so fiercely dedicated to Lutheranism that she apparently annoyed her brother enough to have her go after her with a sword at one point (a servant stopped him, never fear). She refused to go to the Catholic funeral ceremony of WIlhelm’s wife, her sister-in-law. Wilhelm got his revenge eventually by having her interred at a Catholic church in Düsseldorf.

The “Big Dowry” reference is a little odd, as Anna of Cleves actually did not have a dowry, so presumably her sister Amalia wouldn’t have had one either.

Can we DISCUSS how gorgeous Amalia’s eyes and eyebrows are in this painting? As a brown-eyed girl myself, I deeply appreciate this.

Nein?  Okay! Who’s next? “Amalia” steps down. The queens discuss amongst themselves quickly. Then Anna of Cleves steps up. Anna! Fantastic! Wunderbar! Your highness, your highness, your highness! We are honoured to present to you Anna of Cleves! The most beautiful woman in all of the Holy Roman Empire! And let me assure you, Herr Holbein has certainly done her justice. This time, the box to the left of Anna lights up green and a thumbs up sound effect is played.

Ah, the good! And may I say you will definitely not be disappointed? Oh, no need to thank us, the pleasure has been ours—In the Haus of Holbein! The Haus of Holbein.

I’ve talked about the “Anne of Cleves didn’t look like her portrait” story before and will talk about it more in depth in the blog post on “Get Down,” but in brief, 1. Holbein was specifically instructed not to flatter the women he was painted, but only to paint what he actually saw, and 2. Holbein kept his job and worked for Henry for years after his marriage to Anna was annulled. So that indicates that the portrait actually really was a good likeness of her. We’ll get into that more later though. :)

Cosplaying as Elizabeth Woodville for TudorCon!

I put together this Elizabeth Woodville cosplay for my TudorCon talk, which is all about the effects of the wars of the roses on Tudor policy. I've actually never put together a historical costume before and this is the most work I've ever put into any costume (my costumes tend to be put together by combining various purchased pieces; I usually don’t actually make any of the pieces!).

It's been thrown together with less than expert skill and frankly would only work for zoom, as lots of things are pinned into place. It all looks a lot worse from the back, but decent from the front, yes?

The base dress is a black Tudor style dress from ArtemisiaDesignsCo on Etsy which is also serving as my Anne Boleyn costume base (for Sunday, when I'm reading questions for Tudor trivia - I’ll post pictures of that later!). I hot glued some pearl beading around the square collar but otherwise haven't altered it; I just unzipped it a little and pulled it down my shoulders to get the Elizabeth Woodville dress collar look. The collar fabric is just pinned into place so I can easily take it off and make it Tudor style again.

I got the yellow fabric free from a friend. I pretty much freehanded the shape, hemmed it, and used black fabric markers to imitate the pattern. The hennin was made from a basket + sewed on and hot glued cloth + fabric markers. The only way I've figured out how to keep it on my head is to first put on a Disney tiara, then position it on top of that.

The veil was actually a prop from a virtual production of Twelfth Night I was in a few months back (it's two tiered but I just turned it around and pinned it into place). I got a piece of thin white fabric that matched the portrait a bit more closely, but it ended up being too opaque to see any of the details on the hennin.

The longer necklace is from Treasuresforaqueen on Etsy. The shorter floral necklace is a pendant I commissioned from Aliciasoddities (she specializes in gorgeous metal flower pendants) hanging on a chain I already owned, which I've looped around and pulled tight (it's normally not a choker). #tudorcosplay #historicalcosplay

Tudor Watch Party 1: The Other Boleyn Girl

I’ve started doing an online Tudor Watch Party! I plan to do these once a month or so and host a virtual discussion for about a week.

Here’s everything I wrote about the first selection for it, The Other Boleyn Girl.

other boleyn girl tudor watch party.png

This 2008 film starring Natalie Portman and Scarlet Johansson brought Philippa Gregory's novel to the big screen and was part of a revival of interest in Tudor stories at the time (as also indicated by the TV show The Tudors, which ran from 2007-2010).The Other Boleyn Girl tells the familiar story of Anne Boleyn and Henry VIII's "Great Matter" through the eyes of her sister Mary Boleyn, spinning historical rumor about Mary and Henry into a scandalous, sexy story.

The #1 New York Times bestselling novel the film is based on was the first book Philippa Gregory wrote about the Tudors/Plantagenets. Gregory has now written 15 of them, which have been turned into at least four separate TV series (a TV version of The Other Boleyn Girl, The White Queen [which actually combined three of her novels]), The White Princess, and The Spanish Princess [based off of The Constant Princess]).

Warning: A lot of this film is based on historical rumor instead of fact and a ton of it is fictionalized. But that should give us a ton to talk about!

The Other Boleyn Girl is up on Amazon Prime to rent for $2.99. I'll try to pick selections that are free to stream every other week so this doesn't get too expensive for anyone, promise!

Various notes from my watch of The Other Boleyn Girl:

  • So it’s actually been YEARS since I’ve watched this film. I would guess probably at least 6. I know much much more about Tudor history and Anne Boleyn in particular than I did upon watching it for the first time. This film and the book it is based upon is /not/ meant to be a historical documentary, so I won’t go into every little thing they get wrong, but I’ll try to talk through the big things I notice as I watch through.

  • The film portrays Anne as the eldest child, but historically, it’s a bit more iffy. We don’t even know the exact year Anne was born, and she was by far more well known than her sister. Most historians seem to believe that Mary was the eldest child, as she was indeed married first, and her descendants later acted as if she was the eldest by claiming their titles based on that ranking. In addition, when Anne was created a Marchioness in 1532, she was referred to as one of the daughters of Thomas Boleyn; if she was the eldest, that probably would have been explicitly stated.

  • The film portrays Anne as being present at Mary’s wedding to William Carey and being sent off to France as a punishment later, for her relationship with Henry Percy, and then only for a few months. In reality, Anne was sent to Europe at a much younger age, such treatment was an honor and not a punishment, and she wasn’t even in the country at the time of Mary’s wedding in 1520. Anne was actually sent off to Europe in 1513, where she served in the court of Margaret of Austria in the Netherlands. She was transferred to France in 1514 to attend Henry VIII’s sister Mary, who married Louis XII. Louis died only a few months into his new marriage, and then Anne moved to serve Queen Claude. She stayed in France until 1522.

  • Costuming Note: Anne is very often shown in shades of green, as a nod to the historical myth that Henry VIII wrote Greensleeves for her. This isn’t accurate at all, as we know that Greensleeves was based off of a romanesca, an Italian style of musical composition that did not reach England until after Henry VIII's death.
    From what I can tell as someone who’s researched Tudor fashion a lot at this point but is admittedly still an amateur on the subject, the film is pretty accurate at least in the shapes and styles shown. Its characters are generally shown wearing some sort of head covering (as opposed to “The White Queen,” where no one ever wears a hat) and those head coverings look pretty realistic, as opposed to the much more fanciful headwear sometimes sported by Anne Boleyn in the TV show “The Tudors.”

  • Possible Costuming Quibble: Men are shown sporting very heavy, wide coats that make them look rather boxy. Henry VIII IS known for making this fashionable, but I was under the impression that this fashion developed later in his reign, when he had put on weight and was no longer the trim young handsome man. Don’t get me wrong, there were still a lot of layers and bulk, but I didn’t think men’s fashion had gotten /quite/ this wide yet.

  • Costuming Note: It’s accurate that some women would be wearing the gable hood (as seen in Queen Katherine’s court) and some would be wearing a French hood (as seen worn by Mary and Anne). The French hood was likely brought to the Tudor court by Mary Tudor around 1516 ish, but the gable hood remained pretty popular until the 1530s or so. The French hood did become very strongly associated with Anne Boleyn, but she by no mean originated the fashion in England.

  • We don’t really know how much Thomas Boleyn (Anne and Mary’s father) and Thomas Howard (their uncle) were involved in pushing Mary into the king’s arms, and later, Anne. This is a very commonly portrayed dynamic, but no one really knows. The film portrays her father and uncle asking Mary very bluntly about her sex life with the King (and in front of her husband, mother, and brother too), which like, ick and ick forever, but again, we really don’t know

  • Mary Boleyn also went to France in 1514 to serve Princess Mary as she married Louis XII of france. She stayed on in France and served Queen Claude along with her sister until 1519. She began serving Catherine of Aragon then, even before her marriage.
    Although her affairs were likely exaggerated, the French king did refer to her as a very great whore and the English Mare, so Mary may have been involved with the king himself. We do know that she slept with Henry VIII though, as it was based on this relationship that Henry’s marriage to Anne was later annulled. When Henry was trying to get the pope to annul his marriage to Catherine, he also requested dispensation to marry Anne, the sister of his former mistress. In any case, the choice to portray Mary as super shy is an interesting one.

  • It was rumored at the time that at least one of Mary’s children was the King’s, but there’s no evidence supporting this. Henry did not acknowledge them as his, as he did Henry Fitzroy, but then, Mary DID have a husband (while Henry Fitzroy’s mother, Elizabeth Blount, did not).

  • It’s shown in the film that Mary found out about Anne’s marriage to Henry Percy, told her father and uncle about it, then they put a stop to it. Historically, Anne was only betrothed to Henry Percy, but this betrothal was broken off when Percy’s father refused to allow it. There’s no evidence that they actually had sex (as happened in this film). Cardinal Wolsey, who was basically running England for Henry VIII at this point, helped put a stop to the match as well, which likely earned him Anne’s enmity for the rest of her life.

  • Other Tudor Pop Culture Note: Interestingly enough, this film doesn’t portray Cardinal Wolsey at all. He's mentioned like, once, as a courtier says Wolsey will draw up plans to send Catherine of Aragon to a nunnery, but we never see him. That’s really weird, given how much of a role Wolsey played in Anne Boleyn’s life. He generally shows up in any pop culture set during Henry VIII’s early reign, including The Tudors and Shakespeare’s Henry VIII.

    Lady Elizabeth Boleyn does appear in this film and plays a pretty big role. I’m pretty sure she never shows up in the Tudors, or if she does, it’s very tiny, as I’ve watched that TV show several times now and don’t remember her at all.

  • Back to History: The film portrays Thomas Boleyn being made an earl because of Mary’s becoming pregnant with her first child, but in reality, he wasn’t elevated to the peerage until 1525, when Henry VIII was pursuing Anne, and at the time, he was only made a Viscount. He was made an Earl in 1529 and George Boleyn was only then given the title of viscount. Mary’s first child, Catherine, was born in 1524. Her second child Henry was born in 1526.

  • The marriage of George Boleyn and Jane Parker is very commonly portrayed as an unhappy one, but there’s really no contemporary evidence supporting that. She was believed for a long time to have had a role in the downfall of her husband and Anne Boleyn, but again, there’s no indication that it was actually the case.

Natalie Portman and Eric Bana in The Other Boleyn Girl

  • In the film, the plotting Thomases say that the king will no longer bed Mary now that she’s lying in, so they need Anne to come in to get his attention. First, they generally called the time before the baby was born confinement, rather than lying in. Second, many people in Tudor times believed that any sex during pregnancy could be dangerous for the baby, so in reality, Henry probably stopped “bedding” any of his wives or mistresses the moment they knew they were pregnant. The film also mentions that Henry visits Mary during her lying in, and shows George visiting her as well. During a queen's pregnancy, anyway, no men would be allowed into her rooms during the confinement. I'm not sure if the same rules would be applied to a royal mistress. The rooms were very dark though, as George observes in the film, as it was practice to draw all the curtains and block out the sun during a queen's confinement (I actually have no idea if this was the practice for other, non-queen noble women as well).

  • Anne talks about “the queen” she served in Europe providing her ladies a broad education and introducing her to scholars and philosophers. Henry refers to them as Lutherans and heretics. The plotting thomases refer to the queen as “the dowager queen.”

  • It seems that they’re conflating the French court of Queen Claude (a very catholic woman who was NOT a widow at the time and thus wouldn’t have been called a dowager) with the court of Margaret of Austria, in the Netherlands (remember, Anne Boleyn served them both). Claude was pregnant almost her entire marriage and had a strict moral code for everyone in her household.

  • Margaret, a widow, served as governor of the Habsburg Netherlands from 1507-1530. She had a famously large library, was patron to numerous artists and musicians and also had several humanists visit her court. Erasmus was a humanist and a progressive who believed the Roman Catholic church needed to be reformed, but he was also definitely a traditional Catholic who believed in transubstantiation, and disagreed quite openly with Martin Luther and other big name Protestants. She also was a patron of Heinrich Cornelius Agrippa, who was a theologian with some controversial ideas and interest in the occult, but also …was definitively Catholic, albeit one who criticized abuses of the catholic church and sympathized with Martin Luther. I really can’t pin down what the script is referencing here.

  • With more research…maybe they’re referring to Marguerite de Navarre? It’s possible that Anne served Marguerite rather than Claude, as their courts may have overlapped, but it’s not fully known. We do have a letter from Anne (post being made queen) where she said some very nice, affectionate things about Marguerite, so it’s possible. Marguerite was a princess of France and Queen of Navarre (whose husband in 1525, so...conceivably she could be referred to as a dowager queen). Marguerite was also a huge patron of the arts and DID indeed serve as a mediator between Roman Catholics and Protestants. She advocated for reforming the church but was not actually a reformer herself.

  • So okay, I think the film is referring to Marguerite de Navarre, just…in a very weird round about way, as I don’t think they ever refer to Navarre rather than France. Navarre is not in France, but is in Spain, although it is on the border, so if they're trying to refer to Marguerite, they're not doing it very accurately or clearly.

  • I am actually really enjoying how many British actors who later became known for other things show up in here. Benedict Cumberbatch plays Mary’s husband William Carey, who appears for maybe half an hour and then disappears. Eddie Redmayne plays Mary’s second husband, William Stafford, and pops in every once in a while. Alfie Allen (Theon in Game of Thrones) shows up just as a messenger trying to deliver a gift to Anne from the queen.

  • Wow, Anne really is a bitch to her sister in this film. The bit where she actually secures Henry’s promise to never bed his wife again and never speak to Mary again in exchange for her someday maybe being his lover, RIGHT after Mary has given birth, so Henry literally walks away from Mary and his son with her without talking to her at all? GOOD LORD. (to be fair, it was Henry’s idea, not hers)

  • Historical note: Mary’s first child was a daughter, not a son.

  • Is it weird that in this film about a quintessentially English story, the main three actors aren’t English? Natalie Portman is a citizen of both Israel and the US, Scarlet Johansson is American, and Eric Bana is Australian. I bet people were pretty pissed about that at the time. Most of the secondary actors are English though: Jim Sturgess (George Boleyn), Kristen Scott Thomas (Elizabeth Boleyn), Mark Rylance (Thomas Boleyn – and also, he famously played Thomas Cromwell in Wolf Hall), David Mark Morrissey (Thomas Howard), Benedict Cumberbatch (William Carey), Oliver Coleman (Henry Percy), Juno Temple (Jane Parker), and Eddie Redmayne (William Stafford).

  • Catherine of Aragon is played by Ana Torrent, a Spanish actress. She’s also portrayed as a brunette woman with a heavy Spanish accent. Historically, Catherine of Aragon was known to have auburn hair and after 15+ years in England, probably wouldn’t have that deep of an accent.

  • Okay seriously, WHAT HAPPENED to Mary’s husband William Carey in the film? He’s just sent away by the king one day on a mysterious assignment and literally never mentioned again. In real life, he died in 1527 (several years after the king began pursuing Anne Boleyn and 5 years after Mary had their first child) of the sweating sickness. What a weird thing to just drop and never talk about at all.

  • What the heck is the timeline in this film anyway? It’s natural that it would be compressed, as in real life, Henry VIII pursued Anne Boleyn starting in 1525, the trial at Blackfriars of Henry’s marriage to Catherine of Aragon didn’t occur until May 1529, and they weren’t able to get married until late 1532-early 1533. Their story lasted a really long time and it makes sense that everyone speeds through it. But they’ve flipped several events and changed things enough that it’s hard to tell exactly what happens when.

  • Queen Catherine of Aragon, a Spanish princess and daughter of Isabella and Ferdinand, would probably not stoop so low as to talk directly to Anne and Mary Boleyn and call them whores for sleeping with her husband. I don’t think we have any evidence of her directly confronting any of her husband’s mistresses.

  • I will say, I haven’t actually read the novel this is based on, so I don’t actually know how much it differs from the original Philippa Gregory story. I AM currently marathoning through the Gregory Plantagent/Tudor books though, albeit slowly, as I read other books too, and am currently on The White Princess, so TOBG will be in two more books.

  • Catherine of Aragon’s speech before Henry VIII at the Legatine court on her knees is almost word for word exactly what she said historically. It’s been heavily edited, as she said significantly more than that. However, the part at the end where she directly says the pope must rule on their marriage? That was not in her original speech, although she did insinuate that that was what she wanted. Some of what she actually said that points to that desire:

    • “Sir, I beseech you for all the loves that hath been between us, and for the love of God, let me have justice and right, take of me some pity and compassion, for I am a poor woman and a stranger born out of your dominion, I have here no assured friend, and much less indifferent counsel: … Therefore is it a wonder tome what new inventions are now invented against me, that never intended but honesty. And cause me to stand to the order and judgment of this new court, wherein ye may do me much wrong, if ye intend any cruelty; for ye may condemn me for lack of sufficient answer, having no indifferent counsel, but such as be assigned me, with whose wisdom and learning I am not acquainted. Ye must consider that they cannot be indifferent counsellors for my part which be your subjects, and taken out of your own council before, wherein they be made privy, and dare not, for your displeasure, disobey your will and intent, being once made privy thereto. Therefore, I most humbly require you, in the way of charity, and for the love of God, who is the just judge, to spare the extremity of this new court, until I may be advertised what way and order my friends in Spain will advise me to take. And if ye will not extend to me so much indifferent favour, your pleasure then be fulfilled, and to God I commit my case!”

  • Okay so the insertion of Henry raping Anne into the film is really upsetting and insanely unnecessary and there’s no historical proof for it. I had forgotten that was in there and UGH. Is that in the original Gregory novel? God I hope not.

  • Henry and Anne’s wedding was a hell of a lot more private than it’s shown to be in the film. Think like, five people, not like the 50 shown in the film. There were actually probably two secret wedding ceremonies, both very small.

  • There’s no evidence of public boos of Anne at or around her coronation. Sure, people hated her (I mean, a mob tried to storm the house she was eating dinner in and kill her once), but that’s a little…public, to be booing the new queen. Although Henry wouldn’t really start beheading people for their views on Anne until a few years later, when people refused to sign and swear their allegiance to the parliamentary Act of Succession (which named Anne Boleyn the legitimate Queen of England and also made the king the head of the church of England), everyone knew he had the power to make it happen.

  • Anne wasn’t really called a witch during her lifetime. Honestly, if she was suspected to be a witch, we would have a lot more documentary evidence saying so. I mean. People called her everything else, why not that?

  • Pulling from an earlier blog post of mine: “However, in later years, various people spread the rumor. One Catholic writer Nicholas Sander described Anne Boleyn as having six fingers on her right hand and having a projecting tooth (but he said this in 1585, so like - how would he know?). He also alleged that she miscarried a monstrously deformed child. None of Anne’s contemporaries actually mention her having an extra finger, projecting tooth, or deformed child- and considering how much they hated her, wouldn’t they have mentioned it at the time if she did?” (excerpted from - https://www.rachaeldickzen.com/blog/2020/6/25/dontloseyourhead)

  • The portrayal of Anne sort of slowly slipping into more paranoia and hysteria about her relationship with Henry is pretty real. Anne had a notoriously sharp tongue and sudden temper. She and Henry really did have a stormy relationship. Another excerpt from my blog: “Reports from the time indicated that Anne and Henry had a very stormy relationship and had a tendency to have huge arguments and then later would reunite blissfully. One report described their relationship as “storm followed sunshine, sunshine followed storm.”

  • As I said earlier, there’s really no evidence that Jane Parker plotted with Thomas Cromwell to bring about Anne Boleyn and George Boleyn’s downfall, as the film portrays.

  • There’s of course also the plot device where Anne asks George to have sex with her to impregnate her and get her with child, in order to save her life. This is of course, absolutely did not happen. And even in the film, they don’t go through with it.

  • The way Anne is arrested and taken to the tower of London in the film is FAR more dramatic than it was in real life. They show her arguing with the king and him demanding his guards take her away. Historically, the last time Anne saw Henry was like, at a jousting tournament. He just left. And then all the other people she was accused with sleeping of were arrested slowly one at a time, and then they came for her. TOBG doesn’t even show the other people Anne was accused of adultery with, just her brother.

  • Okay, the costumes throughout this are mostly fine, but Mary wears one outfit towards the end with a very high blouse that appears to tie at the neck and that just…does not seem correct for 1530s England. Mary and Anne also both wear heavy damask print dressing gowns in an early scene, right after Mary’s wedding night with William Carey, that look incredibly off to me.

  • Sadly, Anne really was convicted by her uncle and her former fiancée Henry Percy. The jury unanimously convicted Anne Boleyn.

  • George’s execution was a lot more dramatic in this film than it was in real life. Historically, he got a chance to speak to the crowd before his death, he wasn’t just carried off by a mob and killed by an executioner immediately.

  • Mary goes to plead for Anne’s life to Henry in the film, and he seems to agree to her pleas. However, this did not happen in real life. After Mary married William Stafford secretly and became pregnant, she was banished from court and disowned by her family. I don’t believe she ever saw anyone in her family after that – there’s no record of Mary visiting her parents or her siblings in the tower all, and definitely no record of her interacting with the king again.

  • Anne’s speech before her execution in the film is pretty close to what she said in real life.

  • Mary Boleyn ABSOLUTELY DID NOT TAKE PRINCESS ELIZABETH AWAY WITH HER. WTF. That would never in a million years happen. Elizabeth fortunately had red hair like her father and looked enough like him that it was never seriously questioned that she was his daughter.

U.S. Jurisdictional Approaches to the Bar Exam During COVID-19: Why We Desperately Need Diploma Privilege

UPDATED 08/26 with this because the numbers are so horrifying that it needs to be at the top of the post:

CAN WE PLEASE DISCUSS THE FACT that Examsoft has not been used for a remote bar exam without major issue yet, even with just 1 jurisdiction/800 test takers (Michigan), and yet, 18 JURISDICTIONS plan to use it simultaneously to administer the test to OVER 30,000?! I just ran these test taker numbers (which are quite low, we're missing numbers from numerous jurisdictions offering remote examsoft bar exams) using a spreadsheet of info collected by the Diploma Privilege for Connecticut team and I'm frankly just...in jaw-dropping awe at this.

Let me run further math for you on that. 800 test takers on a remote bar exam in one jurisdiction (Michigan, that still had a significant issue when many users were locked out for 10-37 minutes on the first day of exams) is less than 3 PERCENT of the planned test takers who will be using examsoft to take remote bar exams on October 5-6. And again, those numbers are very low, as I don't have test taker numbers for Arizona, Idaho, Georgia, Massachusetts, Pennsylvania, Tennessee, or Texas (which alone historically has around 3,000 test takers!!).

THIS IS INSANE. THIS IS ABSOLUTELY RIDICULOUS. HOW CAN ANYONE THINK THIS IS REASONABLE OR GOING TO WORK.

When bar exam software has a significant issue the first time you use it in a remote setting, you don't go and then use it again for a remote use setting FOR OVER 37.5 TIMES THE PREVIOUS TEST TAKERS. This is BREATHTAKINGLY horrifying.

ORIGINALLY POSTED AUGUST 11, 2020

Quick Introduction (before getting into specific jurisdictional approaches):

The Normal Stress of the Bar Exam (pre-pandemic)

Let me start this out by noting that even in non-pandemic times, the process of studying for and taking the bar exam is an inherently stressful experience, both emotionally and financially. Each jurisdiction in the United States has different requirements for acquiring a legal license, but generally, you need: 1) a juris doctor degree acquired from a law school (a 3 year course full time and 4 years part time), 2) a passing grade in your jurisdiction on an ethics exam (often the Multistate Professional Responsibility Examination, or MPRE), 3) pass a Character and Fitness screening process/background check, and 4) pass the bar exam.

I’m not going to delve deeply into the huge expense of all of these items right now, but trust me when I say it’s a lot of money. The bar exam in Illinois, for example, costs $950 to take, and to properly prepare for it, you pretty much HAVE to pay for a professional bar prep program, which generally run $1,699+ (many of the big courses are over $2,000). It’s highly advised that you study full-time for the bar exam for around 2 months, and /don’t work/. The bar exam usually runs for 2-3 days and is only offered twice a year (and in some jurisdictions, only once a year). You generally won’t find out whether you passed or failed the bar exam for many weeks to many months afterward. If you don’t already have a job offer from a firm or an agency secured (contingent on you getting that licensure), you have to start job hunting without knowing whether you’ll be licensed or not. If you fail, you have to go through the whole process again, spending more money and time to pursue that passing score.

So even in the best of times, the bar exam process is incredibly expensive, stressful, and can cause a huge amount of financial hardship and uncertainty for test takers.

Bar Exams During a Pandemic

In the COVID-19 world we live in now, there are even more issues. Many jurisdictions have changed their bar exam plans multiple times, sometimes only a week or so before the original date. This causes a huge amount of mental and financial stress on test takers, as they now have to figure out how to support themselves for another 1-3 months until they can take the test.

Financial Concerns: Can they make their money last? Do they need to get a job to survive (against almost all bar prep advice)? If they search for a job, will they even be able to find one (there is a global recession on, after all)? If they already secured a job offer at a firm or an agency, is that offer still good (many businesses and governmental organizations have had to rescind their offers due to - recession, uncertainty of when law licenses will be acquired)? In some jurisdictions, like Delaware and Palau, the 2020 exam has been cancelled altogether, so test takers in those areas now have to figure out how they can make it through the next YEAR without a law license that will allow them to practice in their field.

Mental and Physical Health: Mental and emotional health issues are on the rise for everyone right now, given the pandemic and a global recession. Anyone who’s dealing with more immediate troubles, such as unemployment, illness or death in their families, and possible eviction, is going to be struggling even more. This constant stress and anxiety has a huge impact on a test taker’s ability to focus or study. In addition, the uncertainty behind when, where, and how a bar exam will be held means that it’s difficult for test takers to actually plan their studying (remember, several exams have been postponed or cancelled at the last minute). The bar exam tests such a wide variety of subjects that generally, test takers have to cram everything in their head over two months and hope that they reach the apex of that information curve right at the exam time, right before they forget it all (it’s basically impossible to hold on to all that knowledge for long). All the bar prep courses are designed to fit within that two month study period; what do you do when that two months extends to three, four, or five months? How do you retain what you’ve learned when you don’t know when those exams will happen?

Now let’s get into specific issues with each individual approach.

Quick disclaimer: I got almost all this information from the NCBE and plan to update it as I go with more information from various news sources. I don’t know the ins and outs of every jurisdiction, so there may be some outdated information on this. I am personally barred in Illinois, so I’m most familiar with the issues there. As you’ll see, this is a very complicated issue that jurisdictions are dealing with in a variety of different ways, and it’s all changing very quickly, so if anything is outdated or inaccurate, I apologize. You can always give me corrections via comment or via email at RachaelDickzen@gmail.com.

Almost all information here is from the National Conference of Bar Examiners, compiled 08/08/2020 from “July 2020 Bar Exam Status by Jurisdiction” (table form, broken out by date of exam)) and “July 2020 Bar Exam: Jurisdiction Information” (map and chart, broken out by jurisdiction)


UPDATED 08/11, 08/13, and 08/26 with new information [underlined, with sources linked]

Note 08/26: The Uniform Bar Examination is really catching on in recent years (seriously, I so wish this was adopted by Illinois when I took the bar exam there in 2015) and in normal times, test takers who pass the UBE can transfer their scores to other UBE jurisdictions, if their score is high enough (jurisdictions can set their own passing scores). It has now been adopted by 37 U.S. jurisdictions (out of 56). The NCBE is allowing two additional UBE test dates for jurisdictions offering it, but it appears that UBE scores will only be transferrable if they’re offered in person. If I say an exam is “for local admission only” that scores from that exam will not be transferrable to any other jurisdiction.

1.      Jurisdictions who gave an in-person July bar exam

· Arkansas, Colorado, Iowa, Mississippi, Missouri, Montana, North Carolina, North Dakota, Northern Mariana Islands, Oklahoma, South Carolina, South Dakota, West Virginia, Wisconsin (UPDATED 08/13/2020: The Wisconsin bar exam was for test takers who went to out of state law schools. Graduates of in-state law schools automatically get diploma privilege in Wisconsin. One of my Phi Alpha Delta sisters Alicia Linzmeier also reported to me that someone in her testing room in Wisconsin reported COVID symptoms to the state supreme court but that the court did not notify anyone.)

illinois bar exam.jpg

Health Concerns: Bar exams, particularly in larger jurisdictions, often have hundreds (maybe even thousands?) of test takers in one large space, like a stadium or a conference center. Here’s a photo of what the bar exam looked like in Chicago when I took it in July 2015. Yes, it’s just as insanely intimidating as it looks. This was actually one of two locations for test takers in Chicago then.

Reports that have come in from various jurisdictions that gave in person July bar exams have been…concerning. All the usual pandemic concerns apply here: Is everyone there wearing a mask? Is social distancing being enforced? However, the very high stakes of a bar exam, the fact that this exam is offered only 1-2 times a year, and the huge expense and time commitment involved in studying for it means that there is a rather high incentive for test takers to go to take the bar exam even if they’re feeling sick or have tested positive for COVID-19. Although jurisdictions were taking test takers’ temperatures, it’s totally possible that someone was missed.

I also saw lots of reports from test takers that social distancing was NOT being enforced and that they were really uncomfortable with how close they were to other people but….what could they do? They really didn’t have any choice in the situation. Keep in mind most bar exams ban you from having a phone anywhere near you; you definitely have to leave it way far in the back of a room or sometimes even at home. There’s often no way to call for help or document what’s happening.

It’s a little too soon yet to determine if people got sick from in person bar exams yet, but there was a report that came out immediately after the Colorado bar exam indicating that a test taker had tested positive from COVID-19 that advised everyone in a specific room to get tested. And seriously, how can you concentrate on one of the most important tests in your life while you’re worrying about whether you’ve contracted a highly contagious disease that’s killed over 163,000 people in the US and whether you might now be carrying it home to your family?

Administrative Concerns: In pandemic times, you obviously can’t have that many people crammed into one room and certainly not that close together at tables, so you’ll need more rooms, more spaces, and more proctors to administer the exam. So you’re bringing in more people, more places, and more passing in hallways to get to the various locations. Administratively, it becomes even more complicated.

2.      Jurisdictions planning to give a delayed in-person bar exam

· September – Puerto Rico (Although the NCBE website actually says that Puerto Rico gave its exam in July, I spoke with a lawyer in Puerto Rico on Saturday and found out that that is definitely NOT the case. Thanks for informing me, Irma Morales! Sorry, I haven’t been able to nail down the exact date yet because the website is all in Spanish, but I’ll try to figure this out soon).

· September 9-10 – Alaska, Guam, Hawaii, New Mexico

· September 30-October 1 – Maine, Rhode Island, Utah

· July and September 9-10 - Kansas, Minnesota, Nebraska, Virginia (one-day exam, Sept. 10), Washington

· July and September 30- October 1- Alabama, Wyoming

· July and October 5-6 - Arizona (updated 08/26: applicants could choose to attend the in person July exam, which would be eligible to transfer to other jurisdictions using the uniform bar exam [UBE] or a remote exam in October, but the remote exam would only be valid for practicing in Arizona), Idaho,

Health Concerns: All the previously stated in-person health and safety concerns apply here.

Mental Health and Studying Concerns: Given how many states have changed their plans for in person exams with extremely short notice, exam takers are in a huge state of uncertainty as to whether they will actually be taking the exam on the stated date or not, which leads to all the financial uncertainty and studying difficulty noted in the introduction.

3.      Jurisdictions with multiple dates and multiple testing options

· Oct. 5-6 remote exam offered as an option in addition to in-person July - Arizona (Updated 08/26: the remote exam for local admission only), Idaho, Oregon (Updated 08/26: July in person exam [which was limited to a maximum seating capacity of 500 applicants], passing score reduced 8 points, October remote exam for local admission only)

· Oct. 5-6 remote exam offered as an option in addition to in-person Sept. exam - Texas (Updated 08/26: The Texas Board of Examiners said on August 24 that they will accept a score of 270 or higher earned on the October remote bar exam from the following jurisdictions: the District of Columbia, Connecticut, Illinois, Kentucky, Maryland, Massachusetts (Updated 08/26: has announced a potential backup of an open book exam), New Hampshire, New Jersey, New York, Ohio, Oregon, Tennessee, and Vermont)

4.      Jurisdictions that gave a remote July bar exam

· July 28 - Michigan

Remote Exam Software Issues: Michigan is the only remote exam that’s been given so far, and thus, was the ONLY jurisdiction with a remote exam in July. It still had a ton of problems. The software crashed on the first day, which locked out some test takers for 10 - 37 minutes. Examsoft tried to blame this on a cyber attack, but many think this was an excuse and the software was simply just overwhelmed. The board of examiners said afterward that no data was compromised and test takers affected were given extra time, but that probably wasn’t very comforting to the many test takers who were anxiously freaking out at the time. Keep in mind that when a glitch in 2014 kept bar exam takers from being able to file their completed first-day tests electronically (after the bar exam, not during it), Examsoft ended up paying $2.1 million to settle all the class-action claims that resulted. This crash took place, DURING the bar exam, and all those test takers had to get right back to answering all the questions immediately after it happened. I can only imagine the panic attacks that were happening.

Updated 08/26: PLEASE REMEMBER that Examsoft crashed when it was offering just ONE bar exam. Numerous jurisdictions are currently planning to use Examsoft to offer simultaneous remote exams. This is a train wreck just waiting to happen. I have added a new category at the bottom of this post specifically outlining which jurisdiction is using Examsoft simultaneously.

Recently (as in August 7, 2020), a large bar exam software company, Extegrity, said that it will not be providing software for remote bar exams this year. They stated that their software was not developed for large scale, simultaneous start high stake exams and that remote proctoring carries undue risk for the October exam.

5.      Jurisdictions planning to give a remote delayed bar exam (proctored) 

· October 5-6 – California (lowered passing score 50 points. Updated 08/26: The new passing score will not be applied retroactively to previous bar examiners.), Connecticut, District of Columbia, Georgia, Illinois, Kentucky, Maryland, Massachusetts (Updated 08/26: has announced a potential backup of an open book exam), New Hampshire, New Jersey, New York, Ohio, Pennsylvania, Tennessee, Vermont, Virgin Islands

Note, added 08/26: A number of jurisdictions have entered into mutual reciprocity agreements for the portability of scores earned on the remote exam. These jurisdictions are: the District of Columbia, Connecticut, Illinois, Kentucky, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Ohio, Oregon, Tennessee, and Vermont. The Texas Board of Examiners said on August 24 that they will accept a score of 270 or higher earned on the October remote bar exam offered by these jurisdictions.

Remote Exam Administration and Safety Issues: Remote bar exams are generally proctored by a combination of people watching webcam feeds and cheating detection software. I’ll get into the cheating detection software more later in this section. From a practical standpoint, you need a LOT more people to watch a lot of individual webcam feeds than you do to watch hundreds of people shoved into one room.

From a safety and privacy standpoint, a lot of people are very creeped out by remote test-proctoring. Although I don’t think any bar exam plans to do it as intensely as is described in this article from The Verge, the situation is similar enough to pose concerns. I’ve read reports of female test takers receiving Facebook friend requests from their male exam proctors after they’d literally watched them take an exam for several hours as well, which is….extremely creepy.

Remote Exams’ Effect on Less Privileged Test Takers: Even assuming the software was entirely reliable and trustworthy, not every test taker has the same access to reliable internet, computers, webcams, or a private, quiet space. Remember we’re in a global pandemic and recession, plenty of people just don’t have the financial ability to rent a hotel room, or buy a new computer or webcam. Many jurisdictions have put very strict rules in place which ban any person or pet entering the room during the exam, which causes issues for parents or pet owners who can’t afford or find a sitter during a pandemic, or for those who live in small spaces with roommates or family members.

Remote Exams’ Effect on Test Takers with Disabilities: Some test takers who qualify for accommodations for the bar exam have been told they can’t get those accommodations remotely and need to come in for an in person test. In addition, rules designed to prevent cheating have resulted in bans on leaving the room, even for a bathroom break, which can pose issues for pregnant test takers or those with disabilities. One test taker who’s 8 months pregnant said that her accommodations request for bathroom breaks was straight up denied, so flexibility doesn’t seem to be a rule here.

Remote Exam Security Technology Bias: Cheating detection software is the big reason why test takers are banned from leaving the room and why any person or pet is banned from entering the room during the exam; it could throw up a flag and cause problems for you later even if your cat walks in (presumably most people’s cats are not experts on adverse possession law).

In addition, remote proctoring uses facial recognition technology to ensure that the same test taker is logging on to the exam for each module. Studies have shown that current facial recognition technology is biased towards a white male dataset and often causes issues for female test takers, test takers of color, or anyone who doesn’t conform to a traditional “white male” look as recognized by a computer. This can lead to problems and delays for bar exam takers trying to log on to take their test after a lunch break. And when you’re taking such a high stakes, expensive test, every moment counts.

·  TBD sometime in October - Florida (The planned test of ILG’s software on August 10 was postponed after numerous problems with it were identified after downloading it. UPDATE 08/26: The 08/19 exam was cancelled on 08/16. The Board will reschedule the exam for a date TBD in October; applicants may take the October exam or to postpone until February 2021. UPDATE 08/13: The Florida Board of Bar Examiners emailed applicants yesterday telling them not to download the software if they haven’t already done so. There have been numerous reports from Florida applicants over the past week that their banking/financial accounts were hacked shortly after downloading the software. ILG has apparently been dismissing these complaints as unconnected.)

6.      Jurisdictions that gave a remote delayed bar exam (open book, non-proctored)

· August 4 - Indiana (one-day exam) 

This entire approach was developed in response to the “repeated and unforeseen technical complicates” that resulted when Indiana tried to test its bar exam software from ILG in July.

·  August 11-12 – Nevada [UPDATED 08/11, shortly after posting this blog, i just learned that Nevada also decided to offer their exam as an open book non-proctored exam. Nevada used the same vendor that Indiana used and Indiana’s test caused Nevada to push back its exam two weeks. Some test takers reported that there were still issues with the software used by Nevada during practice sessions.]

·  August 24 or October 10 – [Louisiana UPDATED:08/13- Louisiana gave diploma privilege to recent law school graduates, but this left out ~300 people, such as those who already have a license in another state or those who are taking the Louisiana bar after previously failing it. Those who do have to take the Louisiana bar exam will now take an open-book test that they can submit via email, without live monitoring or proctors. The Louisiana Supreme Court stated that if it’s found that someone got help from another person during the exam though, that person will automatically fail and be banned from taking the exam for five years.]

7.      Jurisdictions granting extensions of supervised/provisional practice or creating new supervised/provisional practice rules

· Alaska [updated 08/26], Arkansas, California, Colorado, Connecticut, Florida [updated 08/26], Georgia, Idaho [updated 08/26], Illinois, Kentucky, Massachusetts, Missouri, Montana, New Jersey, New York, Ohio, Pennsylvania, South Dakota, Tennessee, Vermont

Disclaimer: This is the approach I know LEAST about. Jurisdictions are taking very very different approaches toward this - in some places, it may just be an extension of supervised practice student license rules. Other jurisdictions may allow for more autonomy on the part of the temporarily licensed lawyer.

Financial Issues: Either way, this really isn’t a satisfactory approach. Those with temporary licenses are still going to have to take 1-2 months off work in the future to study for the bar exam, and given the state of the world, it’s hard to guess when that time will be. Employers are going to be really disinclined to hire someone knowing that they’re going to have to give them that time off in the future for them to remain licensed. In addition, employers will definitely use a provisional license as an excuse to pay those holding that license less.

8.      Jurisdictions granting diploma privilege

· Diploma Privilege as an option, may take in person exam – Louisiana, Oregon (Updated 08/26: July in person exam, passing score reduced 8 points, October remote exam for local admission only), Washington

· Diploma Privilege alone – Utah

· Already had local Diploma Privilege - [UPDATED 08/13] Wisconsin already allows graduates of the two ABA accredited law schools in the state to seek admission to the state bar without having to sit for a bar exam and has done so since 1870. Graduates of out-of-state law schools must still take the bar exam to be admitted there (the state HAS denied a petition for diploma privilege from out of state students taking their bar).

I, obviously, support diploma privilege as the best option of all of these approaches. But even this option has numerous issues with it. Will employers accept licenses acquired through diploma privilege as valid or good enough? Will other states grant reciprocity? These concerns are real enough that Louisiana, Oregon, and Washington is still offering bar exams as an option to graduates who are concerned that diploma privilege won’t be enough.

Administratively - is it only accredited law school graduates that get diploma privilege? What happens to graduates of an unaccredited law school? Will those graduates alone be forced to take the bar exam?

Some people have voiced concerns that we’ll have unqualified lawyers if we grant diploma privilege. I personally think this is ridiculous, the bar exam tests memorization and short term recall far more than your actual ability to practice the law. Legal practice is almost always open book and you’re rarely going to be put in a situation where you need to spout off memorized facts and laws at a moment; even when that situation comes up, you’re likely to have ample time to prepare.

9.      Jurisdictions that have denied petitions or requests for diploma privilege

·         Alaska, Idaho, Illinois, Minnesota, Missouri, Nebraska, Nevada, North Carolina, Ohio, Pennsylvania, and Tennessee 

10.  2020 Exam cancelled

·         Delaware, Palau

Test takers in both of these jurisdictions will have to wait until July 2021 to take a bar exam and pursue licensure. This will obviously lead to lower pay and potential inability to get a job in the field you’ve trained for. Test takers will have to take 1-2 months off work next year to study for the exam, which will make employers pretty unhappy. Overall, it just leaves a lot of test takers in limbo.

ADDED 08/26: Bar exam software breakdown

I got my info from the brilliant Diploma Privilege for Connecticut’s spreadsheet, available over here as a Google sheet, so it’ll be updated a lot faster than this website if anything changes.

Examsoft on July 28: Michigan (800 test takers - crash which locked many users out for 10 - 37 minutes)

ExamSoft on October 5-6: Arizona, California (12,000 test takers), Connecticut (750), District of Columbia (1,100), Georgia, Idaho, Illinois (~2,200 based on previous commentary), Kentucky (350), Maryland (1,100), Massachusetts ( has announced a potential backup of an open book exam), New Hampshire (117), New Jersey (2,000), New York (8,000), Ohio (885), Oregon (300 person cap), Pennsylvania, Tennessee, Texas

ILG on August 11-12: Nevada (the exam was supposed to happen on July 29, but the test was pushed back by two weeks after defects emerged in an ILG beta test in Indiana. Nevada ultimately used ILG, but an earlier version of the software that eliminated features that have caused problems recently, most notably the verification and online streaming features. The exam was technically open book, but test takers on Twitter stated that given the short time for each essay, this didn’t really factor into how they took the exam. It does appear that Nevada’s bar exam occurred with relatively few issues.)

Software Failures and Issues so far:

Indiana planned to use ILG in July but abandoned the software completely after “repeated and unforeseen technical complicates” resulted when during a software test. Indiana ultimately conducted the bar exam open book via email.

[repeated from where I said it above in the post so feel free to skip this paragraph if you read that already] Michigan was the first jurisdiction to conduct a remote bar exam, on a day when no other jurisdictions were conducting it. The software crashed on the first day, which locked out some test takers for 10 - 37 minutes. Examsoft tried to blame this on a cyber attack, but many think this was an excuse and the software was simply just overwhelmed. The board of examiners said afterward that no data was compromised and test takers affected were given extra time, but that probably wasn’t very comforting to the many test takers who were anxiously freaking out at the time.

Florida planned to use ILG, but completely cancelled its August bar exam with three days to go after some pretty insane downloading issues resulted in numerous reports of test takers’ banking/financial accounts being hacked shortly after downloading the software. ILG has apparently been dismissing these complaints as unconnected.

/ahem/ let me repeat my numbers and rant from the top of the post.

CAN WE PLEASE DISCUSS THE FACT that Examsoft has not been used for a remote bar exam without major issue yet, even with just 1 jurisdiction/800 test takers (Michigan), and yet, 18 JURISDICTIONS plan to use it simultaneously to administer the test to OVER 30,000?! I just ran these test taker numbers (which are quite low, we're missing numbers from numerous jurisdictions offering remote examsoft bar exams) using a spreadsheet of info collected by the Diploma Privilege for Connecticut team and I'm frankly just...in jaw-dropping awe at this.

Let me run further math for you on that. 800 test takers on a remote bar exam in one jurisdiction (Michigan, that still had a significant issue when many users were locked out for 10-37 minutes on the first day of exams) is less than 3 PERCENT of the planned test takers who will be using examsoft to take remote bar exams on October 5-6. And again, those numbers are very low, as I don't have test taker numbers for Arizona, Idaho, Georgia, Massachusetts, Pennsylvania, Tennessee, or Texas (which alone historically has around 3,000 test takers!!).

THIS IS INSANE. THIS IS ABSOLUTELY RIDICULOUS. HOW CAN ANYONE THINK THIS IS REASONABLE OR GOING TO WORK.

When bar exam software has a significant issue the first time you use it in a remote setting, you don't go and then use it again for a remote use setting FOR OVER 37.5 TIMES THE PREVIOUS TEST TAKERS. This is BREATHTAKINGLY horrifying.

Obviously, despite writing over 3,000 words on this subject, this is just the tip of the iceberg. There’s a lot I haven’t talked about and a lot we don’t know. But please, if you’re convinced by my arguments here, join the fight for diploma privilege. United for Diploma Privilege has a pretty good run down of the organizers of the movements in each individual jurisdiction and a list of resources and upcoming events; I encourage you to reach out to the groups in your local area to help.

As you’ve seen now, this is a very complicated issue that jurisdictions are dealing with in a variety of different ways, and it’s all changing very quickly, so if anything is outdated or inaccurate, I apologize. You can always give me corrections via comment or via email at RachaelDickzen@gmail.com. Thank you!

More Zatoichi Film Reviews!

The first four Zatoichi film reviews (and number 20)

I’m finally getting around to finishing up my quick reviews of/thoughts about the Zatoichi films, which I started in late May. Zatoichi was featured in 26 films from 1962-1989 and a 100 episode TV series in the 70s. Think of him like a Japanese Daredevil from the 1800s. I’ve now watched all of the films except the very last one, but we haven’t been able to figure out how to access the TV series yet.

By the way, the main character’s name is simply Ichi. “Zato” refers to the lowest ranking in the Todoza, which was a guild for blind men (there actually was a different guild for blind women). Edo society was HIGHLY socially stratified with little to no opportunities to change your career or life really, so Zatoichi’s title reflects that. This social stratification is a recurring theme throughout the films. Ichi is basically one of the lowest ranking members of the society, partly as a result of and in addition to his blindness, which is a big reason why his skill with the sword always surprises everyone. In addition, during the Edo period, technically only men in the samurai class were allowed to carry swords, but this wasn’t enforced very well. As a result though, Ichi always uses a cane sword, which he keeps hidden within the cane until he really needs it.

Oh! So “yakuza” as its used in the films means “gangster.” Apparently the term actually originates from a traditional card game called Oicho-Kabu. I briefly tried to understand the rules of this game so I could explain it in more depth but quickly gave up – basically, tl;dr – “Ya-ku-za” is made up of the three numbers which create the worst possible hand that can be drawn in the game.

On to the actual little film reviews! *** Indicates my favorites!

Zatoichi on the Road

Zatoichi on the Road

5. Zatoichi on the Road (Directed by Kimiyoshi Yasuda, 1963)

 At the beginning of the film, Ichi has to kill a few gangsters who attack him and his guide (who lasts only a few minutes in the film). He meets Hisa, one of the dead gangster’s wives immediately afterwards, who is strangely callous and calm when she tells Zatoichi that he just killed her husband (because they attacked him). Shortly thereafter, Ichi is asked to escort a girl named Mitsu to her wealthy family in Edo. Mitsu is in trouble and currently hiding out, as she stabbed a local lord in the face with her hairpin when he tried to rape her (GOOD FOR HER).

There’s a great scene where Ichi ends up talking about himself to someone who knows of him but doesn’t recognize him AS the great Zatoichi. He disparagingly says that Ichi learned how to fight and people have been following him and trying to kill him ever since and it’s all a terrible bother. It’s an interesting character development point.

Hisa continually tries to interfere with Ichi’s attempts to save Mitsu and at one point persuades Mitsu that Ichi is actually going to hurt her and gets her to leave. Hisa immediately brings Mitsu to a gangster, who tries to hold Mitsu for ransom, but Ichi ends up finding her and fighting everyone to save her. 

More shenanigans ensue as Ichi tries to keep Mitsu safe and more gangsters try to kill him and her. Ichi continues to show a great ability to tell the difference between good people who just happen to be involved in gangs and gangsters who actually are terrible people.

There are a couple of interesting details in this film. There’s a running joke with sour persimmons; Ichi first tries one and makes a terrible face, then later forces a scoundrel to eat a persimmon before showing him to the door. At one point, a group of children chases and laughs at Ichi (why do children tease blind men so often in the Zatoichi films), but he doesn’t seem to mind and actually is quite delighted to play with them.

 This film has some Very 60s soap opera style music at the end, complete with an organ.

By the end of the film, Ichi is very clearly in love with Mitsu but knows it would never work out with them. He asks a friend to take her to a boat to safety. They wait for him for a while but eventually they realize that he isn’t joining them. At the end of the film, he walks off alone, smelling a kerchief that he kept of hers to remember her by.

Zatoichi and the Chest of Gold

Zatoichi and the Chest of Gold

6. Zatoichi and the Chest of Gold  (Directed by Kazuo Ikehiro, 1964)

This one has a very 60s James Bond style beginning, with the fights happening against a black background with no distinguishable setting, all against orchestral actiony music. Husband John joked, “He may have a higher body count just in the credits of this film than he does in any other movie.” 

Ichi walks in to a village that’s celebrating paying off their huge tax debt and they invite him to come join them with their feasting and dancing. He ends up even playing drums for a while. So much of this film series concentrates on Ichi’s overwhelming sadness and melancholy that it’s really fun to see him let loose every once in a while.

So the tax payment ends up getting stolen, which was entirely foreseeable, since these assholes are carrying their 1,000 Ryo tax payment on a horse with a giant sign that says “tax payment” on it. Are they TRYING to get robbed blind? The tax payment theft gets blamed on Ichi (who just happened to be nearby when the robbery happened and ended up sitting on the chest for a while, thinking it was just some random thing) and Boss Chuji, the local yakuza/Robin Hood figure, but ultimately it ends up that a corrupt magistrate actually stole it all. Lots of complications ensue but ultimately Ichi gets the villagers their money back. At the end, he slowly walks toward the villager’s celebration music while his face is covered in scratches and tears, theoretically to join them, but at the end of Zatoichi’s films, he typically just wanders away without a goodbye, so it’s hard to tell.

This one includes some VERY 60s organ and film transitions here- like spinning video like in Batman.  There’s a funny scene where Ichi is interacting with a sex worker who apparently really needs to take a bath where he’s just trying to get away from her and it’s the weirdest funniest thing.

Recurring Zatoichi element: Calling out other dudes being jerks to women. At one point he goes into an onsen (a bathing facility) for women joking about how he can’t actually see anything, but then ends up splashing water on the peeping toms looking through a a wall.

The whole “a combatant in a fight is already dead before he actually moves and falls to the ground thing” is such a cliche but i love it anyway.

Zatoichi’s Flashing Sword

Zatoichi’s Flashing Sword

7. Zatoichi’s Flashing Sword (Directed by Kazuo Ikehiro, 1964) ***

This film opens with a really artsy and beautiful opening shot aimed straight down into the room where the action is happening. The camera ends up moving around like it’s on the back of a fly that Zatoichi ends up cutting in half with his sword.

Here’s another movie in a row with a good yakuza and a bad magistrate. In this one, the good yakuza keeps the prices for the ford across the river low to avoid burdening the locals. Here, this “ford” consists of strong burly men carrying people across on their backs. It’s such an interesting cultural detail that I don’t think you’d see in the west, even back in the 1800s, as you end up being carried across the river by perfect strangers. The workers at the ford literally climb underneath the outstretched legs of their passengers to get them positioned on their shoulders.

The ford becomes a huge bone of contention as the bad magistrate tries to take control of it away from the good yakuza and charge the locals more money for it all. Ichi stays with the good yakuza for a few days leading up to the festival after helping put an end to some fights around the ford and ends up helping him out in other ways as well.

During all the back and forth, Ichi is attacked while crossing the river and ends up going underwater to fight his assailants. The underwater sword fight was extremely cool. He manages to kill them all from below and had to check their bodies with his sword to make sure they were dead. Apparently this was a real thing and lots of the original freestyle swimming competitions in the Olympic s were easily dominated by the Japanese, because they were used to training in swordfighting in water.

At one point, a samurai working for the evil magistrate references Ichi’s fights with the samurai master Miki Hirate (from the first film, The Tale of Zatoichi), yakuza boss Sukegorō Hanoka (from the second film, The Tale of Zatoichi Continues), and a magistrate in other province (Zatoichi and the Chest of Gold). Ichi’s fame has really grown. I’m sad that his reputation ends up persuading the good yakuza send him away before the fireworks show he desperately wants to see, as they’re afraid of him. Ichi is awesome though and continues to help them and fight their enemies for them. Interesting thing - they knew he was a blind man named Ichi but didn’t connect he was Zatoichi BECAUSE Ichi was apparently a very common name for blind men acting as masseurs, although usually they have some other name as well. I think the overall commonness and humility of his name ties in very well into the series and character’s overall feel.

There’s a wonderful repeating joke in this film where Zatoichi, the blind man, tries to talk to the fireworks maker, a deaf man.

I love how people see him fight and kill multiple people really quickly and STILL ask “what can you do, you’re blind?” This film features a moment where Zatoichi just goes Kill Bill on all the bad guys as the fireworks go off in the background quite beautifully. Ichi is overall so patient and calm and chill when people harass him for his blindness that it’s impressive when he loses his shit. “I’ve had about all I can take from you.” 

Recurring Zatoichi element: “In the dark I have the advantage; it turns you all into blind men.” His trick of cutting a candle in half so the flame falls escalates in this film, where he’s actually fighting with a lit candle top on his sword for a while.

Recurring Zatoichi element: Calling out other dudes being jerks to women. In one small scene, Ichi pretends to be a peeping Tom with a few other men and then loudly asks everyone if they’re looking at the woman to alert her to their presence. 

Zatoichi Girl whose name starts with O: For some reason many women in the series that have some sort of possibly romantic relationship with Ichi have names starting with O. This film’s version is Okuni.

Fight, Zatoichi, Fight

Fight, Zatoichi, Fight

8. Fight, Zatoichi, Fight (Directed by Kenji Misumi, 1964) *** (This is actually my favorite Zatoichi film of them all!)

As the series goes on, they’re clearly trying to differentiate the films’ beginnings in new and artistic ways. This one opens with a focus on Zatoichi’s feet and sandals as he’s walking along a path, including a moment where he even steps in manure (ew). There’s also a sweet blind man’s pilgrimage where they all claim to be named Ichi to fuck with the people looking for Zatoichi and hide him to the side somewhere. (although as I mentioned previously, Ichi was apparently a common name for blind masseurs at the time). This blindman’s pilgrimage will show up twice more in the film.

The whole plot of the film really gets going when a woman is tragically killed in a palanquin, as his enemies thought Zatoichi was in it (he had just given up the palanquin to the woman, who was tired from walking). It’s really tragic, as the baby is just like, crying while still held in his dead mother’s arms, ack.

Shortly after, as the people in the nearby village help Ichi figure out what’s going on (reading through the woman’s papers to find her identity and such) and prep him to go take the baby to his father, the baby pees in ichi’s face. Because why not.

Later, Ichi hears a woman singing a very disturbing lullaby to a baby about its mother dying while she herself is walking on a very thin bridge while Ichi watches her with HIS orphaned baby from a thicker bridge. This lullaby will come back twice more in the film and also plays as an instrumental at various points.

As he travels throughout Japan, Ichi is just dropping the kid’s dirty diapers in creeks wherever he goes? People DRINK out of those creeks, Ichi. Ichi improvises with the baby by giving him a leaf to play with. In one hilarious scene, he asks a woman to lead him to a scarecrow in a field, and then assaults the poor scarecrow (as the woman watches in confusion) to take his clothes and flags from the fence for diapers. 

There are multiple funny moments where Ichi balances child care with fighting for his life. While changing the kid’s diaper, his enemies try to kill him and he kills like five of them, while keeping the baby safe the whole time. He actually says straight out, “seriously, you can’t just let me change this kid’s diaper?” At another moment, he shushes a dying man, as the baby is sleeping.

There’s a very cute scene where he’s at a gambling table with the baby, conferring with the baby over whether to bet odd or even. Later, when he figures out that the game is fixed, he throws the baby into a woman’s arms for safety so he could reveal the loaded dice switch.

That night, he hires a sex worker just to take care of the baby while he sleeps (I LOVE HIM). He gave her rice water to feed him and a string rattle to play with him. “Aren’t you lucky, going to sleep with this pretty lady?” He is the cutest helicopter parent and keeps checking on him, even feeling for his breath while he sleeps, aww.

A random thief lady named Oko comes along and ends up joining Ichi on his journey to help him with a child, falling for Ichi in the process, of course. They encounter the blind men’s pilgrimage again and they happily greet the woman and the child, assuming that they’re his family.

Don’t let a baby pee off a balcony y’all. They might pee on a sumo who then threaten to kill you. Immediately after this incident, Ichi ends up fighting a ton of people with fire because of course he does.

Toward the end of the journey, right before he’s about to bring the baby to his father, he drives Oko away with harsh words and pretends not to love the child when he in fact really does. The moment she leaves, he picks up the kid and is like “don’t listen to anything I just said” and sings him the lullaby. 

Shenanigans ensue but ultimately the baby’s father ends up being a jerk who denies him as his own. Ichi briefly thinks he’s going to adopt the child and raise him as his own, but ultimately gives him to a kind monk who politely suggests that the kid would likely be better off being cared for in a temple rather than traveling on the road with a blind yakuza. Ichi  walks away at the end singing the creepy lullaby and playing with the kid’s rattle, clearly very distraught at the loss of the child.

At the very end, the blind men’s pilgrimage walks past him, the third time we’ve seen them. Ichi ends up looking at them but says nothing to announce his presence. He doesn’t want to answer their questions about the child or the wife. (HEART BROKEN FOREVER)

Recurring element: Ichi reveals that the dice in a gambling den are loaded, making enemies, of course.

Zatoichi Girl whose name starts with O: Oko

9. Adventures of Zatoichi (Directed by Kimoyshi Yasuda, 1964)

I don’t have a ton of notes on this film, as it’s well done but is a very complex story with lots of different minor but important characters and different plots running throughout it. Ichi gets involved with delivering a note to Sen, a woman at an inn, from a stranger yakuza. Also at the inn is Saki, a woman hunting for her father, a town chief who’s gone missing. This film also features Giju, an old drunk who may be Ichi’s long lost father, which leads Ichi to trust him, even though he likely shouldn’t.

It’s all set in the background of a New Year’s celebration, which is really beautiful and fun. A festival air pervades it all. A local magistrate and a corrupt yakuza though, have raised rates for the festival and are demanding an exorbitant cut of the revenues from the vendors who have come into town to entertain the populace. These entertainers are a fun bunch and include some musical duos and a Statler and Waldorf style comedy duo.

All of the stories end up becoming intertwined in various ways. It’s a good film, but I personally found it a bit confusing to follow. There’s a later film in the series (Number 11, Zatoichi and the Doomed Man) which has similarly intertwined stories, but is executed in a much clearer and less confusing way.

Recurring element: Zatoichi befriends random children. Two acrobat kids end up helping Ichi throughout the film as he tries to save the day.

Recurring element: Ichi exposes loaded dice while gambling.

Announcement: Tudor Watch Party series!

Hi everyone!

I’m going to start hosting various virtual watch parties of specific Tudor/Tudor adjacent films and TV series and discussions afterwards over on my Author Facebook Page. I’ll hold these parties occasionally, probably around once a month, and will be alternating between more modern productions (The Tudors, The White Queen, The Other Boleyn Girl) and older productions (The Private Life of Henry VIII from 1933, Carry on Henry from 1971, etc.).

I won’t be doing a live cast or anything, but will instead ask people to watch the media for that week (or a selection of it, for a long series like The Tudors) and then we can discuss it all later. I'll write up little reviews of the media and highlight the best parts of the discussion on my blog afterward.

Warning, the vast majority of media about the Tudors/Tudor adjacent British monarchs is just hilariously historically inaccurate, but it should be great fun to discuss it all and tear it all apart. I'm generally willing to watch even bad television/films and laugh about them later. I only was able to get through like, two episodes of Reign before I turned it off forever though, hahah.

Here's a short list of possible media selections for our first week of watching. Let's say that this is for the week of August 16-22 - I'll post up a discussion link on Sunday and we can all jump in with our thoughts throughout the week. Vote for your favorite option!

1. The Other Boleyn Girl (film starring Natalie Portman, Scarlett Johansson, and Eric Bana - Henry VIII/Anne Boleyn/Mary Boleyn - 2008)

2. The White Queen (miniseries starring Rebecca Ferguson, Amanda Hale, and Faye Marsay - Elizabeth Woodville/Margaret Beaufort/Anne Neville/Wars of the Roses - 2013. I'd select one episode in particular to concentrate on but the whole TV series would be up for discussion if we choose this)

3. Elizabeth (film starring Cate Blanchett - Elizabeth I - 1998)

4. Lady Jane (film starring Helena Bonham Carter - Jane Grey/Edward VI/Mary I - 1986)